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Book
Walid Raad
Authors: --- --- --- --- --- et al.
ISBN: 9780870709739 0870709739 Year: 2015 Publisher: New York, N.Y. The Museum of Modern Art

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Abstract

Lebanese artist Walid Raad is an influential voice in art from the Middle East. Published for his first comprehensive exhibition in the US, this catalogue surveys three decades of Raad's practice in photography, video and performance. Beginning with his groundbreaking project The Atlas Group (1989-2004), to his recent work on the history of art in the Arab world (2007-ongoing), it offers an overview of Raad's career and features his most momentous bodies of work. Raad explores the ways we represent war and history, casting doubt on the veracity of photographic and video documentation. Essays by scholars place Raad's art in the context of contemporary photography and video, as well as art made in Lebanon since the 1960s; provide an overview of Raad's performance lectures; and examine Raad's most recent bodies of work made in the Islamic galleries at the Louvre and Metropolitan Museum of Art, which explore the history, collecting and display of historical and modern art and artifacts from the Arab world and Iran. A special contribution by Raad presents a fictional interview with multiple artists, curators and writers.

The archive
Author:
ISBN: 9780262633383 0262633388 0854881484 9780854881482 Year: 2006 Volume: *1 Publisher: London : Cambridge, Mass. : Whitechapel ; MIT Press,

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Keywords

hedendaagse kunst --- art theory --- kunstbeschouwing --- Art --- art criticism --- fonds [collections] --- kunstenaarsgeschriften --- Aesthetics of art --- art [fine art] --- Contemporary [style of art] --- Boltanski, Christian --- Warhol, Andy --- Sekula, Allan --- Hiller, Susan --- Kabakov, Ilija Iosefovich --- Broodthaers, Marcel --- Raad, Walid --- Hirschhorn, Thomas --- Raqs Media Collective [New Delhi] --- anno 2000-2009 --- anno 1900-1999 --- Archives. --- Art archives. --- Archival resources. --- Museums --- Collection management. --- kunst --- archivering --- archieven --- Agamben Giorgio --- The Atlas Group --- Ra'ad Walid --- Benjamin Walter --- Boltanski Christian --- Broodthaers Marcel --- Buchloh Benjamin H.D. --- Cummings Neil --- Lewandowska Marysia --- Derrida Jacques --- Dittborn Eugenio --- Foster Hal --- Foucault Michel --- Freud Sigmund --- Green Renée --- Hiller Susan --- Hirschhorn Thomas --- Kabakov Ilya --- Kujundzic Dragan --- Levin Patricia --- Perreault Jeanne --- Merewether Charles --- Moeglin-Delcroix Anne --- Raqs media collective --- Ricoeur Paul --- Salloum Jayce --- Sekula Allan --- Spivak Gayatri Chakravorty --- subREAL --- Dan Cãlin --- Kiraly Josif --- Tupitsyn Margarita --- Warhol Andy --- Zaatari Akram --- kunsttheorie --- twintigste eeuw --- 7.01 --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over archieven ; kunstarchieven --- Museologie ; collectiebeheer ; archivering --- Buchloh Benjamin H.D --- Archival resources --- Archives --- Art archives --- Collection management in museums --- Collections management in museums --- Museum collection management --- Museum collections management --- Museum techniques --- Museum storage facilities --- Documents --- Manuscript depositories --- Manuscript repositories --- Manuscripts --- Documentation --- History --- Information services --- Records --- Cartularies --- Charters --- Diplomatics --- Public records --- Information resources --- Collection management --- Collections management --- Depositories --- Repositories --- Kunstesthetica --- Kunst --- kunstkritiek --- archieven [collecties] --- artists' statements --- Museums - Collection management --- art [discipline]

Ctrl [Space] : Rhetorics of Surveillance from Bentham to Big Brother
Author:
ISBN: 0262621657 9780262621656 Year: 2002 Publisher: Karlsruhe Cambridge ZKM Center for Art and Media MIT

