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"This volume charts the intersections between art history and art conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian, framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe; later chapters recount how paintings conservation was integrated into institutional settings at the National Gallery in London under Charles Eastlake and at the Kaiser-Friedrich-Museum in Berlin under Wilhelm Bode. Using period texts, unpublished archival materials, and historical photographs, the book proposes a new approach to conservation history, object-focused yet enriched by consideration of a wider cultural context"--

Painting, Renaissance --- Painting, Italian --- Painting --- Museum conservation methods --- Art --- Art restorers --- Art museums --- Conservation and restoration --- History --- Historiography --- Museology --- Conservation. Restoration --- Art styles --- History as a science --- easel paintings [paintings by form] --- art museums [institutions] --- Italian Renaissance-Baroque styles --- anno 1800-1899 --- Europe --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Restorers, Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Conservation methods, Museum --- Museum techniques --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Italian painting --- Paintings, Renaissance --- Renaissance painting --- Galleries and museums --- Art, Primitive --- historiografie van de kunstgeschiedenis