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En Angleterre, les pirates se sont multipliés. Forcément, il y a eu des conflits ; forcément, ces conflits ont parfois pris des allures de règlements de comptes. Le 21 juin 1966, Reginald Calvert, le propriétaire de Radio City, est abattu par son rival, Oliver Smedley, le patron de Radio Atlanta. Cet ultime affrontement entre deux pirates devait couler par le fond des bateaux qui eurent un rôle fondamental dans l'émergence de la pop : seules ces radios pirates offshore offraient à la jeunesse exaltée une musique absente des ondes de la BBC. La mort d'un pirate revient sur les origines de la radiodiffusion pour aborder les raisons profondes de cet événement détonnant. Dès l'apparition des premiers pirates dans les années 1920 (de simples auditeurs accusés de trafiquer leurs récepteurs), un combat technologique, économique, culturel et politique s'engage entre deux camps : ici les défenseurs du monopole d'État et de la BBC, respectueux de la propriété intellectuelle et soucieux d'instruire le peuple par les ondes ; là les féroces militants du laissez-faire financier, partisans des radios commerciales et de la liberté. Oliver Smedley et Reginald Calvert avaient choisi leur camp. Mais Radio City avait un avantage. Elle émettait depuis des anciens forts militaires, vestiges de la Seconde Guerre mondiale perdus dans les brumes de la mer du Nord : Shivering Sands... Avec l'expertise de l'historien et la plume d'un auteur de polar, Adrian Johns mène l'enquête et nous confronte aux interrogations soulevées par une société de l'information aujourd'hui devenue numérique : la légitimité des pratiques populaires, la liberté d'expression et de création, l'exercice de la démocratie, l'économie du droit d'auteur. Autant de questions qu'il adresse aux pirates modernes comme aux décideurs politiques.
Pirate radio broadcasting --- Radio pirate --- History --- Histoire --- Pirate radio broadcasting - Great Britain - History
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Perhaps the most ubiquitous of all the mass media, radio is also one of the longest established, dating back to the beginning of the last century. Yet it is one of the least theorized. This book examines the development of local radio broadcasting and the trend in the UK and abroad for locally-owned, locally-originated and locally-accountable commercial radio stations to fall into the hands of national and even international media groups. They in turn disadvantage the communities from which they seek to profit, by removing from them a means of cultural expression and democratic participation. In essence, localness in local radio is an endangered species, despite being a relatively recent phenomenon. By tracing the early development of local radio through ideologically-charged debates around public-service broadcasting and the fitness of the private sector to exploit scarce resources, to present-day digital environments in which traditional rationales for regulation on ownership and content have become increasingly challenged, the book provides amanifesto for informed speculation around future developments in local radio. Guy Starkey, a former radio producer and presenter,identifies and rationalizes current trends in local radio within wider globalizing influences in a range of international contexts. A principal focus on the United Kingdom is complemented by comparisons with different contexts in North America, the Commonwealth and the European Union.
Telecommunication technology --- Mass communications --- United Kingdom --- Radio broadcasting --- Local mass media --- Mass media and globalization. --- Radio --- Médias locaux --- Médias et mondialisation --- History. --- Histoire --- Mass media and globalization --- History --- Médias locaux --- Médias et mondialisation --- Radio broadcasting - Great Britain - History --- Local mass media - Great Britain
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Examining the ways in which the BBC constructed and disseminated British national identity during the second quarter of the twentieth century, this book is the first study that focuses in a comprehensive way on how the BBC, through its radio programs, tried to represent what it meant to be British. The BBC and national identity in Britain offers a revision of histories of regional broadcasting in Britain that interpret it as a form of cultural imperialism. The regional organization of the BBC, and the news and creative programming designed specifically for regional listeners, reinforced the cu
British Broadcasting Corporation -- History. --- Mass media and nationalism -- Great Britain. --- Nationalism -- Great Britain -- History -- 20th century. --- Radio broadcasting -- Great Britain -- History. --- Mass media and nationalism --- Radio broadcasting --- Nationalism --- Journalism & Communications --- Radio & TV Broadcasting --- History --- British Broadcasting Corporation --- History. --- Consciousness, National --- Identity, National --- National consciousness --- National identity --- Nationalism and mass media --- B.B.C. --- BBC --- British Broadcasting Corporation. --- Great Britain. --- Hayʼat al-Idhāʻah al-Barīṭānīyah --- Ying-kuo kuang po kung ssu --- Yingguo guang bo gong si --- International relations --- Patriotism --- Political science --- Autonomy and independence movements --- Internationalism --- Political messianism --- British Broadcasting Company --- Sociology of culture --- Mass communications --- BBC [London] --- anno 1900-1999 --- United Kingdom --- 1922-1953. --- identité nationale. --- communication de masse. --- Nationalisme --- Radio broadcasting. --- Nationalism. --- Mass media and nationalism. --- Radio --- Radio industry and trade --- Broadcasting --- Mass media --- Dans les medias --- British Broadcasting Corporation (Grande-Bretagne) --- Histoire. --- Grande-Bretagne. --- Northern Ireland --- Scotland --- Wales --- England and Wales --- Storbritannien --- Anglia --- Wielka Brytania --- Nagy-Britannia --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Grande-Bretagne --- Angliyah --- Briṭanyah --- Velikobritanii︠a︡ --- Saharātchaʻānāčhak --- Marea Britanie --- Grossbritannien --- Prydain Fawr --- Royaume-Uni --- Iso-Britannia --- Yhdistynyt kuningaskunta --- Förenade kungariket --- Grã-Bretanha --- בריטניה --- イギリス --- Igirisu --- B.B.C. (British Broadcasting Corporation) --- BBC (British Broadcasting Corporation) --- BBC Group --- Conscience nationale --- Et le nationalisme --- Identité nationale --- Sentiment national --- , Principe des --- Analyse marxiste --- Aspect religieux --- Aspect politique --- Velikobritanii͡ --- Théorie du grand remplacement --- Caractère national --- Internationalisme --- Nation --- Nationalisme et archéologie --- Nationalisme et art --- Nationalisme et communisme --- Nationalisme et éducation --- Nationalisme et folklore --- Nationalisme et musique --- Nationalisme et sciences --- Nationalisme et socialisme --- Nationalisme et sports --- Nationalisme et technologie --- Nationalités --- Nettoyage ethnique --- Xénophobie --- Chauvinisme --- Droit des peuples à disposer d'eux-mêmes --- Fascisme --- Illibéralisme --- Jacobinisme --- Messianisme politique --- Mouvement völkisch --- Mouvements de libération nationale --- Mouvements identitaires --- Mouvements nativistes --- Mouvements séparatistes --- National-socialisme --- Nationalisme arabe --- Nationalisme économique --- Nationalisme et historiographie --- Nationalisme hindou --- Nationalistes --- Nationalités, Principe des --- Phalangisme --- Régionalisme --- Identité collective --- Patriotisme --- Relations internationales --- Hay�at al-Idh�a�ah al-Bar�i�t�an�iyah --- Grande Idée (Grèce) --- Démocratie illibérale --- Shu'ubiyya --- BBC. --- British imperialism. --- British national identity. --- cultural imperialism. --- dual identities. --- mass media. --- media history. --- nationalism. --- radio programmes. --- regional broadcasting.
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