Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture.

Street art --- Punk culture and art. --- Themes, motives.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Counterculture --- Underground movements in art --- Punk culture and art --- Art, American

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

L'émergence au milieu des années 1990 en République populaire de Chine d'un underground musical punk à Pékin et Wuhan a de quoi surprendre, quelques années seulement après la répression du mouvement démocratique de Tian'anmen. De jeunes Chinois et Chinoises ont ainsi investi des espaces en dehors du marché et de l'État afin de constituer des communautés alternatives où de nouvelles formes de vie ont été expérimentées loin des critères établis par le Parti communiste chinois. Cet ouvrage retrace pour la première fois l'histoire du punk chinois, replacé dans le contexte plus large des mouvements contre-culturels chinois, et tente, en adoptant une approche ethnographique, de donner une idée précise de ce qui s'élabore dans ces espaces et des significations que les acteurs du punk attribuent à leurs pratiques musicales. De l'histoire du rock chinois des années 1980 à l'introduction sur le marché noir des dakou (CD et cassettes de contrebande venus de l'Occident), en passant par les tournées en compagnie des groupes de punk, les insultes proférées dans les chansons, ou les pogos dansés dans des salles de concert minuscules, cet ouvrage apporte un éclairage inédit sur un mouvement contestataire encore largement méconnu. Alors que le régime chinois contrôle de plus en plus fermement les modalités d'expression publique, cette analyse du punk explique comment un discours de vérité sur le pouvoir s'est élaboré aux marges de la société chinoise, perpétuant la mémoire des luttes passées et préparant celles à venir

S02/0200 --- S18/0200 --- China: General works--Civilization and culture, nation, nationalism --- China: Music and sports--Music and musical instruments --- Contre-culture --- Subculture --- Politique et culture --- Punk (mouvement) --- Cinéma et politique --- Counterculture --- Politics and culture --- Punk culture and art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A collection of over 650 original scans of printed ephemera and memorabilia from the prime years of the punk and post-punk movements. Andrew Krivine found himself and punk in the summer of 1977, when staying with a cousin who was at the heart of the protean movement in London. Since then he has amassed one of the world's largest collections of punk graphic design and memorabilia. Part of his collection has been on display at the Museum of Art Design in New York and the Cranbrook Art Museum in Michigan and is currently touring around the world. This book represents the cream of that collection - over 650 original scans of posters, flyers, covers and ads from the prime years of the movement which changed the world of graphic design forever. Unlike previous books of punk memorabilia, Too Fast to Live, Too Young to Die doesn't seek to tell the story of punk - we all know that - but instead tells of the graphic design of the period and of one man's obsession with creating a definitive and unparalleled collection of punk memorabilia. The illustrative content of Too Fast To Live, Too Young To Die is verified, critically assessed and given provenance by an array of graphic design experts, academics and commentators. Among them Steven Heller (former art director of New York Times), Dr Russ Bestley (reader in graphic design at the London College of Communication), Rick Poynor, Malcolm Garrett and Pullitzer and National Book Award-winning editor Michael Wilde. The book is beautifully produced with front and back cover artwork by Malcolm Garrett and Peter Saville, the designers behind some of punk's most memorable album covers.

Punk culture and art --- Punk rock music in art --- Post-punk music --- Graphic arts --- Graphic design (Typography) --- Commercial art --- Art and society --- Art --- 766.038 --- Punk en postpunk --- Grafische vormgeving : Groot-Brittannië ; 2de helft 20ste eeuw --- Art collections, Private --- Personal art collections --- Personal collections of art --- Private art collections --- Private collections of art --- Private art collections in art --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Posters --- Visual communication --- Motion picture billboards --- Typographic design --- Design --- Printing --- Layout (Printing) --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art and punk culture --- Postpunk music --- Punk rock music --- History --- Private collections --- Gebruiksgrafiek ; 1950 - 2000 --- Krivine, Andrew --- Art collections. --- Advertising. Public relations --- graphic design --- punk [international movement] --- grafisch ontwerp --- 766.036 --- punk --- twintigste eeuw --- Groot-Brittannië --- grafisch design --- grafische vormgeving