Listing 1 - 8 of 8 |
Sort by
|
Choose an application
Choose an application
In 1974 the young Timm Rautert travelled to Pennsylvania to photograph those who would normally not allow themselves to be photographed: the Amish, a group of Anabaptist Protestant communities. Four years later Rautert returned to America, this time to the Hutterites who live so stringently by the Ten Commandments and the bible's restrictions on images that they have their identity cards issued without photographs. Both these two series were influential on Rautert's later work and No Photographing brings them together for the first time.
Choose an application
Timm Rautert’s Bildanalytische Photographie (Image-Analytical Photography), from 1968 to 1974, highlights the fundamental con- ditions of photographic work—from the photographic act and the development of photographic images under an enlarger in the lab to the various possibilities of presentation. A systematically elaborated ensemble of analogue black-and-white and color photographs, of image-text compilations, and of manuals and photographic material provokes elementary questions about what photography means as a medium, what is expected from it, and how it has shaped the perception of the world. Scenic black-and-white photographs, passport photos, lab experiments, combinations of selected photo prints with their negatives are found here among Rautert’s 56 works, but also non-photographic material such as a grey card (used for measuring light mainly in photo studios), postcards and graphic manuals. Each work becomes an element of “analysis” showing the numerous potential scenarios of photography.
Choose an application
Choose an application
From the photographic act to the possibilities of presentation: the fundamental conditions of photography German photographer Timm Rautert’s (born 1941) Bildanalytische Photographie (Image-Analytical Photography) highlights the fundamental conditions of photographic work—from the photographic act and the development of photographic images under an enlarger in the lab to the various possibilities of presentation. A systematically elaborated ensemble of analogue black-and-white and colour photographs, of image-text compilations, and of manuals and photographic material provokes elementary questions about what photography means as a medium, what is expected from it, and how it has shaped the perception of the world. Black-and-white photographs, passport photos, lab experiments and combinations of selected photo prints with their negatives are found here among Rautert’s 56 works, but also nonphotographic material such as a gray card (used for measuring light mainly in photo studios), postcards and graphic manuals. Each work becomes an element of “analysis” showing the numerous potential scenarios of photography.
Photography --- photography [process] --- Contemporary [style of art] --- artistieke fotografie --- Rautert, Timm
Choose an application
Photography --- photography [process] --- Horn, Rebecca --- Böhmler, Claus --- Blume, Bernhard --- Gruber, Hetum --- Klauke, Jürgen --- Rinke, Klaus --- Schweizer, Helmut --- Leisgen, Barbara en Michael --- Baumgartl, Monika --- Beuys, Joseph --- Rautert, Timm --- Sachsse, Rolf --- Sauer, Michel --- Richter, Gerhard --- Windheim, von, Dorothee --- Rosenbach, Ulrike --- Gelpke, André --- Hacker, Dieter --- Gerz, Jochen --- Becher, Bernd und Hilla --- Brus, Johannes --- Koliusis, Nikolaus --- Sieverding, Katharina
Choose an application
This visual manifesto explores the notion of "the photographic", an analysis of the effects the technical image has on the visual culture as a whole. The glossy photo essay focuses on contemporary artistic practises and experimental approaches to photography, divided into four themes: The Photographic Fossil, Chemical Matter, Optical Confusion, and Performing the Image. The accompanying text insert engages a discourse among artists and intellectuals on defining photography and technique. "Off Camera" is the conclusion of a research project carried out by Belgian researcher Steven Humblet's group, Thinking Tools, at the Royal Academy of Fine Arts, Antwerp.