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Abstract

This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people's minds. Traditional imaging and tracking systems have given way to infinitely more powerful "dataveillance" technologies, as an ever-evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks lat the shifting relationships between design and power, representation and subjectivity, imaging and oppression from the eight-teenth to twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. Andy Warhol, Bruce Nauman, Dan Graham, Rem Koolhaas, Michel Klier, Thomas Ruff, Pierre Huyghe, Sophie Calle, Julia Scher, Diller + Scofidio, Peter Weibel, and Yoko Ono are among the artists whose panoptical preoccupations are featured here. This is the first state-of-the-art survey of the full range of panopticism - in digital culture, architecture, video, painting, photography, conceptual art, cinema, installation work, television, robotics, and satellite imaging.

Keywords

Art --- Mass communications --- Thema's in de kunst ; controle ; observatie ; Big Brother --- Real Time film ; video ; reality TV --- Panoptische kunst --- Elektronische informatietechnologie ; databanken --- Beeldcultuur ; audio-visuele media --- International Media Art Award --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- 7.049 --- 7.01 --- (069) --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties) --- ed. by Thomas Y. Levin, Ursula Frohne, and Peter Weibel --- kunst --- twintigste eeuw --- bewaking --- satelliettechnologie --- politiek --- kunst en politiek --- dataveillance --- waarneming --- Big Brother --- Nauman Bruce --- Graham Dan --- Weibel Peter --- Schneider Ira --- Gillette Frank --- Klier Michael --- Luhmann Niklas --- Ruff Thomas --- Stein Lewis --- straf --- bestraffing --- Farocki Harun --- Virilio Paul --- Bentham Jeremy --- Koolhaas Rem --- Dahlberg Jonas --- Langlands & Bell --- Thiel Frank --- Colomer Henry --- bewakingssystemen --- Todorovic Zoran --- veiligheid --- staatsveiligheid --- Echelon --- Stasi --- Leccia Ange --- Schleime Cornelia --- Korpys/Löffler --- Stih & Schnock --- Klauke Jürgen --- Chip Lord --- Lord Chip --- Mélian Michaela --- panopticum --- Burgin Victor --- Warhol Andy --- narcisme --- Huyghe Pierre --- Scher Julia --- Crandall Jordan --- Alpern Merry --- Haagsma Harco --- Marketou Jenny --- Lundin Ulf --- Mayer H. Jürgen --- Deleuze Gilles --- architectuur --- kunst en architectuur --- 3D --- Deutsch David --- Naldi Pat --- Kirkup Wendy --- Diller+Scofidio --- Roth Daniel --- Mihaltianu Dan --- GRAFT --- NYCLU --- New York Civil Liberties Union --- visomat --- visomat inc. --- Baltz Lewis --- Acconci Vito --- Lennon John --- Ono Yoko --- Calle Sophie --- Kurgan LAura --- Bush Paul --- Art+Com --- Peljhan MArko --- Lowenberg Richard --- cybernetica --- panopticisme --- Baudrillard Jean --- Wagg jamie --- Froese Dieter --- Petit Chris --- Dijkman Bart --- Caviezel Kurt --- Komen A.P. --- Murphy Karen --- G.R.A.M. --- Bonde Niels --- Siden Ann-Sofi --- reality tv --- videobewaking --- reclame --- reclamevormgeving --- film --- narratologie --- Cornwell Peter --- Bureau of Inverse Technology --- Institute for Applied Autonomy --- I.A.A. --- Beaubois Denis --- Guess Jeff --- Mühlenbrock Heiner --- Surveillance Camera Players --- Bacher Luiz --- Haddock Jon --- Ra'ad Walid --- design --- cultuurfilosofie --- gevangenissen --- 7.038 --- 130.2 --- 791.5 --- visomat inc --- Komen A.P --- G.R.A.M --- I.A.A --- Multimedia (Art) --- Electronic surveillance --- Multimedia (Art) - Exhibitions --- Electronic surveillance - Art

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