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O livro nos dá régua e compasso para conhecer as entranhas do pensamento e das práticas racistas a que se dedicaram as instituições acadêmicas e jurídico-policiais na Bahia nas primeiras décadas da República. Ao repassar sem rebuço esse ponto crucial do nosso passado, o livro ajuda a entender por que a criminalização sistemática do negro é, ainda hoje, um dado angustiante na vida da maior parte da população brasileira.

Racism against Black people.

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A searing--and sobering--account of the legal and extra-legal means by which systemic white racism has kept Black Americans 'in their place' from slavery to police and vigilante killings of Black men and women, from 1619 to the present.From the arrival of the first English settlers in America until now-a span of four centuries-a minority of white men have created, managed, and perpetuated their control of every major institution, public and private, in American society. And no group in America has suffered more from the harms imposed by white men's laws than African Americans, with punishment by law often replaced by extra-legal means. Over the centuries, thousands of victims have been murdered by lynching, white mobs, and appalling massacres.In White Men's Law, the eminent scholar Peter Irons makes a powerful and persuasive case that African Americans have always been held back by systemic racism in all major institutions that can hold power over them. Based on a wide range of sources, from the painful words of former slaves to test scores that reveal how our education system has failed Black children, this searing and sobering account of legal and extra-legal violence against African Americans peels away the fictions and myths expressed by white racists. The centerpiece of Irons' account is a 1935 lynching in Fort Lauderdale, Florida. The episode produced a photograph of a blonde white girl of about seven looking at the hanging, bullet-riddled body of Rubin Stacy, who was accused of assaulting a white woman. After analyzing this gruesome murder and the visual evidence left behind, Irons poses a foundational question: What historical forces preceded and followed this lynching to spark resistance to Jim Crow segregation, especially in schools that had crippled Black children with inferior education? The answers are rooted in the systemic racism-especially in the institutions of law and education--that African Americans, and growing numbers of white allies, are demanding be dismantled in tangible ways.A thought-provoking look at systemic racism and the legal systems that built it, White Men's Law is an essential contribution to this painful but necessary debate.

African Americans --- Race discrimination --- Racism against Black people --- Legal status, laws, etc --- Law and legislation --- History

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Racism has historically been a taboo topic in Mexico. This is largely due to the nationalist project of mestizaje which contends that because all Mexicans are racially mixed, race is not a salient political issue. In recent years, however, race and racism have become important topics of debate in the country's public sphere and academia. This book introduces readers to a sample of these diverse and sometimes conflicting views that also intersect with discussions of class. The activists and scholars included in the volume come from fields such as anthropology, linguistics, history, sociology, and political science. Through these diverse epistemological frameworks, the authors show how people in contemporary Mexico interpret the world in racial terms and denounce racism.

Racism --- Mestizaje --- Racism against Indigenous peoples --- Racism against Black people --- Social aspects --- Mexico --- Race relations.

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The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. ""Coon songs,"" with their ugly name, defined ragtime for the masses. Though the name itself is offensive to modern ears, it is impossible to investigate black popular entertainment of the ragtime era without directly confronting the ""coon songs"" which cleared the way for the ""original blues."". In Ragged but Right Lynn Abbot

African Americans --- Minstrel shows --- Tent shows --- Sideshows --- Blackface --- Racism against Black people --- Music --- History and criticism. --- History.

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A singular achievement, Christina Sharpe's Ordinary Notes explores, with immense care, profound questions about loss, pain and beauty; private memory and public monument; art; complexity; and the shapes of Black life that emerge in the wake. In a series of 248 brief and urgent notes that cumulatively gather meaning, artifacts from the past - both public ones and the poignantly personal - are skilfully interwoven with present-day realities and possible futures, intricately constructing an immersive portrait of everyday Black existence.At the heart of Ordinary Notes is the indelible presence of the author's mother, Ida Wright Sharpe. 'I learned to see in my mother's house,' writes Sharpe. 'I learned how not to see in my mother's house . . . My mother gifted me a love of beauty, a love of words.' Using these gifts and other ways of seeing, a chorus of voices and experiences is summoned to the page. Sharpe practices an aesthetic of 'beauty as a method', collects entries from a community of thinkers toward a 'Dictionary of Untranslatable Blackness', and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.--

Black people --- Black people --- Racism against Black people. --- Race identity. --- Social conditions. --- Sharpe, Christina Elizabeth --- United States --- Race relations.