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Smiljan Radic est un architecte chilien internationalement reconnu. Radic a obtenu son diplôme d'architecte en 1989 à l'Université catholique du Chili et a créé son propre bureau en 1995.Cloud ’68 - Paper Voice rend hommage au mouvement architectural radical en Europe des années 1950 aux années 1970, qui a initié de nombreuses nouvelles formes d’expression expérimentale. Une sélection de 177 pièces graphiques - lithographies, dessins, gravures originales et éphémères de la collection personnelle de l'architecte chilien Smiljan Radić - révèle l'étendue des diverses approches architecturales de ces années. Les œuvres de Constant, Utopie, Guy Debord, Asger Jorn, Haus-Rucker-Co, Archigram et Superstudio, entre autres, sont présentées dans 33 panneaux qui rappellent «Mnemosyne Atlas» d'Aby Warburg. La publication est complétée par des fragments d'interview du critique et commissaire Hans Ulrich Obrist, qui a interviewé les protagonistes de ce mouvement architectural, ainsi que par trois essais de Tom McDonough, Moisés Puente et de Lara Schrijver.

Radical architecture --- Architecture --- Architecture radicale --- Histoire de l'architecture --- 20e siècle --- History --- Radic, Smiljan, --- Art collections. --- 72.038 --- 72.07 --- Radic, Smiljan °1965 (°Santiago, Chili) --- Casabella (tijdschrift) --- Architectuurgeschiedenis ; 1950 - 2000 --- Architecten. Stedenbouwkundigen A - Z --- Exhibitions --- Radical architecture - Europe - History - 20th century - Exhibitions --- Architecture - Europe - History - 20th century - Designs and plans - Exhibitions --- Radic, Smiljan, - 1965- - Exhibitions --- Radic, Smiljan, 1965 --- -Radic, Smiljan, 1965 --- -Radical architecture --- -Radic, Smiljan, - 1965 --- -Architecture radicale --- -72.038 --- -Radic, Smiljan, - 1965-

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This instalment presents two works by world-renowned Chilean architect Smiljan Radic, who was selected to design the 2014 Serpentine Gallery Pavilion in London. He is especially known for this many small-scale projects, such as dwellings and installation designs that connect various cultural traditions. Here, his House for the Poem of the Right Angle (Vilches, Chile) and Red Stone House (Santiago, Chile) are portrayed in a remarkable series of photographs by Yoshio Futagawa, who also contributes a descriptive text. Together, the two houses reflect the rich properties of Radic's varied spaces, formed through carefully constructed relationships with the surroundings.

72.07 --- 72.039 --- Woningbouw ; Chili ; 2009-2012 ; Smiljan Radic --- Radic, Smiljan °1965 (°Santiago, Chili) --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 --- Habitations individuelles --- Radic, Smiljan, --- Vilches (Chili) --- Santiago (Chili) --- House for the poem of the right angle --- Red Stone House --- Radic, Smiljan --- Red Stone House. --- Radic, Smiljan, 1965 --- -Habitations individuelles --- -Radic, Smiljan, 1965-

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Radic Clarke, Smiljan --- 72.071 --- architecten --- Smiljan Radic --- architectuur --- architectuur 21e eeuw --- Chili --- 72.07 --- buitenlandse architecten --- Architecten. Stedenbouwkundigen A - Z --- Architecture, Modern --- Architecture --- Designs and plans --- Dessins et plans. --- Radic, Smiljan, --- Architects --- Architectes --- History --- Histoire --- Radic, Smiljan, 1965 --- -Chili

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Located at the “end of the world,” Chile’s idyllic landscapes create a perfect canvas for Chilean architects to express poetry in their architecture. To many, it is the utopian holiday homes that brought Chilean architecture into the international scene, and examples of these houses were previously featured in a+u 06:07 and in this issue, the House for the Poem of the Right Angle (see pp. 24–33) and Loba House (see pp. 44–51). Following 2010, however, we begin to see a different group of architects looking into less individualistic visions. Guided by a moral compass, they engage with the public or take up non-profit projects – Ruca Dwellings (see pp. 120–123) and Gabriela Mistral Cultural Center (see pp. 138–145) – that focus on social and sustainable issues which came to a halt during times of oppression. In an introductory essay, Diego Grass, an architect and tutor at Pontifical Catholic University of Chile, shares with us his insights into Chilean architecture since the 1990s. He describes how having gone through years of persistent domestic unrest, the country seeks to forge a new cultural identity that would bring a divided Chile together. 18 projects are selected in this issue to broaden our perspectives into architecture found in Chile, and the many ways these architects respond to its landscapes and urban territories.

Architecture --- architecture [discipline] --- Chile --- Architectuur, hedendaagse; Chili --- Architectuur ; Chili ; 1ste helft 21e eeuw --- Pezo von Ellrichshausen --- Radic, Smiljan °1965 (°Santiago, Chili) --- A+U (tijdschrift) --- Architecture and Urbanism ; a+u (tijdschrift) --- 72.039(83) --- Architectuurgeschiedenis ; 2000 - 2050 ; Chili

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‘GA Houses’ documents outstanding new residential architecture from all over the world. With projects by Smiljan Radic, Junya Ishigami, Cristián Izquierdo Lehmann, Tomohiro Hata, Yo Shimada, Mathias Klotz, and Keitaro Muto.

72.039 --- architectuur 21e eeuw --- woningbouw --- architectuur in de 21e eeuw --- 728 --- 728.037 --- 72.037 --- 728.3 --- Woningbouw ; 1ste helft 21ste eeuw ; GA Houses --- Radic, Smiljan °1965 (°Santiago, Chili) --- Ishigami, Junya °1974 (°Kanagawa, Japan) --- Izquierdo Lehmann, Cristian --- Hata, Tomohiro --- Yo Shimada --- Klotz, Mathias --- Muto, Keitaro --- Woonhuizen (architectuur) --- Woningen (architectuur) --- Huizen (architectuur) --- 21ste eeuw (woningbouw) --- Eénentwintigste eeuw (woningbouw) --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Woningbouw ; eengezinshuizen