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American literature --- Thematology --- Ethnic groups in literature --- Ethnic relations in literature --- Ethnische groepen in de literatuur --- Etnische relaties in de literatuur --- Groupes ethniques dans la littérature --- Herinnering in de literatuur --- Memory in literature --- Minderheden in de literatuur --- Minorities in literature --- Minorités dans la littérature --- Mémoire dans la littérature --- Relations ethniques dans la littérature --- Ethnic groups in literature. --- Ethnic relations in literature. --- Memory in literature. --- Minorities in literature. --- Minorities --- Politics and literature --- Minority authors --- History and criticism. --- Intellectual life. --- History and criticism --- United States --- History --- Silko, Leslie Marmon --- Morrison, Toni --- Wilson, August --- Criticism and interpretation --- Lamont, Martha --- Marshall, Paule --- Gaines, Ernest J. --- Kogawa, Joy Nozomi --- Walcott, Derek Alton --- Walker, Alice --- Kingston, Maxine Hong --- Papanikolas, Zeese --- Anaya, Rudolfo Alfonso --- Cisneros, Sandra --- Arias, Ronald Francis --- Candelaria, Nash --- Walker, Alice, 1944 --- -Criticism and interpretation
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Indian Nation documents the contributions of Native Americans to the notion of American nationhood and to concepts of American identity at a crucial, defining time in U.S. history. Departing from previous scholarship, Cheryl Walker turns the "usual" questions on their heads, asking not how whites experienced indigenous peoples, but how Native Americans envisioned the United States as a nation. This project unfolds a narrative of participatory resistance in which Indians themselves sought to transform the discourse of nationhood. Walker examines the rhetoric and writings of nineteenth-century Native Americans, including William Apess, Black Hawk, George Copway, John Rollin Ridge, and Sarah Winnemucca. Demonstrating with unique detail how these authors worked to transform venerable myths and icons of American identity, Indian Nation chronicles Native American participation in the forming of an American nationalism in both published texts and speeches that were delivered throughout the United States. Pottawattomie Chief Simon Pokagon's "The Red Man's Rebuke," an important document of Indian oratory, is published here in its entirety for the first time since 1893.
American literature --- anno 1800-1899 --- American national characteristics in literature --- Amerikaans volkskarakter in de literatuur --- Black Hawk, 1767-1838 --- Caractéristiques nationales américaines dans la littérature --- Ethnic relations in literature --- Etnische relaties in de literatuur --- Indianen in de literatuur --- Indians in literature --- Indiens dans la litterature --- National characteristics [American ] in literature --- Relations ethniques dans la littérature --- Volkskarakter [Amerikaans ] in de literatuur --- Indian authors --- History and criticism --- Literature and anthropology --- United States --- History --- 19th century --- Literature and society --- Indians of North America --- Historiography --- Civilization --- Indian influences --- Nationalism in literature --- Nationalism --- Apess, William --- Ridge, John Rollin --- Winnemucca, Sarah --- Copway, George --- National characteristics, American, in literature. --- Ethnic relations in literature. --- Nationalism in literature. --- Indians in literature. --- History and criticism. --- Historiography. --- Intellectual life. --- Indian influences. --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Anthropology and literature --- Anthropology
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English literature --- anno 1900-1999 --- Ethnic relations in literature --- Etnische relaties in de literatuur --- Klassenstrijd in de literatuur --- Lutte des classes dans la littérature --- Relations ethniques dans la littérature --- Social conflict in literature --- Sociale strijd in de literatuur --- Commonwealth literature (English) --- History and criticism --- Congresses --- Foreign authors --- Addresses, essays, lectures --- Authors [Commonwealth ] --- Culture conflict in literature --- Commonwealth literature (English) - History and criticism - Congresses --- COMMONWEALTH LITERATURE (ENGLISH) --- MULTICULTURALISM --- AFRICAN LITERATURE --- MULAISHO (DOMINIC) --- MURRAY (LES A.), 1938 --- -STOW (RANDOLPH) --- ALI (AHMED) --- DAVIS (JACK) --- SHADBOLT (MAURICE) --- IHIMAERA (WITI), 1944 --- -MARKANDAYA (KAMALA) --- RILEY (JOAN) --- EMECHETA (BUCHI) --- ARMAH (AYI KWEI), 1939 --- -RHYS (JEAN), 1894-1979 --- MALOUF (DAVID), 1934 --- -RUSHDIE (SALMAN), 1947 --- -SOYINKA (WOLE), 1934 --- -STEAD (CHRISTINA), 1902-1983 --- BRATHWAITE (EDWARD KAMAU), 1930 --- -TWILIGHT --- THEATRE --- GOLDEN HONEYCOMB, THE --- UNBELONGING, THE --- SECOND CLASS CITIZEN
