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If it can be said that theology is the philosophical examination of a religion by an insider, then the present collection of essays by Shubert Spero offers us the proper formula for a truly authentic work. The author sets out to rigorously yet sensitively investigate some of the basic concepts and principles of classical Judaism. The topics addressed range from the familiar-"Is God Knowable?" and "Justifying Religious Belief"-to the unusual-"Judaism and the Aesthetic," "Does Judaism Have a Theory of Self?" and "Does Messianism Imply Inevitability?" Current issues are not neglected, and are addressed in sections such as "Religious Zionism: What is it?" and "The Ethical Theory of Judaism." While critical and analytic throughout, the author's style is clear and uncluttered and uses arguments to convince rather than to impress. Neither apologetic nor unnecessarily provocative, Shubert Spero provides a fresh approach to the neglected yet vital domain of Jewish theology.

Religion / Philosophy --- Religion / Judaism / Theology --- Religion --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology --- Jewish studies. --- Judaism. --- Religion. --- Theology. --- Zionism.

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"I, You, and the Word "God" introduces the approach of lyrical ethics, inspired by Emmanuel Levinas's ethical-phenomenological philosophy. Through the optics of lyrical ethics, the reader discovers how the ancient erotic poems of the Song of Songs bear ethical and theological significance for contemporary readers. Levinas's intertwined concepts--oneself qua sensibility, otherness perceived through responsibility, and transcendence embodied in one's love for the other--reveal themselves as lyrical colors woven into the fabric of Song 4:1-7, 5:2-8, and 8:6. More importantly, Levinas's understanding that poetic language breaks the tautology of logocentric discourse and gestures to the outside of consciousness provides the theoretical ground for the listener to solicit meaningfulness from the Song. Through this lyrical reading of the selected poetic units, the book demonstrates that the traditional interpretive methods of representative description, narrative paraphrase, and thematic distillation fail to encounter the otherness of poetry. In contrast, lyrical ethics pays attention to that which transcends consciousness: the awakening of the reader's subjectivity, the saying underlying the said, the sound of the sense, and the invisibility of the visible. The Song so caressed reveals in human love the purposelessly purposive encounter with God"--

Bible. --- Aga-sŏ (Book of the Old Testament) --- Asma Asmatōn (Book of the Old Testament) --- Cantar de los Cantares de Salomón (Book of the Old Testament) --- Cântarea-a Cântărilor (Book of the Old Testament) --- Cantica Canticorum (Book of the Old Testament) --- Canticle of Canticles (Book of the Old Testament) --- Canticles (Book of the Old Testament) --- Cantico dei Cantici (Book of the Old Testament) --- Canticum Canticorum Salomonis (Book of the Old Testament) --- Cantique des Cantiques (Book of the Old Testament) --- Énekek Éneke (Book of the Old Testament) --- Erg Ergotsʻ Soghomoni (Book of the Old Testament) --- Hohelied (Book of the Old Testament) --- Hooglied (Book of the Old Testament) --- Lied der Lieder (Book of the Old Testament) --- Musthikaning Kidung anggitane Sang Prabu Suleman (Book of the Old Testament) --- Musthikaning Kidung (Book of the Old Testament) --- Nashīd al-Anāshīd (Book of the Old Testament) --- Nashīd al-Anshād (Book of the Old Testament) --- Shir ha-Shirim (Book of the Old Testament) --- Solomon, Song of (Book of the Old Testament) --- Song of Solomon (Book of the Old Testament) --- Song of Songs (Book of the Old Testament) --- Criticism, interpretation, etc. --- RELIGION / Judaism / Theology. --- RELIGION --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology --- Biblical Studies --- Wisdom Literature. --- Old Testament.