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Gothic revival (Literature) --- Horror tales, English --- Women and literature --- History and criticism --- History --- Radcliffe, Ann Ward, --- Radcliffe, --- Radklif, Anna, --- Ratcliffe, --- Rattcliffe, Anne, --- Criticism and interpretation. --- England --- 18th century --- Great Britain
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"This book offers unique and fresh perspectives upon the literary productions of one of the most highly remunerated and widely admired authors of the Romantic period, Ann Radcliffe (1764-1823). While drawing upon, consolidating and enriching the critical impulses reflected in Radcliffe scholarship to date, this collection of essays, composed by a range of renowned scholars of the Romantic period, also foregrounds the hitherto understudied aspects of the author's work. Radcliffe's relations to Romantic-era travel writing; the complex political ideologies that lie behind her historiographic endeavours; her poetry and its relation to institutionalised forms of Romanticism; and her literary connections to eighteenth-century women's writing are all examined in this collection. Offering fresh considerations of the well-known Gothic fictions and extending the appreciation of Radcliffe in new critical directions, the collection reappraises Radcliffe's full oeuvre within the wider literary and political contexts of her time"--
Gothic fiction (Literary genre), English --- Romanticism --- English gothic fiction (Literary genre) --- English fiction --- History and criticism --- Radcliffe, Ann Ward, --- Radcliffe, --- Radklif, Anna, --- Ratcliffe, --- Rattcliffe, Anne, --- Criticism and interpretation. --- History and criticism. --- Radcliffe, Ann,
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This is the biography of the Gothic novelist, Ann Radcliffe (1764-1823), author of ""The Mysteries of Udolpho"", the world's first ""best seller"". The text clarifies Radcliffe's emergence from a Dissenting Unitarian, rather than a conventional Anglican, background. This places Radcliffe within the circle of other women writers nurtured in radical Dissenting backgrounds (such as Wollstonecraft, Hays, Inchbauld and Barbauld). Radcliffe's childhood and family background are documented and the rumours of her madness and reclusiveness investigated leading to an evaluation of the resons for her pro
Gothic revival (Literature) --- Horror tales --- Women novelists, English --- English women novelists --- Authorship. --- Radcliffe, Ann, --- Radcliffe, Ann Ward, --- Radcliffe, --- Radklif, Anna, --- Ratcliffe, --- Rattcliffe, Anne, --- Romancières anglaises --- Littérature frénétique --- Récits d'horreur --- Biography --- Biographie --- Art d'écrire --- Radcliffe, Anne
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This scholarly text, suitable for graduates and undergraduates alike, examines how the Gothic writing of Ann Radcliffe and the eighteenth-century novels of Fanny Barney helped to shape and hone Jane Austen's own eighteenth century literary endeavors. It specifically focuses on Austen's early works Northanger Abbey, Lady Susan, and Sense and Sensibility, all of which were conceived and shaped during the last decade of the 1700's. This study closely follows the manner in which Austen eschewed the popular epistolary genre in favour of the novel-form, how she mastered the parodic-Gothic form, and
Gothic revival (Literature) --- Women and literature --- English --- Languages & Literatures --- English Literature --- Literary movements --- Revival movements (Art) --- Romanticism --- Literature --- Influence --- History --- Austen, Jane, --- Radcliffe, Ann Ward, --- Criticism and interpretation. --- Influence. --- Radcliffe, --- Radklif, Anna, --- Ratcliffe, --- Rattcliffe, Anne, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين،
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Psychological fiction, English --- Fantasy fiction, English --- Horror tales, English --- Gothic revival (Literature) --- Roman psychologique anglais --- Roman fantastique anglais --- Récits d'horreur anglais --- Littérature frénétique --- History and criticism. --- Histoire et critique --- Radcliffe, Ann Ward, --- Novelists, English --- History and criticism --- Psychology --- -Horror tales, English --- -Novelists, English --- -Psychological fiction, English --- -Fantasy fiction, English --- -English fantasy fiction --- Fantastic fiction, English --- English fiction --- English psychological fiction --- English novelists --- English horror tales --- Radcliffe, Ann Ward --- -History and criticism --- Récits d'horreur anglais --- Littérature frénétique --- Radcliffe, --- Radklif, Anna, --- Ratcliffe, --- Rattcliffe, Anne, --- Radcliffe, Ann, --- Fantasy fiction, English History and criticism --- Psychological fiction, English - History and criticism --- Fantasy fiction, English - History and criticism --- Horror tales, English - History and criticism --- Novelists, English - 19th century - Psychology --- Gothic revival (Literature) - Great Britain --- Radcliffe, Ann Ward, - 1764-1823
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The Civilized Imagination is a study of literature in a period of cultural change. As part of the transition from the eighteenth to the nineteenth century a great transformation occurred in the relations among aesthetic theory, literature, and society. This study analyses such changes as they appear in the works of Ann Radcliffe, Jane Austen and Sir Walter Scott, three apparently distinct novelists whom the author locates within a unified cultural movement. Although the works of these writers are extremely different in many respects, in Professor Cottom's view they are all preoccupied with the changing relation between aristocratic and middle-class values. In Ann Radcliffe's works middle-class values are beginning to emerge within a governing aristocratic context; in Jane Austen's novels these newer values are precariously balanced against the old; in Sir Walter Scott's books they have become victorious, at least superficially. Professor Cottorn examines the way these writers deal with such topics as taste, landscape, communications, morality and women, in order to show how certain aesthetic problems result from social change.
