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Max Baumann (1917-1999) war einer der profiliertesten katholischen Kirchenmusikkomponisten seiner Zeit. Am Lebensweg des Konvertiten und seinem Schaffen wird die Auswirkung des Konzils auf die traditionelle Musica sacra deutlich. Welche biographischen und musikalischen Voraussetzungen bestimmten Baumanns ästhetische und religiöse Haltung? Welche theologische Aussage steht hinter dem geistlichen Chorschaffen? Was sind Bedingungen und Arbeitsfelder des katholischen Kirchenmusikkomponisten nach den liturgischen Reformen des Zweiten Vatikanums? Im Zentrum dieser Fragen stehen Baumanns Rezeption des Konzils und seine ablehnende Reaktion darauf. Sie werfen ein eigenes Licht auf das nunmehr 50 Jahre zurückliegende Ereignis.
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C1 --- vredesbeweging --- vredesopvoeding --- liedboek --- Kerken en religie --- Religious music
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Hymns, English --- Religious music --- -Hymnes anglais --- Church of England --- Hymns.
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"Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of 'annunciations', this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity."--Publisher's website.
Sacred music --- Civilization, Modern --- History and criticism. --- History. --- Religious music --- Worship music --- Music
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"Music, as the form of art whose name derives from ancient myths, is often thought of as pure symbolic expression and associated with transcendence. Music is also a universal phenomenon and thus a profound marker of humanity. These features make music a sphere of activity where sacred and popular qualities intersect and amalgamate. In an era characterised by postsecular and postcolonial processes of religious change, re-enchantment and alternative spiritualities, the intersections of the popular and the sacred in music have become increasingly multifarious. In the book, the cultural dynamics at stake are approached by stressing the extended and multiple dimensions of the sacred and the popular, hence challenging conventional, taken-for-granted and rigid conceptualisations of both popular music and sacred music. At issue are the cultural politics of labelling music as either popular or sacred, and the disciplinary and theoretical implications of such labelling. Instead of focussing on specific genres of popular music or types of religious music, consideration centres on interrogating musical situations where a distinction between the popular and the sacred is misleading, futile and even impossible. The topic is discussed in relation to a diversity of belief systems and different repertoires of music, including classical, folk and jazz, by considering such themes as origin myths, autonomy, ingenuity and stardom, authenticity, moral ambiguity, subcultural sensibilities and political ideologies"-- Provided by publisher.
Popular music --- Religious aspects. --- Sacred and religious music --- Theory of music and musicology
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Das Kirchenmusikalische Jahrbuch bietet ein ökumenisches Forum für wissenschaftliche Studien zum weiten Feld der liturgischen, geistlichen und religiösen Musik vom Altertum bis zur Gegenwart. Kirchenmusik im engsten Sinne als Musik zur Liturgie bis hin zu allen Formen religiöser Musik im weitesten Sinne umfasst ein kaum überschaubares Repertoire an Werken aus der kulturgeschichtlichen Spanne von der Antike bis zur Gegenwart. Das Kirchenmusikalische Jahrbuch erforscht dieses Repertoire jenseits konfessioneller Grenzen und zeigt sich offen für analytische, historische, philologische, soziologische, theologische und hermeneutische Methoden.
Kirchenmusik --- Liturgie --- Geistliche Musik --- Religiöse Musik --- Church Music --- Religious Music --- Liturgy
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