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Disgust
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ISBN: 1299624057 9781299624054 9780203780558 0203780558 0881633879 9780881633870 1134910703 9781134910700 9781134910779 9781134910847 9781138005754 Year: 2004 Publisher: Hillsdale, NJ Analytic Press

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The Shame Experience [TAP, 1985/1993pbk]; Shame in Context [TAP, 1996]), now turns to disgust, an intriguing emotion that has received little attention in the professional literature. For Miller, the psychological study of disgust revolves around boundary issues: We tend to feel disgusted about things (from bodily processes to decaying organic matter to ethnic attributes of ""foreign"" people) that lie on the border between our sense of self and nonself or between our sense of ""good self"" and ""bad self."" Mill


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Cultural Approaches to Disgust and the Visceral
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ISBN: 1000773434 1003205364 1032063785 Year: 2022 Publisher: New York : Taylor & Francis (Unlimited),

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This edited volume traces cultural appearances of disgust and investigates the varied forms and functions disgust takes and is given in both established and vernacular cultural practices. Contributors focus on the socio-cultural creation, consumption, reception, and experience of disgust, a visceral emotion whose cultural situatedness and circulation has historically been overlooked in academic scholarship. Chapters challenge and supplement the biological understanding of disgust as a danger reaction and as a base emotion evoked by the lower senses, touch, taste and smell, through a wealth of original case studies in which disgust is analyzed in its aesthetic qualities, and in its cultural and artistic appearances and uses, featuring visual and aural media. Because it is interdisciplinary, the book will be of interest to scholars in a wide range of fields, including visual studies, philosophy, aesthetics, sociology, history, literature, and musicology.


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Le dégoût : histoire, langage, esthétique et politique d'une émotion plurielle
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ISBN: 9782875620675 Year: 2015 Volume: 3 Publisher: Liège : Presses Universitaires de Liège,

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Pourritures, cadavres, corruptions, insectes et vermines, puanteurs, horreurs visuelles, matières et saveurs repoussantes, ordures, secrétions et déchets corporels... Nombreux sont les objets qui, du plus lointain de nos histoires et de nos cultures, suscitent le dégoût et agressent notre système perceptif ; les sens sont touchés avec une immédiateté qui les entraîne irrésistiblement à l'écart de cet objet qui nous fait détourner le regard, nous boucher les narines, nous éloigner physiquement afin d'éviter contact et proximité avec ce qui répugne. Pourtant, le dégoût fascine. Les artistes s'en emparent qui, dans la littérature, la peinture, l'art performatif ou le cinéma, prennent pied et appui sur le dégoût, exaltant les motifs et la monstration de ce qui au départ révulse. Comment définir le dégoût, malgré la multiplicité de ses objets ? Qu'en est-il de son histoire, tant du mot "dégoût" que du sentiment lui-même ? Quelles sont les relations qui unissent goût et dégoût ? Qu'en est-il du dégoût de soi ? Que dire, enfin, de la dimension éthique, politique et sociale d'une émotion qui pèse inévitablement dans les interactions humaines ? L'étude du dégoût est difficile. En effet, cette "émotion plurielle" est dotée d'une connotation très négative et a souvent été laissée aux marges du savoir. Depuis quelques décennies, cependant, les disgust studies se multiplient. Douze chercheurs en sciences humaines, provenant des disciplines les plus variées, proposent ici une réflexion théorique commune, explorant l'histoire, le langage, la philosophie, la psychologie, l'éthique et l'esthétique du dégoût, convaincus que les réflexions les plus riches sur le sensible, les émotions, les affects ou les sentiments se fondent sur le dialogue entre disciplines, en confrontant les méthodes, les approches et les objets. Les figures multiples du dégoût explorées dans cet ouvrage révèlent une émotion-limite, qui échappe aux partages clairement institués, tant elle se caractérise par la profusion et l'indétermination, expliquant le trouble, l'ambivalence, et la fascination du dégoûtant.


