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Beeldende kunsten. --- Red in art --- Red. --- Rood.

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Art, Abstract --- Red in art --- Art, Modern --- Art abstrait --- Rouge dans l'art --- Art --- Exhibitions. --- Expositions

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Art --- Red in art. --- Perceptual learning. --- Apprentissage perceptif --- Study and teaching (Elementary)

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Le rouge est en Occident la première couleur que l’homme a maîtrisée, aussi bien en peinture qu’en teinture. C’est probablement pourquoi elle est longtemps restée la couleur «par excellence», la plus riche du point de vue matériel, social, artistique, onirique et symbolique. Admiré des Grecs et des Romains, le rouge est dans l’Antiquité symbole de puissance, de richesse et de majesté. Au Moyen Âge, il prend une forte dimension religieuse, évoquant aussi bien le sang du Christ que les flammes de l’enfer. Mais il est aussi, dans le monde profane, la couleur de l’amour, de la gloire et de la beauté, comme celle de l’orgueil, de la violence et de la luxure. Au XVIe siècle, les morales protestantes partent en guerre contre le rouge dans lequel elles voient une couleur indécente et immorale, liée aux vanités du monde et à la «théâtralité papiste». Dès lors, partout en Europe, dans la culture matérielle comme dans la vie quotidienne, le rouge est en recul. Ce déclin traverse toute l’époque moderne et contemporaine et va en s’accentuant au fil du temps. Toutefois, à partir de la Révolution française, le rouge prend une dimension idéologique et politique. C’est la couleur des forces progressistes ou subversives, puis des partis de gauche, rôle qu’il a conservé jusqu’à aujourd’hui.

Bleu --- Couleurs --- Aspect symbolique --- Red --- Color --- Symbolism of colors --- Red in art --- Psychological aspects --- History --- Social aspects --- Red. --- Red in art. --- History. --- Political aspects --- Moral and ethical aspects --- Couleur --- Symbolique --- Sociologie --- Psychologie --- Bleu. --- Aspect symbolique. --- Color - Psychological aspects - History --- Color - Social aspects - History --- Symbolism of colors - History

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"The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes--in some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, from the cave paintings of Lascaux, the works of Renaissance masters, to modern paintings and stained glass by Mark Rothko and Josef Albers."--Inside front jacket flap.

History of civilization --- Iconography --- Semiotics --- psychological primary colors --- red [color] --- iconography --- Red. --- Color --- Symbolism of colors --- Red in art. --- Symbolism of colors. --- Rouge. --- Couleur --- Symbolisme des couleurs --- Rouge dans l'art. --- Psychological aspects --- History. --- Social aspects --- Psychological aspects. --- Social aspects. --- Aspect psychologique --- Histoire. --- Aspect social --- MAD-faculty 18 --- kleurenpsychologie --- kleuren in kunst --- cultuurgeschiedenis --- kleurgebruik