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Alfred Hitchcock's Rear Window is one of the icons of American filmmaking. A perfect example of Hollywood cinema at its best, it is an engaging piece of entertainment as well as a fascinating meditation on the nature of the film itself. A suspense thriller about a chair-bound observer who suspects his neighbor of murdering his wife, the narrative becomes the vehicle for Hitchcock's exploration of the basic ingredients of cinema, from voyeurism and dreamlike fantasy, to the process of narration itself. This volume provides a fresh analysis of Rear Window, which is examined from a variety of perspectives in a series of essays published here for the first time.

CDL --- 791.471 HITCHCOCK --- Rear window (Motion picture : 1954) --- Alfred Hitchcock's Rear window (Motion picture) --- Rear window (Motion picture)

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Alfred Hitchcock's Rear Window is one of the icons of American filmmaking. A perfect example of Hollywood cinema at its best, it is an engaging piece of entertainment as well as a fascinating meditation on the nature of the film itself. A suspense thriller about a chair-bound observer who suspects his neighbour of murdering his wife, the narrative becomes the vehicle for Hitchcock's exploration of the basic ingredients of cinema, from voyeurism and dreamlike fantasy to the process of narration itself. This volume provides a fresh analysis of Rear Window, which is examined from a variety of perspectives in a series of essays published here for the first time. Providing an account of the actual production of the film, as well as feminist and cultural readings of it, it also demonstrates the influence of Rear Window on a wide range of filmmakers, including Antonioni, De Palma, and Coppola.

Film --- Music, Dance, Drama & Film --- Rear window (Motion picture : 1954) --- Alfred Hitchcock's Rear window (Motion picture) --- Rear window (Motion picture)

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Hitchcock, Alfred, --- Criticism and interpretation. --- Rear window (Motion picture : 1954)

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Traitant du programme de Cinéma des agrégations interne de Lettres classiques et de Lettres modernes, l'ouvrage propose tous les éléments nécessaires à la réussite du candidat. Comme tous les clefs-concours Cinéma, l'ouvrage est structuré en trois parties : - Repères et analyses : le contexte historique et artistique de l'oeuvre. - Grandes thématiques : comprendre les enjeux du programme. - Outils : les éléments factuels et techniques indispensables.

Théorie du cinéma. --- Genres cinématographiques. --- Cinéma --- Étude et enseignement. --- Rear window

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Film --- United States --- Acteurs de cinéma --- Gish, Lillian, --- Dietrich, Marlene, --- Cagney, James, --- Hepburn, Katharine, --- Brando, Marlon, --- Grant, Cary, --- Rear window (film) --- Cinéma --- Histoire et critique --- Chaplin, Charles, --- Histoire et critique. --- Gish, Lillian --- Chaplin, Charles --- United States of America