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Door de dichter zelf geselecteerde en zo nodig nog aangepaste gedichten uit de periode 1950-2020, aangevuld met nieuw werk.

gedichten ; oorspr. - Nederlands. --- Literatuur --- Religieuze poëzie --- #gsdb10

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860-14 --- 860-14 Spaanse literatuur: lyriek minnezang religieuze poëzie lied --- Spaanse literatuur: lyriek minnezang religieuze poëzie lied --- 860-14 Spaanse literatuur: lyriek; minnezang; religieuze poëzie; lied --- Spaanse literatuur: lyriek; minnezang; religieuze poëzie; lied --- Spanish literature

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840-14 Franse literatuur: lyriek; minnezang; religieuze poëzie; lied --- Franse literatuur: lyriek; minnezang; religieuze poëzie; lied --- 840-14

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Lyric poetry --- German poetry --- History and criticism. --- History and criticism --- 830-14 --- Duitse literatuur: lyriek; minnezang; religieuze poëzie; lied --- -Duitse literatuur: lyriek; minnezang; religieuze poëzie; lied --- 830-14 Duitse literatuur: lyriek; minnezang; religieuze poëzie; lied --- -82-14 Lyriek. Minnezang. Religieuze poëzie. Lied --- 82-14 --- Lyriek. Minnezang. Religieuze poëzie. Lied --- 82-14 Lyriek. Minnezang. Religieuze poëzie. Lied --- Poetry --- German literature --- Lyric poetry - History and criticism. --- German poetry - 20th century - History and criticism. --- German poetry - 19th century - History and criticism.

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Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.

Poetry --- Lyric poetry --- 82-14 --- History and criticism. --- Lyriek. Minnezang. Religieuze poëzie. Lied --- 82-14 Lyriek. Minnezang. Religieuze poëzie. Lied --- History and criticism