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Reformation --- 284.1 <45> --- 284.2 <45> --- Lutheraanse hervorming. Reformatie van Luther--Italië --- Calvinistische hervorming. Zwinglianisme. Hervormden--Italië --- -284.1 <45> --- -Lutheraanse hervorming. Reformatie van Luther--Italië --- 284.2 <45> Calvinistische hervorming. Zwinglianisme. Hervormden--Italië --- 284.1 <45> Lutheraanse hervorming. Reformatie van Luther--Italië --- -Repubblica italiana (1946- ) --- Italy --- Church history --- Reformation - Italy.
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"Politica, cultura, economia."
Hebdomadaires. --- Italy --- Italie. --- Italy. --- Repubblica italiana (1946- ) --- Italian Republic (1946- ) --- Włochy --- Regno d'Italia (1861-1946) --- Iṭalyah --- Italia --- Italie --- Italien --- Italii︠a︡ --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- إيطاليا --- Īṭāliyā --- جمهورية الإيطالية --- Jumhūrīyah al-Īṭālīyah --- Італія --- Італьянская Рэспубліка --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Италия --- Италианска република --- Italianska republika --- Ιταλία --- Ιταλική Δημοκρατία --- Italikē Dēmokratia --- 이탈리아 --- It'allia --- 이탈리아 공화국 --- It'allia Konghwaguk --- איטליה --- רפובליקה האיטלקית --- Republiḳah ha-Iṭalḳit --- Lýðveldið Ítalía --- Itālija --- Itālijas Republika --- Italijos Respublika --- Olaszország --- Olasz Köztársaság --- イタリア --- Itaria --- イタリア共和国 --- Itaria Kyōwakoku --- Italiya Respublikasi --- Италия Республикаси --- Italii︠a︡ Respublikasi --- Итальянская Республика --- Італійська Республіка --- Italiĭsʹka Respublika --- İtalya --- İtalya Cumhuriyeti --- איטאליע --- Iṭalye --- 意大利 --- Yidali --- 意大利共和国 --- Yidali Gongheguo --- Laško --- Sardinia (Italy) --- Italian Republic --- Italʹi͡anskai͡a Rėspublika --- Italii͡ --- Italii͡a Respublikasi --- Īṭāliy --- Regno d'Italia --- Repubblica italiana --- Periodicals
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Carlo Testa demonstrates that while pairings of famed directors and writers are commonplace in modern Italian cinema, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship.
Motion pictures --- Motion pictures and literature --- European literature --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- History --- Film and video adaptations. --- Film and video adaptations --- Italy --- Italien --- Italy. --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Königreich Italien --- Repubblica Italiana --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Motion pictures --- -European literature
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One of the founding fathers of the Neo-realist movement and a Communist dedicated to populist filmmaking, Guiseppe De Santis (b. 1917) has been a significant force in Italian cinema. In spite of his crucial contribution De Santis has received little critical recognition and his work has been largely excluded from the canon of traditional cinematic teaching. In this first book-length study of De Santis, Antonio Vitti explores the filmmaker's life and work, and addresses why he has been marginalized as a result of the politics of critical reception in Italian cinema and within the academy. Through critical analysis of such films as Riso amaro (Bitter Rice), Non c'e pace tra gli ulivi ( No Peace Among the Olives), and Cesta Duga Godinu Dana (The One-Year-Long Road), Vitti offers an informative profile of a director who refused to compromise what were often unpopular political and aesthetic principles. De Santis emerged as a strong opponent of government censorship in Fascist Italy and strove throughout his career to remain faithful to his political objectives: to create a genuine popular narrative voice, and to offer, through filmmaking, a form of entertainment for the masses and a means of promoting social and political change. At the same time, possessed of considerable technical abilities and a passion for formalized beauty and sensuality, De Santis resisted the rigid rules for socio-realistic representation dictated by the Soviet Union. He conformed neither to the mainstream nor to the leftist critical expectations of his day. He anticipated, in his own critical approach, the direction of contemporary film theory, and focused on the role of the medium itself as a means of mass communication and a repository of collective imagination.Vitti draws on his extensive personal interviews with De Santis as well as on the latter's previously unpublished writings. This volume captures the intelligence, passion, aesthetic flair, and occasionally fiery temperament of this important filmmaker.
