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Richard Serra : sculpture : forty years
Authors: --- --- ---
ISBN: 9780870707124 0870707124 Year: 2007 Publisher: New York : Museum of Modern Art : Distributed in the United States and Canada by D.A.P./Distributed Art Publishers,

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Book
Richard Serra : sculpture.
Authors: --- ---
ISBN: 0870705903 Year: 1986 Publisher: New York The Museum of Modern Art


Book
Conversations about sculpture
Authors: ---
ISBN: 9780300235968 0300235968 Year: 2018 Publisher: New Haven : Yale University Press,

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Drawn from talks between celebrated artist Richard Serra and acclaimed art historian Hal Foster held over a fifteen-year period, this volume offers revelations into Serra’s prolific six-decade career and the ideas that have informed his working practice. Conversations about Sculpture is both an intimate look at Serra’s life and work, with candid reflections on personal moments of discovery, and a provocative examination of sculptural form from antiquity to today. Serra and Foster explore such subjects as the artist’s work in steel mills as a young man; the impact of music, dance, and architecture on his art; the importance of materiality and site specificity to his aesthetic; the controversies and contradictions his work has faced; and his belief in sculpture as experience. They also discuss sources of inspiration—from Donatello and Brancusi to Japanese gardens and Machu Picchu—revealing a history of sculpture across time and culture through the eyes of one of the medium’s most brilliant figures.


Book
Richard Serra Running Arcs (For John Cage)
Author:
ISBN: 3928762079 1870814568 1854371096 Year: 1993 Publisher: Düsseldorf Richter


Book
Richard Serra Druckgrafik : werkverzeichnis
Authors: ---
ISBN: 3923791275 Year: 2000 Publisher: Gent Stedelijk Museum voor Actuele Kunst


Book
De Opening.
Authors: ---
ISBN: 9074529011 Year: 1992 Publisher: Tilburg De Pont

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Keywords

Museumcatalogi De Pont stichting voor hedendaagse kunst Tilburg (Nl) --- Land Art Richard Long --- Merz, Gerhard --- Beeldhouwkunst Roni Horn --- Beeldhouwkunst klei Guido Geelen --- Schilderkunst 20ste eeuw Arnulf Rainer --- Fotocollages 1960-1990 Jan Dibbets --- Schilderkunst Minimal Art monochromen R. Ryman --- Schilderkunst vanaf 1960 Hans van Hoek --- Dumas, Marlene --- Beeldhouwkunst tekeningen teksten Thierry De Cordier --- Installaties Minimal Art Wolfgang Laib --- Schilderkunst Marc Mulders --- Schilderkunst Marien Schouten --- Beeldhouwkunst Minimal Art Richard Serra --- Verhoef, Toon --- Trockel, Rosemarie --- Daniëls, René --- Birza, Rob --- Museumcatalogi --- Installaties met ruimte en licht James Turrell --- Kapoor, Anish --- 7.038 --- (492) --- 069 --- 069(492) --- Kunstgeschiedenis 1950 - 2000 --- (Nederland) --- Musea. Collecties --- Musea. Collecties Nederland --- Horn, Roni --- Turrell, James --- Schouten, Marien --- Cordier, de, Thierry --- Geelen, Guido --- Mulders, Marc --- Hoek, van, Hans --- Laib, Wolfgang --- Art --- Serra, Richard --- Long, Richard --- Rainer, Arnulf --- Daniels, René --- Ryman, Robert --- Dibbets, Jan --- Museumcatalogi ; De Pont stichting voor hedendaagse kunst ; Tilburg (Nl) --- Land Art ; Richard Long --- Beeldhouwkunst ; Roni Horn --- Beeldhouwkunst ; klei ; Guido Geelen --- Schilderkunst ; 20ste eeuw ; Arnulf Rainer --- Fotocollages ; 1960-1990 ; Jan Dibbets --- Schilderkunst ; Minimal Art ; monochromen ; R. Ryman --- Schilderkunst ; vanaf 1960 ; Hans van Hoek --- Beeldhouwkunst ; tekeningen ; teksten ; Thierry De Cordier --- Installaties ; Minimal Art ; Wolfgang Laib --- Schilderkunst ; Marc Mulders --- Schilderkunst ; Marien Schouten --- Beeldhouwkunst ; Minimal Art ; Richard Serra --- Installaties ; met ruimte en licht ; James Turrell --- Kunstgeschiedenis ; 1950 - 2000 --- Musea. Collecties ; Nederland


Book
Pictures of Nothing : Abstract Art since Pollock.
Authors: --- ---
ISBN: 0691252963 Year: 2006 Publisher: Princeton : Princeton University Press,

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""What is abstract art good for? What's the use--for us as individuals, or for any society--of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the last five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour of a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works." http://www.loc.gov/catdir/enhancements/fy0654/2006006621-d.html.

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