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book (8)

dissertation (1)


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Dissertation
Le néo-réalisme italien : Michelangelo Antonioni : un réalisme des sentiments

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Book
Neorealismo : il nuovo cinema del dopoguerra
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ISBN: 9788831717885 Year: 2014 Publisher: Venezia : Marsilio,

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Book
In person : reenactment in postwar and contemporary cinema
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ISBN: 9780190496821 9780190496838 Year: 2019 Publisher: New York, NY : Oxford University Press,

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"In Person: Reenactment in postwar and contemporary cinema delineates a new confessional-performative film genre based on replay and self-awareness. It considers what exactly is relayed once an actual person replays her past on camera reassessing the presentational, performative and exemplary dimensions of postwar and post-shoah testimonial cinema"--


Book
The film cheat : screen artifice and viewing pleasure
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ISBN: 9781501364990 9781501364983 Year: 2020 Publisher: New York : Bloomsbury Academic,

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Book
L'espace intermédiaire, ou, Le rêve cinématographique
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ISBN: 9782296121812 Year: 2011 Publisher: Paris : L'Harmattan,

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Une réflexion sur la continuité entre monde réel et monde iréel qui semble être le propre du rêve cinématographique, à travers différentes théories et oeuvres.


Book
Stardom and the aesthetics of neorealism : Ingrid Bergman in Rossellini's Italy
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ISBN: 9780415890038 Year: 2012 Publisher: New York : Routledge,

The reality effect : film culture and the graphic imperative
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ISBN: 0415937213 Year: 2002 Publisher: New York : Routledge,


Book
Realism in Greek cinema : from the post-war period to the present
Authors: ---
ISBN: 1350987719 1786730774 1786720779 9781786720771 9781786730770 9781780767291 1780767293 Year: 2016 Publisher: London, England : London, England : I.B. Tauris & Co. Ltd, Bloomsbury Publishing,

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This book explores the development of post-1945 Greek cinema focusing on the work of some of its most influential and internationally known film-makers. After examining the foundational historical and stylistic questions of Greek cinematic tradition, it discusses the work of Michael Cacoyannis, the first director who brought Greek cinema to international repute with his famous films Stella, Electra, Zorba the Greek amongst others. After him, the book presents for the first time in English the seminal work of Nikos Koundouros probably the most innovative and versatile film-maker of the country. Together with them, Yannis Dalialidis was the most commercially successful and prolific director of the Golden Age of Greek cinema during the sixties. His underestimated work is discussed with special emphasis on films made between 1965 and 1975. Any discussion of Greek cinema would have been incomplete without mentioning the work of its most celebrated auteur Theo Angelopoulos. The analysis gives foregrounds his use of colour, mise-en-scene and continuity from his early political films to his later incomplete projects. After him, the book explores the diversity of cinematic styles that thrived in the country especially during the seventies. The work of Antouanetta Angelidi gives the opportunity to study women's cinema and the local tradition of experimental or poetic film-makers. Finally, the book explores contemporary Greek film-makers, in an era when the Greek society is experiencing one of its greatest crises.

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