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Goetz' wildes Denken zwischen Friedrich Nietzsche und Niklas Luhmann setzt sich mit der Kommunikation der Gesellschaft auseinander - bruchstückhaft, radikal subjektiv, fast schon universalpoetisch. Seine erkenntnispoetische Literatur versteht sich als Kunst, die das Aufbrechen des Verstehens in einer unübersichtlichen Welt des Geredes begreiflich macht, indem sie das Unbestimmte, das Vieldeutige und das Widersprüchliche einschließt. Die literarische Anverwandlung philosophischer Ansätze u.a. von Nietzsche, Luhmann, Adorno und Derrida bildet das Fundament des ekstatischen Denkens bei Rainald Goetz. Grundlegend für die literarische Erkenntnis ist das dialektisch angelegte Wechselspiel zwischen dionysischer Leidenschaft und apollinischer Analyse. Durch das Offenhalten des Sinns versteht sich der Text als dialogischer Beitrag zur gesellschaftlichen Reflexion im Sinne der Aufklärung.

Literature --- Aesthetics --- Aesthetics. --- Goetz, Rainald --- Goetz, Rainald. --- Criticism and interpretation. --- (Friedrich) Nietzsche --- (Friedrich) Schelling --- (Niklas) Luhmann --- (Theodor W.) Adorno --- Apoll --- Dialektik --- Dionysos --- Rainald Goetz --- literarische Ästhetik --- Epistemologie --- Erkenntnistheorie

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In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia.

German fiction --- Music in literature. --- Music and literature --- Paratext --- Books --- Literature and music --- Literature --- German literature --- History and criticism. --- Andreas Neumeister. --- Benjamin von Stuckrad-Barre. --- Contemporary Literature. --- Frank Goosen. --- German Literature. --- Karen Duve. --- Kerstin Grether. --- Matthias Politycki. --- Musico-Centric Fiction. --- Peter Handke. --- Popular Music. --- Rainald Goetz. --- Rolf Dieter Brinkmann. --- Thomas Brussig. --- Thomas Meinecke.