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Studies in interpretation
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ISBN: 906203070X Year: 1972 Publisher: Amsterdam : Rodopi,

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Performing medieval narrative
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ISBN: 1843840391 Year: 2005 Publisher: Cambridge : Brewer,

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"A survey of an investigation into the important question of whether or not medieval narrative was designed for performance"--Provided by publisher.

Dichter lesen. 2 : Jahrhundertwende
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ISBN: 3768199894 3768199789 9783768199780 Year: 1989 Volume: 23/24 Publisher: Marbach am Neckar : Deutsche Schillergesellschaft,

Storytelling in the classroom
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ISBN: 1282560069 9786612560064 1848605226 9781848605220 1412920256 9781412920254 9781282560062 6612560061 Year: 2007 Publisher: London Paul Chapman Pub.

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`Too afraid to have a go at oral storytelling in the classroom? This is the book for you!...The book guides you through choosing a tale you really enjoy, knowing your audience and not being afraid to adapt a tried and tested fairy tale' - Literacy Time `This book is ideal for all adults working with children (mainly at primary level) and would be especially useful for those less confident or who are new to their role. It provides a great opportunity to practise an inspirational and creative approach to teaching and learning...I really enjoyed this book and took away

Language in drama: meanings for the director and the actor
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ISBN: 0810200147 Year: 1970 Publisher: Scranton, Pa Chandler

The drama in the text
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ISBN: 1280527358 0195358457 1429405902 9781429405904 9781280527357 0195088921 9780195088922 0197723853 Year: 1994 Publisher: New York Oxford University Press

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This treatise argues that Samuel Beckett's late fiction, like his radio plays, demands to be read aloud, since much of the emotional meaning lodges in its tonality. The book provides recognition, insight and accessibility to Beckett's difficult yet compelling vocabulary.


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The elocutionists
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ISBN: 025209915X 9780252099151 9780252040719 0252040716 9780252082221 0252082222 Year: 2017 Publisher: Urbana

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"Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"--


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The Fact of Resonance: Modernist Acoustics and Narrative Form
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ISBN: 0823288196 0823288161 Year: 2020 Publisher: Fordham University Press

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The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. Arguing that narrative theory has been founded on an exclusion of sound, the book poses a missing counterpart to modernism’s question “who speaks?” in the hidden acoustical questions “who hears?” and “who listens? ”For Napolin, the experience of reading is undergirded by the sonic. The book captures and enhances literature’s ambient sounds, sounds that are clues to heterogeneous experiences secreted within the acoustical unconscious of texts. The book invents an oblique ear, a subtle and lyrical prose style attuned to picking up sounds no longer hearable. “Resonance” opens upon a new genealogy of modernism, tracking from Joseph Conrad to his interlocutors—Sigmund Freud, Frantz Fanon, W. E. B. Du Bois, William Faulkner, and Chantal Akerman—the racialized, gendered, and colonial implications of acoustical figures that “drift” through and are transformed by narrative worlds in writing, film, and music. A major synthesis of resources gleaned from across the theoretical humanities, the book argues for “resonance” as the traversal of acoustical figures across the spaces of colonial and technological modernity, figures registering and transmitting transformations of “voice” and “sound” across languages, culture, and modalities of hearing. We have not yet sufficiently attended to relays between sound, narrative, and the unconscious that are crucial to the ideological entailments and figural strategies of transnational, transatlantic, and transpacific modernism. The breadth of the book’s engagements will make it of interest not only to students and scholars of modernist fiction and sound studies, but to anyone interested in contemporary critical theory.


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The aesthetics of play : a didactic study of play and culture in preschools
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ISBN: 9155435068 Year: 1995 Publisher: Uppsala : Almqvist & Wiksell : Acta universitatis upsaliensis,

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