English fiction --- Aesthetics in literature. --- Social classes in literature. --- Perception in literature. --- Literature and society --- History and criticism. --- History --- Radcliffe, Ann Ward, --- Austen, Jane, --- Scott, Walter, --- Aesthetics. --- Author of "Waverley," "Ivanhoe," &c., --- Cleishbotham, Jedediah, --- Layman, --- Malagrowther, Malachi, --- Paul, --- S., W. --- Scott, W. --- Skott, Valʹter, --- Skott, Walter, --- Somnambulus, --- Ssu-ko-tʻe, --- Ssu-ko-tʻe, Wa-erh-tʻe, --- Sukotsu, --- Sukotto, --- Templeton, Laurence, --- W. S. --- Wa-erh-tʻe Ssu-ko-tʻe, --- "Waverley," "Ivanhoe," &c., Author of, --- סקאט, וואלטער, --- סקוט, וולטר, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين، --- Radcliffe, --- Radklif, Anna, --- Ratcliffe, --- Rattcliffe, Anne, --- Aesthetics, British
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In the wake of the French Revolution, Edmund Burke argued that civil order depended upon nurturing the sensibility of men-upon the masculine cultivation of traditionally feminine qualities such as sentiment, tenderness, veneration, awe, gratitude, and even prejudice. Writers as diverse as Sterne, Goldsmith, Burke, and Rousseau were politically motivated to represent authority figures as men of feeling, but denied women comparable authority by representing their feelings as inferior, pathological, or criminal. Focusing on Mary Wollstonecraft, Ann Radcliffe, Frances Burney, and Jane Austen, whose popular works culminate and assail this tradition, Claudia L. Johnson examines the legacy male sentimentality left for women of various political persuasions. Demonstrating the interrelationships among politics, gender, and feeling in the fiction of this period, Johnson provides detailed readings of Wollstonecraft, Radcliffe, and Burney, and treats the qualities that were once thought to mar their work-grotesqueness, strain, and excess-as indices of ideological conflict and as strategies of representation during a period of profound political conflict. She maintains that the reactionary reassertion of male sentimentality as a political duty displaced customary gender roles, rendering women, in Wollstonecraft's words, "equivocal beings."
English fiction --- Politics and literature --- Women and literature --- Femininity in literature. --- Sentimentalism in literature. --- Authorship --- Sex role in literature. --- Femininity (Psychology) in literature --- Women authors --- History and criticism. --- History --- Sex differences. --- Wollstonecraft, Mary, --- Radcliffe, Ann, --- Burney, Fanny, --- Austen, Jane, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين، --- Arblay, --- D'Arblay, --- Burneĭ, --- Bi︠u︡rneĭ, --- Burney, Frances, --- D'Arblay, Fanny, --- D'Arblay, Frances Burney, --- Arblay, Frances Burney d', --- Author of Evelina, --- Evelina, Author of, --- Author of Evelina and Cecilia, --- Evelina and Cecilia, Author of, --- Author of Camilla, --- Camilla, Author of, --- Wood, --- Burney, Frances Anne, --- Radcliffe, Ann Ward, --- Radcliffe, --- Radklif, Anna, --- Ratcliffe, --- Rattcliffe, Anne, --- Criticism and interpretation. --- Art d'écrire --- Empfindsamkeit. --- Engels. --- Engelsk litteratur --- Englisch. --- English fiction. --- Femmes et littérature --- Frauenliteratur. --- Féminité (psychologie) --- Féminité dans la littérature. --- Geschlechterrolle. --- Kvinnor och litteratur --- Letterkunde. --- Litteratur och politik --- Littérature sentimentale. --- Political fiction, English --- Political fiction, English. --- Politics and literature. --- Politiek. --- Politique et littérature --- Psychological fiction, English --- Psychological fiction, English. --- Roman anglais --- Roman. --- Rôle selon le sexe dans la littérature. --- Sentimentalisme dans la littérature. --- Sentimentalisme. --- Vrouwelijke auteurs. --- Women and literature. --- Écrits de femmes anglais --- Différences entre sexes. --- Sex differences --- Kvinnliga författare --- Historia. --- History and criticism --- Women authors. --- Histoire --- Dans la littérature. --- Femmes écrivains --- Histoire et critique. --- Histoire et critique --- Austen, Jane. --- Burney, Fanny. --- Radcliffe, Ann. --- Wollstonecraft, Mary. --- Critique et interprétation. --- analys och tolkning. --- 1700-1799. --- Great Britain. --- Gro�britannien. --- Great Britain --- 18th century --- Sentimentalism in literature --- Wollstonecraft, Mary --- Criticism and interpretation --- Radcliffe, Ann Ward --- Burney, Fanny --- Austen, Jane
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