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A recent explosion of publishing activity by a wide range of talented writers has placed Asian American literature in the limelight. As the field of Asian American literary studies gains increasing recognition, however, questions of misreading and appropriation inevitably arise. How is the growing body of Asian American works to be read? What holds them together to constitute a tradition? What distinguishes this tradition from the "mainstream" canon and other "minority" literatures? In the first comprehensive book on Asian American literature since Elaine Kim's ground-breaking 1982 volume, Sau-ling Wong addresses these issues and explores their implications for the multiculturalist agenda. Wong does so by establishing the "intertextuality" of Asian American literature through the study of four motifs--food and eating, the Doppelg,nger figure, mobility, and play--in their multiple sociohistorical contexts. Occurring across ethnic subgroup, gender, class, generational, and historical boundaries, these motifs resonate with each other in distinctly Asian American patterns that universalistic theories cannot uncover. Two rhetorical figures from Maxine Hong Kingston's The Woman Warrior, "Necessity" and "Extravagance," further unify this original, wide-ranging investigation. Authors studied include Carlos Bulosan, Frank Chin, Ashley Sheun Dunn, David Henry Hwang, Lonny Kaneko, Maxine Hong Kingston, Joy Kogawa, David Wong Louie, Darrell Lum, Wing Tek Lum, Toshio Mori, Bharati Mukherjee, Fae Myenne Ng, Bienvenido Santos, Monica Sone, Amy Tan, Yoshiko Uchida, Shawn Wong, Hisaye Yamamoto, and Wakako Yamauchi.
Américains aziatiques dans la littérature --- Asian Americans in literature --- Aziatische Amerikanen in de literatuur --- Ethnic relations in literature --- Etnische relaties in de literatuur --- Relations ethniques dans la littérature --- American literature -. --- American literature -- Asian American authors -- History and criticism. --- Asian Americans - Intellectual life. --- Asian Americans -- Intellectual life. --- Asian Americans in literature. --- Ethnic relations in literature. --- American literature --- Asian Americans --- American Literature --- English --- Languages & Literatures --- History and criticism --- Asian American authors --- Intellectual life --- History and criticism. --- Intellectual life. --- Asians --- Ethnology --- English literature --- Agrarians (Group of writers) --- Asian American authors&delete& --- Kingston, Maxine Hong --- Criticism and interpretation --- Kogawa, Joy Nozomi --- Yamamoto, Hisaye --- Hwang, David Henry --- Chin, Frank Chew --- Mukherjee, Bharati --- Tan, Amy --- Wong, Jade Snow --- Wong, Shawn
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The turn of the last century, amid the excesses of the Gilded Age, variety became a key notion for Americans'a sign of national progress and development, reassurance that the modern nation would not fall into monotonous dullness or disorderly chaos. Carrie Tirado Bramen pursues this idea through the works of a wide range of regional and cosmopolitan writers, journalists, theologians, and politicians who rewrote the narrative of American exceptionalism through a celebration of variety. Exploring cultural and institutional spheres ranging from intra-urban walking tours in popular magazines to the 1893 World's Parliament of Religions in Chicago, she shows how the rhetoric of variety became naturalized and nationalized as quintessentially American and inherently democratic. By focusing on the uses of the term in the work of William James, Anna Julia Cooper, W. E. B. Du Bois, Hamlin Garland, and Wong Chin Foo, among many others, Bramen reveals how the perceived innocence and goodness of variety were used to construct contradictory and mutually exclusive visions of modern Americanism. Bramen's innovation is to look at the debates of a century ago that established diversity as the distinctive feature of U.S. culture. In the late-nineteenth-century conception, which emphasized the openness of variety while at the same time acknowledging its limits, she finds a useful corrective to the contemporary tendency to celebrate the United States as a postmodern melange or a carnivalesque utopia of hybridity and difference.Table of Contents: Introduction: Americanizing Variety I. The Ideological Formation of Pluralism 1. William James and the Modern Federal Republic 2. Identity Culture and Cosmopolitanism II. The Aesthetics of Diversity 3. The Uneven Development of American Regionalism 4. The Urban Picturesque and Americanization III. Heterogeneous Unions 5. Biracial Fictions and the Mendelist Allegory 6. East Meets West at the World's Parliament of Religions Afterword: In Defense of Partiality Notes Works Cited Acknowledgments IndexReviews of this book: [Bramen] brings dogged research and steady focus to [a] central ambiguity in the American ethos.Her study delivers several powerful messages even plain-talking people can understand. For one, Bramen shows that issues of ethnic diversity and variety, far from being epiphenomena of the last few decades, course through our history and spotlight the ambiguities in what it means to be an American.The Uses of Variety boasts gems.of past cultural history that remind us these are perennial issues.[Bramen's] penetrating expedition through the nuances of America's breast-beating about 'diversity within unity' concentrates the mind. Out of many examples comes an important book: a flinty challenge to intellectual complacency about ourselves.