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Oral interpretation --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral communication --- Oral reading --- Reading --- Intonation (Phonetics) --- Oral interpretation. --- Literature
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"A survey of an investigation into the important question of whether or not medieval narrative was designed for performance"--Provided by publisher.
Literature, Medieval --- Oral interpretation --- History and criticism. --- History --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral communication --- Oral reading --- Reading --- Intonation (Phonetics) --- History and criticism
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-Oral interpretation --- Reading, Oral --- Reading aloud --- Reading out loud --- Oral interpretation. --- Oral reading. --- German literature --- Oral reading --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- History and criticism --- Elocution --- Reading --- Oral communication --- Intonation (Phonetics) --- Oral interpretation --- History and criticism.
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`Too afraid to have a go at oral storytelling in the classroom? This is the book for you!...The book guides you through choosing a tale you really enjoy, knowing your audience and not being afraid to adapt a tried and tested fairy tale' - Literacy Time `This book is ideal for all adults working with children (mainly at primary level) and would be especially useful for those less confident or who are new to their role. It provides a great opportunity to practise an inspirational and creative approach to teaching and learning...I really enjoyed this book and took away
Storytelling. --- Oral interpretation. --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral communication --- Oral reading --- Reading --- Intonation (Phonetics) --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Performance
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Comparative literature --- Literature --- Literature, Comparative --- Oral tradition --- Oral interpretation --- Congresses. --- -Oral tradition --- -Literature, Comparative --- -Comparative literature --- Philology --- Tradition, Oral --- Oral communication --- Folklore --- Oral history --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral reading --- Reading --- Intonation (Phonetics) --- Congresses --- History and criticism --- -Congresses --- Literature, Comparative - Congresses --- Oral tradition - Congresses. --- Oral interpretation - Congresses.
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Drama --- Oral interpretation --- Theater --- 792.01 --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral communication --- Oral reading --- Reading --- Intonation (Phonetics) --- 792.01 Theater: theorie; esthetica --- Theater: theorie; esthetica --- Directing (Theater) --- Play direction (Theater) --- Play production (Theater) --- Dramaturgy --- Authorship --- Playwriting --- Technique --- Production and direction --- Direction --- Linguistics
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This treatise argues that Samuel Beckett's late fiction, like his radio plays, demands to be read aloud, since much of the emotional meaning lodges in its tonality. The book provides recognition, insight and accessibility to Beckett's difficult yet compelling vocabulary.
Oral interpretation. --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral communication --- Oral reading --- Reading --- Intonation (Phonetics) --- Beckett, Samuel, --- Beckett, Samuel --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Bikit, Sāmūʼil, --- Fictional works. --- Fiction --- Technique.
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"Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"--
SOCIAL SCIENCE / Women's Studies. --- MUSIC / History & Criticism. --- Oral reading --- Choral speaking. --- Readers' theater. --- Music theater --- Women performance artists --- Women and literature --- Elocutionists --- Oral interpretation. --- Dramatic music --- Mixed media (Music) --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral communication --- Reading --- Intonation (Phonetics) --- Oral interpretation --- Theater --- Choral reading --- Speaking choirs --- Unison speaking --- Drama --- Elocution --- Reading, Oral --- Reading aloud --- Reading out loud --- History --- Chorus
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The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. Arguing that narrative theory has been founded on an exclusion of sound, the book poses a missing counterpart to modernism’s question “who speaks?” in the hidden acoustical questions “who hears?” and “who listens? ”For Napolin, the experience of reading is undergirded by the sonic. The book captures and enhances literature’s ambient sounds, sounds that are clues to heterogeneous experiences secreted within the acoustical unconscious of texts. The book invents an oblique ear, a subtle and lyrical prose style attuned to picking up sounds no longer hearable. “Resonance” opens upon a new genealogy of modernism, tracking from Joseph Conrad to his interlocutors—Sigmund Freud, Frantz Fanon, W. E. B. Du Bois, William Faulkner, and Chantal Akerman—the racialized, gendered, and colonial implications of acoustical figures that “drift” through and are transformed by narrative worlds in writing, film, and music. A major synthesis of resources gleaned from across the theoretical humanities, the book argues for “resonance” as the traversal of acoustical figures across the spaces of colonial and technological modernity, figures registering and transmitting transformations of “voice” and “sound” across languages, culture, and modalities of hearing. We have not yet sufficiently attended to relays between sound, narrative, and the unconscious that are crucial to the ideological entailments and figural strategies of transnational, transatlantic, and transpacific modernism. The breadth of the book’s engagements will make it of interest not only to students and scholars of modernist fiction and sound studies, but to anyone interested in contemporary critical theory.
Fiction --- Literature --- Oral interpretation. --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral communication --- Oral reading --- Reading --- Intonation (Phonetics) --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- History and criticism. --- Appraisal --- Evaluation --- Colonialism. --- Film and Media. --- Joseph Conrad. --- Literary Theory. --- Modernism. --- Narratology. --- Race. --- Sound. --- W.E.B. Du Bois. --- William Faulkner.
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Culture --- Education, Preschool --- Oral interpretation --- Play assessment (Child psychology) --- Assessment of play (Child psychology) --- Play analysis (Child psychology) --- Play diagnosis --- Play evaluation (Child psychology) --- Behavioral assessment of children --- Interpretative reading --- Interpretative speech --- Reading, Interpretative --- Speech, Interpretative --- Oral communication --- Oral reading --- Reading --- Intonation (Phonetics) --- Children --- Infant education --- Prekindergarten --- Preschool education --- Early childhood education --- Nursery schools --- Cultural sociology --- Sociology of culture --- Civilization --- Education (Preschool) --- Social aspects --- Culture. --- Popular culture --- Jeux educatifs --- Jeux --- Recherche --- Philosophie
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