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Ausgehend von Alfieri setzt sich dieses Buch mit der Tragödie des 18. und frühen 19. Jh.s als aufklärerischem Projekt vor dem nationalen Einigungsprozess auseinander. Im Prozess der Verbürgerlichung, nationaler Selbstvergewisserung, sich wandelnder Geschlechterbilder und aufkommender Genieästhetik wird die Tragödie diskursiv immer schärfer gegenüber anderen Gattungen abgegrenzt. Sie wird zur aufklärerischen und revolutionären Paradegattung und versinnbildlicht aus Sicht vieler Intellektueller die moralische Integrität und Stärke des Nationaltheaters und der Nation. Im Zentrum stehen Alfieri und andere aufklärerische bis postrevolutionäre italienische Tragödienautoren, u.a. Calzabigi, Maffei, Riccoboni, Salfi und Manzoni. Kontrastive Lektüren (Addison, Goldoni, Gottsched, Metastasio, Schiller und Voltaire) eröffnen eine europäische Perspektive.
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"Sovereigns and Subjects in Early Modern Neo-Senecan Drama examines the development of neo-Senecan drama, also known as ’closet drama’, during the years 1590-1613. It is the first book-length study since 1924 to consider these plays - the dramatic works of Mary Sidney, Samuel Daniel, Samuel Brandon, Fulke Greville, Sir William Alexander, and Elizabeth Cary, along with the Roman tragedies of Ben Jonson and Thomas Kyd - as a coherent group. Daniel Cadman suggests these works interrogate the relations between sovereigns and subjects during the early modern period by engaging with the humanist discourses of republicanism and stoicism. Cadman argues that the texts under study probe various aspects of this dynamic and illuminate the ways in which stoicism and republicanism provide essential frameworks for negotiating this relationship between the marginalized courtier and the absolute sovereign. He demonstrates how aristocrats and courtiers, such as Sidney, Greville, Alexander, and Cary, were able to use the neo-Senecan form to consider aspects of their limited political agency under an absolute monarch, while others, such as Brandon and Daniel, respond to similarly marginalized positions within both political and patronage networks. In analyzing how these plays illuminate various aspects of early modern political culture, this book addresses several gaps in the scholarship of early modern drama and explores new contexts in relation to more familiar writers, as well as extending the critical debate to include hitherto neglected authors."--
English drama --- Verse drama, English --- Kings and rulers in literature --- Republicanism in literature --- Authority in literature
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Liberty in literature. --- Political poetry, English --- Politics and literature --- Republicanism in literature. --- History and criticism. --- History
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Mary Wollstonecraft is a writer whose work continues to provoke scholarly debate. Halldenius explores Wollstonecraft's political philosophy, focusing on her treatment of republicanism and independence, to propose a new way of reading her work -- that of a 'feminist republican'.--Provided by publisher.
Feminist literature --- Feminist literature. --- Liberty in literature. --- Liberty in literature. --- Political and social views. --- Republicanism in literature. --- Republicanism in literature. --- History and criticism --- Wollstonecraft, Mary, --- Wollstonecraft, Mary, --- Wollstonecraft, Mary, --- Wollstonecraft, Mary, --- Criticism and interpretation. --- Political and social views. --- 1700-1799.
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Liberty in literature. --- Republicanism in literature. --- Republicanism --- History --- Marlowe, Christopher, --- Criticism and interpretation. --- Political and social views.
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Fifty essays by thirty Chinese writers bring to vivid life a period in which modernization and republicanism coexisted within classical Chinese culture. Unlike the more thematically social and political fiction of the May Fourth movement, these xiaopin wen, or modern essays, address their readers with a unique intimacy, adopting a highly "personal" voice that is quietly meditative, lyrical, discreet, and full of wit and melancholy. Tam King-fai supplies critical literary and historical background on the relationship between xiaopin wen and the May Fourth movement, and with and commentary he explicates the form's lyric aestheticism.
Politics in literature. --- Republicanism in literature. --- Chinese essays --- Political science in literature --- Chinese literature --- China --- History --- Politics and government
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James Kuzner's original new study of writing by Spenser Shakespeare Marvell and Milton is the first to present a genealogy for the modern self in which its republican origins can be understood far more radically.
Sociology of literature --- English literature --- anno 1500-1599 --- anno 1600-1699 --- Politics and literature --- Renaissance --- Republicanism in literature. --- Literature --- Literature and politics --- History and criticism. --- History. --- Political aspects
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For over two millennia, the Cyropaedia, an imaginative biography of the Persian king Cyrus the Great, was Xenophon's most popular work and considered his masterpiece. This study contributes to the recent rediscovery of the Cyropaedia and Xenophon, making intelligible the high esteem in which writers of the stature of Machiavelli held Xenophon's works and the importance of his place among classical authors. The ending of the Cyropaedia has presented a notoriously difficult puzzle for scholars. The bulk of the work seems to idealize the career of Cyrus, but the final chapter documents the swift and disastrous degeneration of the empire he founded. This conclusion seems to call his achievements into question. Nadon resolves this long-standing interpretive difficulty and demonstrates for the first time the overall coherence and unity of the Cyropaedia. He elucidates the Xenophontic critique of Cyrus contained within the whole of the work and unearths its analysis of the limitations of both republican and imperial politics. This provocative and original treatment of the Cyropaedia will be a definitive step in restoring the status of this important work. Nadon's lively, insightful study draws upon his deep knowledge and understanding of classical political theory and reveals in the Cyropaedia a subtlety and sophistication overlooked until now.
Imperialism in literature. --- Imperialism --- Political fiction, Greek --- Politics and literature --- Republicanism in literature. --- Republicanism --- History --- History and criticism. --- Xenophon. --- Cyrus, --- In literature. --- Iran --- In literature.
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»To Be Unfree« is a collection of essays investigating how political unfreedom has been and can be articulated within the republican tradition of political thought. The book combines a theoretical discussion of how freedom and its opposites have been conceptualized in the republican tradition with a broader perspective on this tradition's impact on the representation of unfreedom in Western literature and cultural history. It thus complicates our understanding of what it means to be unfree and unveils a series of distinctions which also shape our modern notions of freedom. Reviewed in: Portal für Politikwissenschaft, 22.01.2015, Matthias Lemke Tijdschrift voor Geschiedenis, 129/4 (2016), Gerrit Voogt
Political science -- Philosophy -- Congresses. --- Republicanism -- Congresses. --- Republicanism -- Philosophy -- Congresses. --- Republicanism in literature -- Congresses. --- Republicanism --- Republicanism in literature --- Political science --- Philosophy --- Cultural History. --- History. --- Liberty. --- Political Ideologies. --- Political Philosophy. --- Political Science. --- Political Theory. --- Politics. --- Republicanism; Political Theory; History; Liberty; Cultural History; Politics; Political Philosophy; Political Ideologies; Political Science
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