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Appropriation (Arts) --- Remixes --- Methodology

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"Turntables and Tropes addresses remix from a communicative perspective, examining its persuasive dimensions by locating its parallels with classical rhetoric"--

Appropriation (Arts) --- Mass media. --- Remixes. --- Rhetoric, Ancient.

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A new theory of moral and aesthetic value for the age of remix, going beyond the usual debates over originality and appropriation. Remix―or the practice of recombining preexisting content―has proliferated across media both digital and analog. Fans celebrate it as a revolutionary new creative practice; critics characterize it as a lazy and cheap (and often illegal) recycling of other people's work. In Of Remixology, David Gunkel argues that to understand remix, we need to change the terms of the debate. The two sides of the remix controversy, Gunkel contends, share certain underlying values―originality, innovation, artistic integrity. And each side seeks to protect these values from the threat that is represented by the other. In reevaluating these shared philosophical assumptions, Gunkel not only provides a new way to understand remix, he also offers an innovative theory of moral and aesthetic value for the twenty-first century. In a section called “Premix,” Gunkel examines the terminology of remix (including “collage,” “sample,” “bootleg,” and “mashup”) and its material preconditions, the technology of recording. In “Remix,” he takes on the distinction between original and copy; makes a case for repetition; and considers the question of authorship in a world of seemingly endless recompiled and repurposed content. Finally, in “Postmix,” Gunkel outlines a new theory of moral and aesthetic value that can accommodate remix and its cultural significance, remixing―or reconfiguring and recombining―traditional philosophical approaches in the process.

Aesthetics, Modern --- Art --- Ethics --- Remixes --- Musique --- Droit d'auteur --- Ethique --- Moral and ethical aspects --- Miscellanea --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Sound recordings --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Deontology --- Ethics, Primitive --- Ethology --- Moral philosophy --- Morality --- Morals --- Philosophy, Moral --- Science, Moral --- Philosophy --- Values --- Remixing --- History --- Ethics. --- Moral and ethical aspects. --- Art, Primitive --- Aesthetics, Modern - 20th century --- Aesthetics, Modern - 21st century --- Art - Moral and ethical aspects --- Remixes - Miscellanea --- Miscellanea. --- PHILOSOPHY/General --- DIGITAL HUMANITIES & NEW MEDIA/New Media Art --- INFORMATION SCIENCE/Communications & Telecommunications

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"Discos, clubs and raves have been focal points for the development of new and distinctive musical and cultural practices over the past four decades. This volume presents the rich array of scholarship that has sprung up in response. Cutting-edge perspectives from a broad range of academic disciplines reveal the complex questions provoked by this musical tradition. Issues considered include aesthetics; agency; 'the body' in dance, movement, and space; composition; identity (including gender, sexuality, race, and other constructs); musical design; place; pleasure; policing and moral panics; production techniques such as sampling; spirituality and religion; sub-cultural affiliations and distinctions; and technology. The essays are contributed by an international group of scholars and cover a geographically and culturally diverse array of musical scenes" -- Publisher's website.

Electronica (Music) --- Disco music --- History and criticism --- Electronic dance music --- Underground dance music --- #SBIB:309H142 --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Dance music --- Remixes --- Electronic popular music --- Popular music --- Music, Disco --- Populaire muziek: functies, muziekgenres, historiek --- Electronica (Music) - History and criticism --- Disco music - History and criticism

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This volume brings together cutting-edge thinkers and scholars together with young researchers and students, proposing a colourful spectrum of media-theoretical, -practical and -educational approaches to current creative practices and techniques of production and consumption on and off the web. Along with the exploration of some of the emerging social media concepts, the book unveils some of the key drivers leading to participatory engagement of the User. Mashup Cultures presents a broader view of the effects and consequences of current remix practices and the recombination of existing digital

Popular music --- Music and technology. --- Mashups (Music) --- Remixes --- Social aspects. --- History and criticism. --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Sound recordings --- Bastard pop --- Mash-ups (Music) --- Technology and music --- Technology --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Remixing