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Repetition (Aesthetics) --- Arts --- Doubles in literature --- Doppelgängers --- Themes, motives

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Le volume envisage la répétition du point de vue discursif, suivant une définition large et extensive du phénomène, ne se limitant pas à la stricte dimension figurale, privilégiée dans la bibliographie la plus récente. À travers des approches et des corpus variés (littéraires, politiques, médiatiques), ce recueil d'articles s'interroge sur la fonction de « stratégie » discursive que revêt la répétition, illustrant ses finalités multiples (cohésion, argumentation, articulation énonciative, etc.)

Répétition (esthétique). --- Répétition (rhétorique). --- Repetition (Rhetoric) --- Analyse du discours. --- Repetition (Aesthetics) --- Analyse du discours

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The rise and fall of identical copies: digital technologies and form-making from mass customization to mass collaboration.

Architectural design. --- Architectural design --- Repetition (Aesthetics) --- Design and technology. --- Technological innovations.

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Repetition has a major role in human culture. In lullabies and prayers, in protests and war cries: from the cradle to the grave, repetition is the companion to life’s essentials. In a constantly revolving world there is no pure repetition. Events never repeat themselves precisely. This is equally true of repetition in Literature and Art, where the use of repetition is varied and frequent. How does repetition work? And how can it be of use? Déjà Vu unravels these questions in fifteen chapters ranging from film remakes and Baudelaire to the offer of Abraham and David Lodge, Small World. Déjà Vu shows that repetition has been used worldwide through all times and cultures in visual arts, poetry, music, literature and motion pictures. Herhaling speelt een centrale rol in menselijke cultuuruitingen. Slaap - liedjes en smeekbeden, protesten en strijdkreten: van de wieg tot het graf begeleidt de herhaling de essentiële gebeurtenissen in het leven. Maar in een wereld die zelf voortdurend in beweging is, kan van zuivere herhaling geen sprake zijn. Je kunt onmogelijk tweemaal in dezelfde rivier stappen. Dat geldt ook in literatuur en kunst, waar herhaling veelvuldig wordt ingezet als artistiek middel. Daarbij is juist het verschil van essentieel belang. Maar wat is precies de aard van dat verschil? Wat 'doet' herhaling als kunstgreep met het werk? En hoe kan herhaling worden ingezet om gevestigde belangen en opvattingen te consoli - deren of juist te onder mijnen? Déjà Vu behandelt deze vragen vanuit een interdisciplinair en mondiaal perspectief en laat daarbij zien hoe het middel van de herhaling door alle tijden en alle culturen wordt toegepast in beeldende kunst, muziek, literatuur en film.

Aesthetics. --- Repetition (Aesthetics). --- Repetition in literature. --- Repetition in literature --- Repetition (Aesthetics) --- Visual Arts --- Languages & Literatures --- Art, Architecture & Applied Arts --- Visual Arts - General --- Literature - General --- #KVHA:Herhaling --- Literary style --- Aesthetics --- E-books --- #KVHA:Cultuur --- #KVHA:Film --- #KVHA:Kunst --- #KVHA:Literatuur --- repetition

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"Today, repetitive imagery dominates all forms of visual experience, from the realm of advertising to the spaces of contemporary art. In this innovative project, the authors show that the phenomenon of repetition - often considered merely incidental to the age of mechanical reproduction - was a pervasive attribute of early modern painting long before its embrace by twentieth-century high modernism." "In works by David, Ingres, Delaroche, Gerome, Corot, Millet, Monet, Cezanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the nineteenth and early twentieth centuries. The authors demonstrate that by making multiples of closely related subject matter in their paintings and in other media, these artists challenged an aesthetic based on the notion of an inimitable, unique masterpiece." "Through beautiful illustrations and essays by leading scholars, this book shows how repetition in early modern painting took on a complex, multivalent significance and that the traditional medium of painting remained undiminished despite the nineteenth-century invention of photography and film."--Jacket.

Painting --- anno 1700-1799 --- anno 1800-1999 --- France --- Painting, French --- Repetition (Aesthetics) --- CDL --- 75.035/036 --- Aesthetics