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Letterpress Printing: Past, Present, Future brings together scholars, curators, collectors and printers to assess the current state of letterpress printing. It acknowledges the decline of letterpress as a commercial printing technique and considers the risks this poses for letterpress’s future. However, in describing the many uses to which letterpress is put and the diverse communities of printers who still work with it, the book celebrates the tenacity of letterpress as a process which continues to thrive despite such challenges. Letterpress Printing examines the continuing life of letterpress and applauds its revival through describing the circumstances in which it flourishes and the many ways it is now used. By setting this revival in the context of its ostensible decline, the book sets out the ways in which current practice draws upon and preserves the history of printing while taking it in new and unexpected directions.
Letterpress printing --- Relief printing --- Letterpress printing.
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Didactics of the arts --- Graphics industry --- relief printing --- printmaking --- relief printing processes
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block printing [relief printing process] --- numismatics --- incunabula --- illuminated manuscripts
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Letterpress printing. --- Letterpress printing --- relief printing --- typography --- illustrated books --- boekdrukkunst
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Applied arts. Arts and crafts --- block printing [relief printing process] --- textile materials --- India
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Applied arts. Arts and crafts --- manuscripts [documents] --- block printing [relief printing process] --- Darmstadt --- Antwerp --- Tibet
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Applied arts. Arts and crafts --- block printing [relief printing process] --- textile materials --- Japan
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This Element analyses the relationship between gender and literary letterpress printing from the early 20th century to the beginning of the 21st. Drawing on examples from modernist writer/printers of the 1920s to literary book artists of the early 21st, it offers a way of thinking about the feminist historiography of printing as we confront the presence and particular character of letterpress in a digital age. This Element is divided into four sections: the first, 'Historicizing' traces the critical histories of women and print through to the twentieth and twenty-first centuries. The second section, 'Learning,' offers an analysis of some of the modes of discourse and training through which women and gender minorities have learned the craft of printing. The third section, 'Individualizing' offers brief biographical vignettes. The fourth section, 'Writing,' focuses on printers' own written reflections about letterpress. This title is also available as Open Access on Cambridge Core.
Letterpress printing --- Women printers --- History --- Printers --- Women in the book industries and trade --- Women as printers --- Relief printing --- publishing --- literature
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accession records --- block printing [relief printing process] --- numismatics --- incunabula [books] --- illuminated manuscripts --- rare books --- boeken vóór 1800 --- Katholieke Universiteit Leuven
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