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Tony Richardson's A Taste of Honey (1961) is a multi-award-winning landmark film in British cinema history and one of the few key films of the British New Wave to have be written by a woman (Shelagh Delaney, adapting her own stage play).Melanie Williams' study explores the many ways in which A Taste of Honey was innovative. It was one of the first films to be made almost entirely on location, its Salford, Manchester and Blackpool exteriors and interiors perfectly curated by production designer Ralph Brinton. It was shot by Walter Lassally in a style liberated from previous orthodoxies about good cinematography and was poetically assembled by visionary editor Anthony Gibbs. The film also launched a wholly new kind of female star in Rita Tushingham, and introducing new faces to British cinema, including Murray Melvin, Paul Danquah, and Robert Stephens. Perhaps most innovatively of all, it boldly but un-sensationally explored class, place, gender, age, ethnicity, sexuality, maternity, and their various intersections at this key moment in post-war British history. Teenage playwright Delaney's strikingly original dramatic vision was sympathetically rendered on screen by Tony Richardson, in perhaps the finest and most fully realised of all his films, and certainly among the finest achievements of the British New Wave he helped to instigate.
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Architecture --- anno 1950-1959 --- Great Britain --- Arts, British --- Architecture, British --- Arts --- Aesthetics, British --- Arts britanniques --- Architecture britannique --- Esthétique britannique --- History --- Philosophy. --- Histoire --- Philosophie --- Edited by Claude Lichtenstein, Thomas Schregenberger --- Groot-Brittannië --- twintigste eeuw --- kunst --- architectuur --- interieurvormgeving --- Henderson Nigel --- Paolozzi Eduardo --- Fischli Peter --- Weiss David --- Fischli & Weiss --- Stirling James --- Gowan James --- Bill Max --- Lewerentz Sigurd --- Price Cedric --- St. John Wilson Colin --- Füeg Franz --- Hamilton Richard --- Anderson Lindsay --- Cordell Magda --- Richardson Tony --- Lassally Walter --- Sillitoe Alan --- Delaney Shelagh --- Osborne John --- Banham Reyner --- stedenbouw --- urbanisme --- Tanner Alain --- Goretta Claude --- Lambert Galvin --- theater --- film --- pop art --- design --- collages --- beeldhouwkunst --- literatuur --- Angry Young Men --- Kureishi Hanif --- Smithson Alison --- Smithson Peter --- 7.038 --- 72.036 --- 791.43 --- Esthétique britannique
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Drama --- Film adaptations --- Motion pictures and theater --- #SBIB:309H1320 --- #SBIB:309H1324 --- #SBIB:309H241 --- #SBIB:309H500 --- 791.41 --- Albee Edward --- A Midsummer Night's Dream --- A Streetcar Named Desire --- Bazin André --- Brook Peter --- Donner Clive --- Drie zusters --- Electra --- Euripides --- film --- film en theater --- Hall Peter --- Hamlet --- Henry V --- Kozintsev Grigori --- Kurosawa Akira --- Lon Day's Journey into NIght --- MacBeth --- Miss julie --- Nichols Mike --- Nicoll Allardyce --- Olivier Laurence --- O'Neill Eugene --- Pinter Harold --- Polanski Roman --- Pygmalion --- Richardson Tony --- Roger Manvell --- Shakespeare William --- Shaw Bernard --- Sjöberg Alf --- Strindberg August --- theater --- The Caretaker --- The Marat-Sade --- Tsjechow Anton --- Weiis Peter --- Who's Afraid of Virginia Woolf --- Williams Tennessee --- 791.43 --- Moving-pictures and theater --- Theater and motion pictures --- Theater --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- Motion pictures --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Stage --- Dialogue --- Film and video adaptations --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: film en literatuur --- Andere media: functies, genres, historiek --- De theoretische benadering van code en boodschap: algemene werken --- Adaptations --- Philosophy --- Film --- Theatrical science --- Comparative literature
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