Listing 1 - 10 of 77 | << page >> |
Sort by
|
Choose an application
Sarcophagi, Phoenician --- Relief (Sculpture), Ancient --- Inscriptions, Phoenician
Choose an application
Portrait sculpture, Ancient --- Busts --- Relief (Sculpture), Ancient
Choose an application
Inscriptions, Luwian --- Relief (Sculpture), Ancient --- Luwians
Choose an application
"A comprehensive documentation and study of a corpus of eighteen monumental highland reliefs belonging to the Elamite civilization, ranging from the seventeenth to the sixth century BC"--Provided by publisher.
Antiquities. --- Art, Elamite. --- Relief (Sculpture), Ancient --- Relief (Sculpture), Ancient. --- Elam --- Iran --- Iran. --- Middle East --- Art, Elamite --- Antiquities --- Relief (Sculpture), Ancient - Iran - Elam --- Elam - Antiquities --- Iran - Antiquities
Choose an application
Tombs --- Relief (Sculpture), Ancient --- Relief (Sculpture), Egyptian --- Ptahhotep --- Tomb.
Choose an application
Relief (Sculpture), Ancient --- Relief (Sculpture) --- Exhibitions. --- Iran --- Antiquities
Choose an application
While the funerary portraiture of Palmyra is rightly world-renowned, up to now, the corpus of sarcophagi from the ancient city has received relatively little attention as a cohesive group in their own right. Comprising sarcophagi, banqueting reliefs and founder reliefs, as well as sarcophagus reliefs, most of these objects share a common iconographic motif, that of the banquet, although other scenes, mostly drawn from the daily life of the city?s caravan leaders and their families, also appear. The emphasis on the banqueting scene in particular reveals the crucial importance of dining in ancient Palmyrene society: for the living, banquets were a marker of social standing and gave hosts a chance to honour the gods and offer an ephemeral benefaction to their fellow citizens, while for the dead, the banquet motif offered the opportunity for the entire family to be depicted together and showcase their wealth and sophistication, as well as their connections outside the city.00This single corpus of material gathered through the Palmyra Portrait Project, is presented in this beautifully illustrated two-volume monograph. Through careful analysis of the portraits, and the costumes and attribute choices that appear in these images, the authors explore how the sarcophagi were used by Palmyrenes to project an image of local pride, while at the same time participating in the visual cultures of the Roman and Parthian Empires between which their city was situated
Sarcophagi --- Relief (Sculpture), Ancient --- Portrait sculpture, Ancient --- Sculpture, Ancient
Choose an application
The funerary art that was produced in Roman Palmyra, a caravan city in the Syrian steppe desert, is rightly world-renowned. The frontal depictions of the deceased, featured in torso-length portraits, and the large-scale banqueting scenes are iconic, and lent an added mystique by the absence of any literary sources that might aid in their interpretation. But while from a distance these exquisite portraits might seem rather formulaic, when examining more closely, it is clear that these scenes reveal a surprisingly rich and varied funerary décor. Alongside the more popular iconographic choices are singular scenes, motifs, and elements that deviate from the norm, while new patterns and connections between Palmyra and its surroundings are identifiable.This volume, which draws on the vast materials gathered under the auspices of the Palmyra Portrait Project directed by Professor Rubina Raja, explores the 'oddities' raised by the Palmyrene corpus; it examines one-off scenes or elements, and unusual or unparalleled iconographical choices, and questions how and why such unusual choices should be interpreted. The chapters gathered here not only focus on these visual 'hapax legomena' in Palmyra, but also explore the city's connections with the art of Roman centres to the west, as well as the nearby Hellenistic city states, regional centres of production, and Parthian and Persian sites to the east. Through this approach, the authors engage with the visual richness and sheer amount of choice that existed in Palmyrene funerary art, while also providing unique insights into the knowledge culture that existed within Palmyrene society.
Relief (Sculpture), Ancient --- Portrait sculpture, Ancient --- Themes, motives. --- Art --- History
Choose an application
Architecture, Ancient --- Decoration and ornament, Architectural --- Relief (Sculpture), Ancient --- History
Choose an application
Relief (Sculpture), Ancient --- Vases, Greek --- Vase-painting, Greek.
Listing 1 - 10 of 77 | << page >> |
Sort by
|