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Accompanying an exhibition at the Barber Institute of Fine Arts - only the second exhibition ever devoted to the artist - this noteworthy publication considers De Beer's work and career, working methods, and traces the history of De Beer's paintings in British collections.0The Antwerp painter Jan de Beer (c.1475-1527/28) was highly esteemed in his lifetime and still famous a couple of generations after his death, but then fell into oblivion until the early twentieth century. Only recently have his achievements been fully recognized and documented. The artist's known oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window, after a lost design. De Beer's stylish and elegant art appealed to patrons and collectors, churches abroad, and copyists. His work is typically associated with that of the Antwerp Mannerists, a prominent group of mostly anonymous painters active in the city during his lifetime. Exhibition: The Barber Institute of Fine Arts, Birmingham, UK (25.10.2019-19.01.2020).

altarpieces --- religious art --- Beer, de, Jan --- Altarpieces --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Beer, Jan de, --- De Beer, Jan, --- Beer, Jan de

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Altarpieces --- Polychromy --- Wood sculpture --- Retables --- Polychromie --- Sculpture sur bois --- Conservation and restoration --- Congresses --- Conservation et restauration --- Congrès --- Church decoration and ornament --- Wood carvings --- Wooden sculpture --- Sculpture --- Wood-carving --- Color in sculpture --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Predellas --- Reredos --- Screens (Church decoration) --- Color --- Congrès --- Congresses.

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Altarpieces --- Architecture --- Church architecture --- Eclecticism in art --- Goldwork --- Gold articles --- Gold work --- Goldsmithing --- Historismus (Art) --- Ecclesiastical architecture --- Rood-lofts --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Predellas --- Reredos --- Retables --- History --- Design and construction --- Art metal-work --- Metal-work --- Jewelry making --- Art --- Building --- Screens (Church decoration) --- Christian art and symbolism --- Religious architecture --- Architecture, Gothic --- Church buildings --- Architecture, Primitive

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Sculpture --- anno 1600-1699 --- Buxheim --- Sculpture, German --- Altarpieces --- 73.034.7 --- 271.71 <43 BUXHEIM> --- -Sculpture, German --- -German sculpture --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Baroksculptuur --- Kartuizers--Duitsland voor 1945 en na 1989--BUXHEIM --- Reichskartause (Buxheim) --- Buxheim, Ger. (Unterallgäu). --- Buxheim (Schwaben, Germany). --- Kartause Buxheim --- -Baroksculptuur --- 271.71 <43 BUXHEIM> Kartuizers--Duitsland voor 1945 en na 1989--BUXHEIM --- 73.034.7 Baroksculptuur --- -73.034.7 Baroksculptuur --- German sculpture --- Sculpture, German - Germany - Buxheim (Schwaben) - 17th century. --- Altarpieces - Germany - Buxheim (Schwaben)

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Zum Ende des 15. und Beginn des 16. Jahrhunderts entstehen in Brüssel, Antwerpen und Mechelen gross- und kleinformatige Altaraufsätze, die in wenigen Jahren zu gefragten Produkten des Exportes werden und heute noch in grosser Zahl in ganz Europa in Klöstern, Pfarrkirchen und Kathedralen zu finden sind. Jedes der drei Produktionszentren bevorzugte dabei einen bestimmten Grundtypus des technischen und motivischen Aufbaus seiner kleinformatigen Retabel, von denen 56 Exemplare für diese Untersuchung berücksichtigt werden konnten. Das genaue Untersuchen der oft engen Übereinstimmung der Retabel in Stil und Aufbau erlaubt einen neuen Versuch der Künstleridentifikation, der sich von den althergebrachten Begriffen des Meisters und seiner Werkstatt entfernt und dafür eine Neugruppierung und neue Kontextualisierung der Objekte erarbeitet. Dabei liegt ein besonderes Augenmerk auf der erkennbaren Standardisierung der Herstellung durch Vorfertigung, Motivwiederholung und Arbeitsteilung.

Altarpieces, Flemish --- Retables flamands --- Malines --- 75:726.593 --- 73 <493> "14/15" --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Beeldhouwkunst. Sculptuur--België--15/16e eeuw. Periode 1400-1599 --- 73 <493> "14/15" Beeldhouwkunst. Sculptuur--België--15/16e eeuw. Periode 1400-1599 --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Mechelen --- Altarpieces --- 73.046.3 --- 73.046.3 Religieuze beeldhouwkunst --- Religieuze beeldhouwkunst --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Sculpture --- Painting --- anno 1400-1499 --- anno 1500-1599 --- Antwerp --- Brussels --- Altarpieces - Belgium - 15th century --- Altarpieces - Belgium - 16th century