--Carlin Romano, Philadelphia InquirerThe Uses of Variety is a significant addition to and revision of a century of American pragmatist thinking about difference. Bramen brings new conceptual tools to bear on the history of multicultural thought and literature and thereby avoids the common pitfalls to produce an important survey and synthesis.--Tom Lutz, author of American Nervousness, 1903: An Anecdotal History and editor of These 'Colored' United States: African American Essays from the 1920sCarrie Bramen offers a compelling, intellectually rigorous history of the protean idea of pluralism, a concept that has been embraced heartily by both liberals and conservatives as essential in defining American identity. Situating pluralism in philosophical, psychological, aesthetic, and political contexts, Bramen brings a fresh perspective to illuminating the meaning of the term for late Victorian America and, significantly, its legacy for us today.--Linda Simon, author of Genuine Reality: A Life of William JamesTaking William James's 'pluralistic universe' as a starting point, The Uses of Variety takes us through regions, ghettos, religious congresses, and a range of theoretical, philosophical, and literary works to explore the multiple and often conflicting constructions of 'variety' in the context of turn-of-the-century U.S. nationalism and cosmopolitanism. Carrie Tirado Bramen brings together a broad spectrum of historical events and cultural theories in which variety variously expressed, contained, and shaped an increasing diversity that was perceived as threatening national coherence. This insightful, thoroughly researched, and timely work will be indispensable for scholars interested in U.S. nationalism, modernism, cosmopolitanism, and multiculturalism.--Priscilla Wald, author of Constituting Americans: Cultural Anxiety and Narrative Form
American fiction --- Cultural pluralism in literature. --- Difference (Psychology) in literature. --- Ethnic relations in literature. --- Literature and society --- Minorities in literature. --- Multiculturalism in literature. --- National characteristics, American, in literature. --- History and criticism. --- Minority authors --- History --- American national characteristics in literature --- Amerikaans volkskarakter in de literatuur --- Caractéristiques nationales américaines dans la littérature --- Difference (Psychology) in literature --- Differentie (Psychologie) in de literatuur --- Différence (Psychologie) dans la littérature --- Ethnic relations in literature --- Etnische relaties in de literatuur --- Minderheden in de literatuur --- Minorities in literature --- Minorités dans la littérature --- Multiculturalism in literature --- Multiculturalisme dans la littérature --- Multiculturele samenleving in de literatuur --- National characteristics [American ] in literature --- Pluralism (Social sciences) in literature --- Pluralisme (Sociale wetenschappen) in de literatuur --- Pluralisme (sciences sociales) dans la littérature --- Relations ethniques dans la littérature --- Volkskarakter [Amerikaans ] in de literatuur --- Sociology of literature --- Fiction --- American literature --- Psychological study of literature --- anno 1900-1999 --- United States --- Intellectual life --- 20th century --- History and criticism --- Minorities as a theme in literature
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Amid the decline of U.S. military campaigns against Native Americans in the late nineteenth century, assimilation policy arose as the new front in the Indian Wars, with its weapons the deployment of culture and law, and its locus the American Indian home and family. In this groundbreaking interdisciplinary work, Piatote tracks the double movement of literature and law in the contest over the aims of settler-national domestication and the defense of tribal-national culture, political rights, and territory.
Burgerrecht in de literatuur --- Citizenship in literature --- Citoyenneté dans la littérature --- Ethnic relations in literature --- Etnische relaties in de literatuur --- Famille dans la littérature --- Family in literature --- Femmes indiennes dans la littérature --- Gezin in de literatuur --- Indiaanse vrouwen in de literatuur --- Indian women in literature --- Indianen in de literatuur --- Indians in literature --- Indiens dans la litterature --- Relations ethniques dans la littérature --- American fiction --- American literature --- Canadian literature --- Indians of North America --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Canadian literature (English) --- English literature --- Agrarians (Group of writers) --- Women authors&delete& --- History and criticism --- Indian authors&delete& --- Intellectual life --- Indian authors --- Women authors --- Johnson, E. Pauline --- Criticism and interpretation --- McNickle, D'Arcy --- Mourning Dove --- Oskison, John Milton --- Callahan, S. Alice --- Indians in literature. --- Families in literature. --- Citizenship in literature. --- Ethnic relations in literature. --- Indian women in literature. --- History and criticism. --- Intellectual life.
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