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Religion and drama.

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Die Welt des Theaters hat sich verändert - und mit ihr die sie denkende Theorie. Was sich in den letzten beiden Dekaden als »postdramatisches Theater« andeutete, ist derzeit dabei, stilistisch die dramaturgische Arbeit im Theater zu verändern. Zeitgleich rückte der in den 1990er Jahren geführte Diskurs zur dramaturgischen Gestalt der evangelischen Liturgie erstaunliche Neuentdeckungen ins Bewusstsein. Inszenierung und Präsenz, Rolle, Leiblichkeit, Text und Spiel waren die zentralen Kategorien der liturgiewissenschaftlichen Verständigung. In diesem Band wird das »postdramatische Theater« erstmals praktisch-theologisch rezipiert, um die sakrale Theatralität über sich aufzuklären. »[Das Buch] bietet Einblick in die protestantisch-evangelische liturgische Praxis und die Gemeinsamkeiten in der praktischen Durchführung von postdramatischen Inhalten in beiden Disziplinen, wie die Bezüge zueinander sich zeigen und wie Gewinne aus den beiderseitigen Performanzen gezogen werden können.« Peter Dahms, www.dahms-projekt.de, 02.05.2020

Religion and drama. --- Religious drama.

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Walter S. H. Lim's book explores the intersection of religious themes and theater in early modern England, focusing on how Shakespeare's plays engage with Christian doctrine and religious conviction. Through a detailed analysis of plays like 'Hamlet,' 'Measure for Measure,' 'The Winter’s Tale,' 'Richard II,' and 'The Merchant of Venice,' Lim examines the theological and ideological implications of representing sacred themes in the secular space of the public playhouse. The book aims to understand whether Shakespeare's use of religious material serves purely dramatic purposes or reflects his personal religious beliefs. It is intended for scholars and students of English literature and theater studies, particularly those interested in the religious dimensions of Shakespearean drama.

Religion and drama. --- Theater --- Religious aspects.

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Comparative literature --- Drama --- Luther, Martin --- Religion and drama. --- Theater --- Religious aspects. --- Luther, Martin,

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Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume Theo-Drama, a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a ""theatrical turn"" in theology. This volume includes thirteen essays from theologians and pastors who have contributed in distinct ways to this theatrical turn and who desire to deepen interdisciplinary dialogue

Theater --- Performing arts --- Religion and drama. --- Drama and religion --- Drama --- Religious aspects --- Christianity.