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Magic realism (Literature) --- Réalisme magique (Littérature)

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réalisme magique (littérature) --- mcewan, ian (1948-....)

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Magic realism (Literature) --- Magisch realisme --- Postkolonialisme. --- Roman --- Romantiek. --- Réalisme magique (littérature) --- Réalisme magique (littérature)

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Dans la critique littéraire occidentale récente, les notions de " réalisme magique " et de " réalisme merveilleux " ont été étendues aux littératures du monde entier, sans que la confusion entre les deux appellations ait disparu. Le présent ouvrage s'inscrit dans une approche générale et comparatiste de la littérature. Après une analyse des théories existantes autour des deux appellations, il retient deux définitions distinctes de modes narratif de la fiction. Dans la partie " Poétiques " suivent une étude du réalisme magique de Marcel Aymé à Gabriel Garcia Marquez, ainsi que plusieurs illustrations du réalisme merveilleux : celui de la soi-disant "première manière" de Jean Giono, celui de trois auteurs antillais (A. Carpentier, J. S. Alexis et J.-L. Baghio'o) et celui de William Faulkner dans Le Hameau. La bibliographie chronologique par domaines linguistico-culturels réunit plus de trois cents titres.

Magic realism (Literature) --- Poetry --- Réalisme magique (Littérature) --- Poésie --- History and criticism. --- Histoire et critique --- History and criticism --- Réalisme magique (Littérature) --- Poésie --- Poetry - History and criticism

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"For years, critics have been asking if (and proclaiming that) magical realism is dead. Has this narrative mode, arguably the most important literary movement of the twentieth century, seen its day and become, now, an exhausted and dated form? Magical Realism and Cosmopolitanism emphatically contends that magical realism still has much to offer contemporary readers, critics, and authors. However, it has been unnecessarily limited by hermeneutical approaches that have restricted the form to particular, if significant, historical moments and concerns. Instead, this book argues, magical realism might be re-viewed for its potential to enact a range of potential functionalities. The particular function on which Magical Realism and Cosmopolitanism focuses is magical realism's capacity to construct sociological representations of belonging, a usage she traces closely in the late twentieth and early twenty-first century novels of Ben Okri, Salman Rushdie, Cristina Garcia, and Helen Oyeyemi. In demonstrating magical realism's capacity to strategize belonging, this book works not only to open up understandings of the mode to new possibilities, but also asks readers to consider ways these narratives are employing magical realism to engage contemporary, relevant concerns. Specifically, Sasser maps the preoccupation with belonging onto contemporary cosmopolitanism, that revived interdisciplinary discourse within which belonging is also a central concern, among other questions related to world citizenship. Magical realism, by enfleshing this pressing, renewed concern with belonging within narrative skin, thus demonstrates its continued purchase as a storytelling mode, one for whom the death knell need not yet be rung. "--

Magic realism (Literature) --- Fiction --- Cosmopolitanism in literature. --- Réalisme magique (Littérature) --- Roman --- Cosmopolitisme dans la littérature --- History and criticism. --- Histoire et critique