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Baldwin, Michael --- Ramsden, Mel --- Art & Language (Group) --- Exhibitions --- Art & Language --- Painting --- easel paintings [paintings by form] --- paintings [visual works]

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Art styles --- Art --- art [discipline] --- Conceptual --- LeWitt, Sol --- Dibbets, Jan --- Atkinson, Terry --- Baldwin, Michael --- Morris, Robert --- Weiner, Lawrence --- Cage, John --- Rauschenberg, Robert --- Graham, Dan --- Huebler, Douglas --- Ramsden, Mel --- Kosuth, Joseph --- Art & Language --- anno 1900-1999 --- United States of America

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Art --- Arp, Hans --- Magritte, René --- Broodthaers, Marcel --- Tinguely, Jean --- Andre, Carl --- LeWitt, Sol --- Baselitz, Georg --- Anderlecht, van, Englebert --- Kienholz, Edward --- Warhol, Andy --- Fontana, Lucio --- Christo --- Kawara, On --- Manzoni, Piero --- Schoonhoven, Jan --- Uecker, Günther --- Vercammen, Wout --- Judd, Donald --- Flavin, Dan --- Schnabel, Julian --- Indiana, Robert --- Ramsden, Mel --- Hartung, Hans --- Joostens, Paul --- Arman --- Raysse, Martial --- Calder, Alexander --- Panamarenko --- Gallery Ronny van de Velde [Antwerp] --- anno 1900-1999

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Writing in art --- Words in art --- Art, Modern --- Ecriture dans l'art --- Mots dans l'art --- Art --- Exhibitions. --- Expositions --- kunst --- Art & Language --- verzamelingen --- collecties --- Fabre Eric --- concept art --- conceptuele kunst --- woord en beeld --- Arakawa Shusaku --- Atkinson Terry --- Bainbridge David --- Baldwin Michael --- Burn Ian --- Hurrell Harold --- Harrison Charles --- Ramsden Mel --- Broutin Gérard-Philippe --- Burgin Victor --- Czerkinsky Stefan --- Dimitrijevic Braco --- Dufrêne François --- Gillard Jean-Pierre --- Hains Raymond --- Internationale situationniste --- situationisme --- Isou Isidore --- Kosuth Joseph --- Kozlov Christine --- Pomerand Gabriel --- Sabatier Roland --- Satié Alain --- Stezaker John --- Weiner Lawrence --- Wolman Gil Joseph --- 7.074 --- Exhibitions

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De conceptuele kunst stelde de gebruikelijke definitie van een kunstwerk - namelijk een door een kunstenaar vervaardigd voorwerp - danig op de proef. In dit toegankelijke boek wordt beschreven waarom de nieuwe avant-garde, die opkwam in de jaren zestig en zeventig van de twintigste eeuw, zulke baanbrekende kunst vervaardigde en in hoeverre deze beweging moet worden gezien als het keerpunt tussen de modernistische schilderkunst uit het verleden en de postmodernistische hedendaagse kunst.

Conceptual --- Art --- anno 1900-1999 --- minimal art --- Fluxus --- Art styles --- Minimal --- ruimtelijke kunst --- conceptuele kunst --- anno 1960-1969 --- anno 1970-1979 --- 7.038 --- kunst 20e eeuw --- 705.8 --- Arnatt, Keith --- Baldessari, John --- Barry, Robert --- Beuys, Joseph --- Bochner, Mel --- Broodthaers, Marcel --- Buren, Daniel --- Burgin, Victor --- Conceptuele kunst --- Cullen, Gregor --- Darboven, Hanne --- Dibbets, Jan --- Duchamp, Marcel --- Fido Hunt, Kay --- Graffix, Redback --- Graham, Dan --- Gérôme, Jean-Léon --- Haacke, Hans --- Harrison, Margaret --- Hilliard, John --- Kabakov, Ilja --- Kawara, On --- Kelly, Mary --- Koslov, Christine --- Kosuth, Joseph --- Kounellis, Janis --- Kunst --- Laderman Ukeles, Mierle --- Latham, John --- LeWitt, Sol --- Long, Richard --- Maciunas, George --- Magritte, René --- Malevitsj, Kasimir --- Manzoni, Piero --- Meireles, Cildo --- Merz, Mario --- Morris, Robert --- Mosset, Olivier --- Motonoga, Sadamasa --- Nauman, Bruce --- Olitski, Jules --- Ono, Yoko --- Parmentier, Michel --- Picabia, Francis --- Piper, Adrian --- Polke, Sigmar --- Ramsden, Mel --- Rauschenberg, Robert --- Rosler, Martha --- Ruscha, Ed --- Smithson, Robert --- Stella, Frank --- Toroni, Niele --- Weiner, Lawrence --- 20e eeuw --- kunstgeschiedenis --- kunstgeschiedenis - kunst na 1945 --- kunstgeschiedenis, 20e eeuw --- schilderkunst --- Art, Modern --- Conceptual art --- Art criticism --- conceptuele kunst.