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Internationally renowned artist and self-described "still-life photographer" Eileen Quinlan (born 1972) uses medium- and large-format analog cameras to create abstract photographs, working the film with steel wool or lengthy chemical processing. Among the subjects of her photographs are smoke, mirrors, Mylar, colored lights and other photographs. Featuring color reproductions and in-depth critical essays by Mark Godfrey and Tom McDonough, this book surveys Quinlan’s use of Polaroid film from 2006 to 2017. Initially used as a tool for proofing, Quinlan’s Polaroids can be seen as sketches, moments in which crucial formal and conceptual questions were explored and worked out. Moving through her extensive archive, one can find the origins of almost every larger body of work, as well as many ideas that remained in the repository, evidencing the artist’s desire to push beyond the constraints of her apparatus.

Photography --- Quinlan, Eileen --- Photography, Artistic --- kunst --- fotografie --- eenentwintigste eeuw --- Quinlan Eileen --- polaroidfotografie --- portretfotografie --- polaroids --- abstracte fotografie --- 77.071 QUINLAN --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Quinlan, Eileen,

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The book is divided into seven sections-Portrait, Landscape, Narrative, Object, Fashion, Document, and City-that explore the diverse subjects, styles, and methods of the leading practitioners. Introductions to each section outline the genres and consider why photographers are attracted to certain themes, and how issues like memory, time, objectivity, politics, identity, and the everyday are tied to their approaches. Each photographer's work is accompanied by Susan Bright's commentaries and by quotations from the artist.

Art and photography --- Photographers --- Photography, Artistic --- stadsfotografie --- Starkey Hannah --- Sterfeld Joel --- stillevenfotografie --- stillevens --- Streuli Beat --- Struth Thomas --- Sugimoto Hiroshi --- Sultan Larry --- Taylor-Wood Sam --- Tillmans Wolfgang --- twintigste eeuw --- Van Lamsweerde Inez --- van Meene Hellen --- Vivier Camille --- Wang Qingsong --- Wearing Gillian --- Welling James --- Wentworth Richard --- Wurm Erwin --- 77.039 --- AES&F --- Aitken Doug --- Apostol Alexander --- Barbieri Olivio --- Barney Tina --- Barth Uta --- Basilico Gabriele --- Blees Luxemburg Rut --- Bolofo Koto --- Broomberg Adam --- Brotherus Elina --- Bustamante Jean-Marc --- Calle Sophie --- Chanarin Oliver --- Crewdson Gregory --- Day Corinne --- Dean Tacita --- Delahaye Luc --- Demand Thomas --- de Villiers Jonathan --- Dicorcia Philip-Lorca --- Dijkstra Rineke --- documentaire fotografie --- eenentwintigste eeuw --- Fosso Samuel --- fotografie --- Goldin Nan --- Gough Kate E --- Graham Paul --- Grannan Katy --- Gursky Andreas --- Hanzlova Jitka --- Hao Hong --- Hatakeyama Naoya --- Henson Bill --- Höfer Candida --- Holdsworth Dan --- Hugo Pieter --- Jones Sarah --- Knight Nick --- kunst --- kunst en fotografie --- Kurland Justine --- landschap --- landschapsfotografie --- Laviada Alejandra --- Lee Nikki S --- Leonard Zoe --- Letinsky Laura --- Lockhart Sharon --- Manchot Melanie --- Matadin Vinoodh --- McDean Craig --- Meiselas Susan --- Mert and Marcus --- Mikhailov Boris --- Misrach Richard --- modefotografie --- Moffatt Tracey --- Moos Julie --- Moulène Jean-Luc --- Mthethwa Zwelethu --- Muniz Vik --- narratologie --- Niedermayr Walter --- Nieweg Simone --- Orozco Gabriel --- portret --- portretfotografie --- Quinlan Eileen --- Renaldi Richard --- Ruff Thomas --- Sassen Viviane --- Schorr Collier --- Sekula Allan --- Serralongue Bruno --- Sherman Cindy --- Sorrenti Mario --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Artists --- Photography and art --- Aesthetics --- artistieke fotografie --- anno 2000-2009