Book
The meaning of disgust.
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ISBN: 9780199829538 0199829535 0199919488 9786613352903 1283352907 0199878269 Year: 2011 Publisher: New York Oxford university press

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Disgust has a strong claim to be a distinctively human emotion. But what is it to be disgusting? What unifies the class of disgusting things? Colin McGinn sets out to analyze the content of disgust, arguing that life and death are implicit in its meaning. Disgust is a kind of philosophical emotion, reflecting the human attitude to the biological world. Yet it is an emotion we strive to repress. It may have initially arisen as a method of curbing voracious human desire, which itself results from our powerful imagination. Because we feel disgust towards ourselves as a species, we are placed in a fraught emotional predicament: we admire ourselves for our achievements, but we also experience revulsion at our necessary organic nature. We are subject to an affective split. Death involves the disgusting, in the shape of the rotting corpse, and our complex attitudes towards death feed into our feelings of disgust. We are beings with a <"disgust consciousness>", unlike animals and gods-and we cannot shake our self-ambivalence. Existentialism and psychoanalysis sought a general theory of human emotion; this book seeks to replace them with a theory in which our primary mode of feeling centers around disgust. The Meaning of Disgust is an original study of a fascinating but neglected subject, which attempts to tell the disturbing truth about the human condition.

Disgust : theory and history of a strong sensation.
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ISBN: 0791458326 0791458318 9780791458327 9780791458310 Year: 2003 Publisher: Albany State university of New York press

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The philosophy of Marjorie Grene
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ISBN: 0812695275 0812695267 Year: 2002 Volume: v. 29 Publisher: La Salle Open court

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On disgust
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ISBN: 9780812695663 0812695666 Year: 2004 Publisher: Chicago : Open Court,

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Disgust
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ISBN: 0791486311 1417538775 9781417538775 0791458326 9780791458327 0791458318 9780791458310 9780791486313 Year: 2003 Publisher: Albany State University of New York Press

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"In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices: the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art.""--Jacket


Book
Yuck ! : the nature and moral significance of disgust.
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ISBN: 9780262015585 0262015587 0262518554 9786613168795 1283168790 0262295377 0262294842 9780262295376 9780262296137 0262296136 9781283168793 9780262294843 6613168793 9780262518550 Year: 2011 Publisher: Cambridge MIT press

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An exploration of the character and evolution of disgust and the role this emotion plays in our social and moral lives.

The anatomy of disgust
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ISBN: 0674041062 9780674041066 0674031547 9780674031548 9780674031555 0674031555 9780674031555 Year: 1997 Publisher: Cambridge, Mass.: Harvard University Press,

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William Miller embarks on an alluring journey into the world of disgust, showing how it brings order and meaning to our lives even as it horrifies and revolts us. Our notion of the self, intimately dependent as it is on our response to the excretions and secretions of our bodies, depends on it. Cultural identities have frequent recourse to its boundary-policing powers. Love depends on overcoming it, while the pleasure of sex comes in large measure from the titillating violation of disgust prohibitions. Imagine aesthetics without disgust for tastelessness and vulgarity; imagine morality without disgust for evil, hypocrisy, stupidity, and cruelty.Miller details our anxious relation to basic life processes: eating, excreting, fornicating, decaying, and dying. But disgust pushes beyond the flesh to vivify the larger social order with the idiom it commandeers from the sights, smells, tastes, feels, and sounds of fleshly physicality. Disgust and contempt, Miller argues, play crucial political roles in creating and maintaining social hierarchy. Democracy depends less on respect for persons than on an equal distribution of contempt. Disgust, however, signals dangerous division. The high's belief that the low actually smell bad, or are sources of pollution, seriously threatens democracy.Miller argues that disgust is deeply grounded in our ambivalence to life: it distresses us that the fair is so fragile, so easily reduced to foulness, and that the foul may seem more than passing fair in certain slants of light. When we are disgusted, we are attempting to set bounds, to keep chaos at bay. Of course we fail. But, as Miller points out, our failure is hardly an occasion for despair, for disgust also helps to animate the world, and to make it a dangerous, magical, and exciting place.

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