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Guitar --- Guitar music --- Guitarists --- Guitar. --- Guitar music. --- Guitarists. --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Guitar players --- Plucked instrument players --- Recorded accompaniments (Guitar) --- Plucked instruments --- Vihuela
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This publication is an authoritative guide to the history and repertory of the guitar from the Renaissance to the dawn of the classical era.
Guitar music --- Guitar --- Recorded accompaniments (Guitar) --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Plucked instruments --- Vihuela --- History and criticism. --- History. --- History --- History and criticism
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Guitar --- -Guitar music --- -Performance practice (Music) --- Recorded accompaniments (Guitar) --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Plucked instruments --- Vihuela --- Performance --- Interpretation (Phrasing, dynamics, etc.) --- Guitar music --- Performance practice (Music) --- Performance. --- History --- -Performance
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Guitar music --- Lute music --- Lutenists --- History and criticism. --- History and criticism --- Recorded accompaniments (Guitar) --- Lute players --- Plucked instrument players --- 78.44.2.2 --- 78.44.9.4 --- 78.44.2.3
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Guitar music --- Recorded accompaniments (Guitar) --- History and criticism --- Henze, Hans Werner, --- Henze, Heinz-Werner --- Henze, H. W. --- Criticism and interpretation. --- Music --- muziekinstrumenten --- muziekensembles --- gitaren --- instrumentenleer --- symfonische muziek --- Henze, Hans Werner --- anno 1900-1999 --- Germany --- Europe
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In the seventeenth century, like today, the guitar was often used for chord strumming ("battuto" in Italian) in songs and popular dance genres, such as the ciaccona or sarabanda. In thegolden age of the baroque guitar, Italy gave rise to a unique solo repertoire, in which chord strumming and lute-like plucked ("pizzicato") styles were mixed. Italian Guitar Music of the Seventeenth Century: Battuto and Pizzicato explores this little-known repertoire, providing a historical background and examining particular performance issues. The book is accompanied by audio examples ona companion website.
Lex Eisenhardt is one of Europe's foremost experts on early guitar. He teaches both classical guitar and historical plucked instruments at the Conservatory of Amsterdam. He has produced a number of highly acclaimed CD recordings, and has given concerts and masterclasses in Europe, the United States, and Australia.
Guitar music --- Guitar --- Guitare, Musique de --- Guitare --- History and criticism --- History --- Histoire et critique --- Histoire --- History and criticism. --- Recorded accompaniments (Guitar) --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Plucked instruments --- Vihuela --- Baroque Guitar. --- Battuto. --- CD recordings. --- Chord Strumming. --- Conservatory of Amsterdam. --- Early Guitar Music. --- Italian Guitar Music. --- Lex Eisenhardt. --- Pizzicato. --- Plucked Styles. --- Seventeenth Century. --- baroque guitar. --- battuto. --- classical guitar. --- concerts. --- early guitar. --- historical background. --- historical plucked instruments. --- masterclasses. --- performance issues. --- pizzicato. --- repertoire. --- seventeenth century.
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Lute music --- Guitar music --- Music --- Bibliography --- Catalogs --- Manuscripts --- 78 <093> --- 091:78 --- -Lute music --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Recorded accompaniments (Guitar) --- Muziek--Historische bronnen --- Handschriften i.v.m. muziek --- -Catalogs --- Catalogs. --- -Muziek--Historische bronnen --- 091:78 Handschriften i.v.m. muziek --- 78 <093> Muziek--Historische bronnen --- -091:78 Handschriften i.v.m. muziek --- Art music --- Bibliography&delete& --- Manuscripts&delete& --- 78.07 --- Lute music - Bibliography - Catalogs --- Guitar music - Bibliography - Catalogs --- Music - Manuscripts - Catalogs
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