Art --- Photography --- Contemporary [style of art] --- visual culture --- artistieke fotografie --- onderzoek in de kunsten --- kunst --- fotografie --- fotografietheorie --- eenentwintigste eeuw --- Barrow Thomas --- Beshty Walead --- Bonnot Sylvie --- Braeckman Dirk --- Brandt Matthew --- Breuer Marco --- Davey Moyra --- De Blieck Marc --- Deschenes Liz --- Dibbets Jan --- Downsbrough Peter --- Goudal Noémie --- Gröting Asta --- Grupping Liesbet --- Guyton Wade --- Hadjidjanos Spiros --- Hilliard John --- Howalt Nicolai --- Janssens Ann Veronica --- Kasten Barbara --- Kiwitt Stephanie --- Konrad Aglaia --- Onorato Taiyo --- Krebs Nico --- Kriemann Susanne --- Kuppel Edmund --- Lempert Jochen --- Lund Marie --- Mater Katja --- McCaw Chris --- Platéus Benoît --- Polke Sigmar --- Price Seth --- Probst Barbara --- Rauschenberg Robert --- Rautert Timm --- Renout Jannemarein --- Rossiter Alison --- Ruff Thomas --- Sasse Jörg --- Sepuya Paul Mpagi --- Somers Dominique --- Strand Clare --- Teufen Dominique --- Umbrico Penelope --- Van Menxel Sine --- Voïta Bernard --- Zaatari Akram --- 77.039 --- 77.04 --- 77.01 --- Onderzoek in de kunsten --- Fotografie ; 2000 - 2050 --- Fotografie ; artistieke fotografie --- Fotografie ; theorie, filosofie, esthetica
Choose an application
Art --- Photography --- art [discipline] --- photography [process] --- Feldmann, Hans-Peter --- Broodthaers, Marcel --- LeWitt, Sol --- Mohamedi, Nasreen --- Sirk, Douglas --- Stieglitz, Alfred --- Dibbets, Jan --- Rainer, Arnulf --- Oppenheim, Dennis --- Oiticica, Hélio --- Warhol, Andy --- Welling, James --- Antin, Eleanor --- Hilliard, John --- Michailov, Boris --- Watts, Robert --- Wilke, Hannah --- Duchamp, Marcel --- Rochester Group --- Adler, Amy --- Baltz, Lewis --- Barrow, Thomas F. --- Haacke, Hans --- Bunnell, Peter --- Cassavetes, John --- Almeida, d', Neville --- Morris, Robert --- Hahn, Betty --- Christo --- Kender, John --- Kirby, Michael --- Kolbowski, Silvia --- Smithson, Robert --- Polke, Sigmar --- Lee, Nikki S. --- Fulton, Hamish --- Steinert, Otto --- Beuys, Joseph --- Mulas, Ugo --- Newhall, Beaumont --- Niépce, Nicéphore --- Owens, Bill --- Rautert, Timm --- Serralongue, Bruno --- Shahbazi, Shirana --- Shunk, Harry --- Simmons, Laurie --- Szarkowski, John --- Richter, Gerhard --- Long, Richard --- Burgin, Victor --- Boltanski, Christian --- Koons, Jeff --- Yokomizo, Shizuka --- Cartier-Bresson, Henri --- Penone, Giuseppe --- Paolini, Giulio --- Evans, Walker --- Klein, Yves --- Sherman, Cindy --- Malraux, André --- Export, Valie --- Wall, Jeff --- Ray, Charles --- Merz, Mario --- Ruscha, Ed --- Acconci, Vito --- Graham, Dan --- Wearing, Gillian --- Longo, Robert --- Sebald, Winfred Georg --- Anselmo, Giovanni --- Bochner, Mel --- Charlesworth, Sarah --- Conner, Bruce --- Fischli, Peter --- Gilbert and George --- Gursky, Andreas --- Kruger, Barbara --- Lawler, Louise --- Levine, Sherrie --- Muybridge, Eadweard --- Nauman, Bruce --- Weiss, David --- Rosler, Martha --- Gerz, Jochen --- Baldessari, John --- Becher, Bernd und Hilla --- Huebler, Douglas --- Lamelas, David --- Maria, de, Walter --- Mendieta, Ana --- Michals, Duane --- Ruff, Thomas --- Salle, David --- Wegman, William --- Goldstein, Jack --- Struth, Thomas --- Marey, Étienne-Jules --- Szeemann, Harald --- Ader, Bas Jan --- Piper, Adrian --- Prince, Richard --- Man Ray --- Knoebel, Imi --- Elk, van, Ger --- Ruppersberg, Allen --- Kertész, André --- Matta-Clark, Gordon --- Almeida, Helena --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989
Listing 1 - 8 of 8 |
Sort by
|