Motion pictures --- Realism in motion pictures. --- Motion picture producers and directors --- History. --- De Santis, Giuseppe, --- Realism in moving-pictures --- Biography. --- Santis, Giuseppe de, --- De Santis, Beppe, --- Santis, Beppe de, --- De Santis, Beppe --- Italien --- Italy. --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Italy --- Königreich Italien --- Repubblica Italiana --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Motion pictures
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From Kant to Croce is a comprehensive, highly readable history of the main currents and major figures of modern Italian philosophy, described in a substantial introduction that details the development of the discipline from 1800 to 1950.
Philosophy, Italian --- Philosophers --- Italien. --- Italien --- Italy. --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Italy --- Königreich Italien --- Repubblica Italiana --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Philosophy, Italian
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How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon? Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimi, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film.
Masculinity in motion pictures. --- Motion pictures, Italian. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Italian motion pictures --- Foreign films --- History --- Social aspects --- History and criticism --- 1900 - 1999 --- Italy. --- Italien. --- Italia --- Königreich Italien --- Repubblica Italiana --- Italiya Respublikasi --- Italijos Respublika --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Regno d'Italia --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italy --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italien --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italikē Dēmokratia --- Īṭāliy --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo
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Archaeology --- Archäologie --- Zeitschrift --- Data processing --- Data processing. --- Italien --- Social Sciences --- Archeology --- archaelogy --- archaeological computing --- theory and methods in archaeology --- Periodikum --- Zeitschriften --- Presse --- Fortlaufendes Sammelwerk --- Vor- und Frühgeschichte --- Bodendenkmalpflege --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Italia --- Königreich Italien --- Repubblica Italiana --- Italiya Respublikasi --- Italijos Respublika --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Regno d'Italia --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italy --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Archaeology --- -archaelogy
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Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time. In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.
Painting --- Aesthetics --- Arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Philosophy --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Arts, Primitive --- Radio broadcasting Aesthetics --- Painting - Early works to 1800 --- Aesthetics - Early works to 1800 --- Arts - Early works to 1800 --- Figino, Giovanni Ambrogio. --- Italien --- Italia --- Königreich Italien --- Repubblica Italiana --- Italiya Respublikasi --- Italijos Respublika --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Regno d'Italia --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italy --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Painting
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Cultural property --- Art and state --- Protection --- History --- Italy --- Politics and government --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Art --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- Government policy --- Italy. --- Senato della Repubblica italiana --- History. --- Cultural property - Protection - Italy - History - 20th century --- Art and state - Italy - History - 20th century --- Italy - Politics and government - 1945-1976
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Education, Higher --- Universities and colleges --- Universiteiten. --- Universität --- Geschichte --- Aufsatzsammlung --- Education, Higher. --- Intellectual life. --- Universities and colleges. --- Aufsatzsammlung. --- Geschichte. --- Universität. --- History --- Italy --- Italien --- Italy. --- Italien. --- Intellectual life --- Universitäten --- Wissenschaftliche Hochschule --- Landesgeschichte --- Regionalgeschichte --- Ortsgeschichte --- Zeitgeschichte --- Geschichtsphilosophie --- Vergangenheit --- Beiträge --- Einzelbeiträge --- Sammelwerk --- Colleges --- Degree-granting institutions --- Higher education institutions --- Higher education providers --- Institutions of higher education --- Postsecondary institutions --- Public institutions --- Schools --- Cultural life --- Culture --- College students --- Higher education --- Postsecondary education --- Education --- Italia --- Königreich Italien --- Repubblica Italiana --- Italiya Respublikasi --- Italijos Respublika --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Regno d'Italia --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italikē Dēmokratia --- Īṭāliy --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Italian Republic (1946- ) --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Īṭāliyā --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy)
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