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The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length book to document this cultural phenomenon, Andrew Hui explains how the invention of the ruin propelled poets into creating works that were self-aware of their absorption of the past as well as their own survival in the future.
Poetry --- Thematology --- History of civilization --- anno 1400-1499 --- anno 1500-1599 --- European poetry --- European literature --- Ruins in literature --- History and criticism --- Ruins in literature. --- History and criticism. --- Aesthetic of Ruins. --- Cultural Philology. --- Du Bellay. --- Hypnerotomachia Poliphili. --- Monuments. --- Petrarch. --- Poetic Immortality. --- Renaissance Aesthetics. --- Spenser.
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Pliny's Natural History (AD 77-79) served as an indispensable guide to and exemplar of the ideals of art for Renaissance artists, patrons, and theorists. Bearing the imprimatur of antiquity, the Natural History gave permission to do art on a grand scale, to value it, and to see it as an incomparable source of prestige and pleasure. In Pliny and the Artistic Culture of the Italian Renaissance, Sarah Blake McHam surveys Pliny's influence, from Petrarch, the first figure to recognize Pliny's relevance to understanding the history of Greek art and its reception by the Romans, to Vasari and late 16th-century theorists. McHam charts the historiography of Latin and Italian manuscripts and early printed copies of the Natural History to trace the dissemination of its contents to artists from Donatello and Ghiberti to Michelangelo and Titian. Meanwhile, benefactors commissioned works intended to emulate the prototypes Pliny described, aligning themselves with the great patrons of antiquity. This is a richly illustrated, comprehensive reference work of social history, myth making, iconography, theory, and criticism.
Renaissance --- Aesthetics --- Pliny [Elder] --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Art, Renaissance --- Aesthetics, Renaissance --- Aesthetics, Italian --- Sources --- Pliny, --- Appreciation --- Renaissance art --- Renaissance aesthetics --- Italian aesthetics --- Cayo Plinio Segundo --- Gaĭ Pliniĭ Sekund Starshiĭ --- Gaius Plinius Secundus --- Pliniĭ --- Pliniĭ Starshiĭ, Gaĭ Sekund --- Plinio, --- Plinio Segundo, Cayo --- Plinius Secundus, C. --- Plinius Secundus --- Plynius Secundus, C. --- Secundus, C. Plinius --- Secundus, Caius Plinius --- Secundus, Gaius Plinius --- Segundo, Cayo Plinio --- Pline, --- Appreciation. --- Aesthetics, Italian. --- Aesthetics, Renaissance. --- Art appreciation. --- Art, Renaissance. --- Kultur. --- Kunst. --- Renaissance. --- Rezeption. --- Ästhetik. --- Plinius Secundus, Gaius, --- Naturalis historia (Pliny, the Elder). --- Plinius Secundus, Gaius: Naturalis historia. --- Italien. --- Italy. --- Plinius Secundus, Caius --- Pline l'Ancien --- Plinius de Oudere --- Art, Renaissance - Italy - Sources --- Pliny, - the Elder - Appreciation --- Pliny, - the Elder. - Naturalis historia --- receptiegeschiedenis --- Pliny, - the Elder
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