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During the 1930s, American artists, such as Ben Shahn, developed a mode of representation generally known as Social Realism. Presenting an assessment of Social Realism, this book contends that the radical, 'realistic' art of the Americas during the 1930s was shaped as much by hemispheric exchange as by emulation of the European avant-garde.

Problèmes sociaux dans l'art --- Social problems in art --- Sociale problemen in de kunst --- Art --- Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art and politics --- Politics and art --- Political aspects --- Art [Modern ] --- 20th century --- Berni, Antonio --- Criticism and interpretation --- Johnson, Malvin Gray --- Richardson, Earle (Earl) W. --- Evergood, Philip --- Rivera --- Shahn, Ben