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This is the first book-length study of Sydney-based Horwitz Publications, the largest and most dynamic Australian pulp publisher to emerge after World War II. Although best known for its cheaply produced, sometimes luridly packaged, softcover books, Horwitz Publications played a far larger role in mainstream Australian publishing than has been so far recognised, particularly in the expansion of the paperback from the late 1950s onwards.
Horwitz Publications, Pulp Fiction and the Rise of the Australian Paperback examines the authorship, production, marketing and distribution of Horwitz pulp paperbacks. It includes ground-breaking material on the conditions of creative labour: the writers, artists and editors involved in the production of Horwitz pulp. The book also explores how Horwitz pulp paperbacks acted as a local conduit for the global modern: the ideas, sensations, fascinations, technologies, and people that came crashing into the Australian consciousness in the 1950s and 1960s.
Publishers and publishing. --- Pulp literature. --- Popular literature --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Publishing --- Publishers and publishing --- Pulp literature --- Paperbacks --- History
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It's no secret the sexy and racy cover art of femme fatales from the golden age of paperbacks and magazines exalts the female form in all its sexy and sultry allure. Still today, these lustful, passionate and sometimes lurid images are enticing and artistically inspiring. From sexy, semi-dressed pin-up dolls to dangerous bad girls and deadly dames, many of these rare covers were painted by some of the most talented and collectible artists of the last 50 years, including popular American artists Robert Bonfils, Robert Maguire, Gene Bilbrew and Bill Ward, and British artists Reginald Heade an
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He wrote under at least eight pseudonyms, published hundreds of short stories and novellas in pulp magazines, and lived a life at times as outrageous as his fiction. Pulp Writer tells of Paul S. Powers's travels from serious literary ambitions to the pages of Wild West Weekly , of his seeking his fortune (or material, at any rate) in the ghost towns and mining camps of Colorado, and of his life in Arizona and California as he reaped the rewards of his wildly successful Wild West Weekly characters such as Sonny Tabor and Kid Wolf.
Western stories --- Pulp literature --- Authors, American --- Popular literature --- Authorship. --- Powers, Paul S.
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German literature --- Popular literature --- Pulp literature, German --- Art and literature --- History and criticism --- Influence
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"From the dime novels of the Civil War era to the pulp magazines of the early 20th century to modern paperbacks, lurid fiction has provided escapism. Covering the history of pulp literature from 1850 through 1960, the author describes how sensational tales filled a public need and flowered during the evolving social conditions of the Industrial Revolution"--
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Cinematic influence shaped the experience and cultural understanding of science fiction during the formative pre-World War II period. Each chapter focuses on representations of film in pulp magazines -film-related advertisements; a film-related rhetoric that surfaced in science fiction stories; fans' and editors' discussions of film; and the covers and story illustrations for which the pulps were infamously known. The book's final chapter considers how, during the war and the decade immediately following, that cinematic influence shifted due to the recession of the modernist agenda and an array of new technologies, including television. By looking at those pulps during the key period in the development of science fiction, this book lays out film's early imprint on the genre and suggests the extent of its influence--an influence that would culminate in both SciFi film and literature coming into separate but equally impressive cultural prominence at approximately the same moment during the 1950s
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Gays in literature. --- Homosexuality and literature --- American fiction --- Pulp literature, American --- Gays' writings, American --- Literature and homosexuality --- Literature --- American pulp literature --- American literature --- History --- History and criticism. --- Gay people's writings, American --- Gay people in literature.
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Sociology of literature --- Pulp literature --- Fiction --- Popular literature --- History and criticism. --- History and criticism --- 19th century --- 20th century
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Cold War in literature --- Crime in literature --- Detective and mystery stories, American --- Literature and society --- Noir fiction, American --- Popular literature --- Pulp literature --- History and criticism --- History
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At the turn of the century, America saw the rapid rise of a new literary phenomenon: the pulps. Named "pulps" for the cheap paper on which they were printed, these wildly inventive periodicals featured bold titles, such as Weird Tales, Astounding Stories, and Spicy Detective. Adorned with bright, often garish covers they could be bought for as little as a dime, yet they offered outrageous selections of burgeoning popular fiction, from tales of horror and science fiction to lurid romances and hard-boiled detective stories. As the popularity of the pulps increased, certain fictional characters, such as Tarzan, Zorro, Doc Savage, Sam Spade, Hopalong Cassidy, and Conan the Barbarian were immortalized, and a new eccentric and hearty breed of writer emerged. Churning out these stories for a penny-a-word or less became the proving ground for hundreds of struggling authors, many of whom have since become the most widely read writers of this century, including Edgar Rice Burroughs, Dashiell Hammett, Louis L'Amour, Ray Bradbury, H.P. Lovecraft, and Raymond Chandler. Danger Is My Business is about the rise and fall of the colorful pulps and the legendary publishers, editors, and writers who made them an unforgettable sensation. Capturing the mood of America in the Roaring Twenties and the years of the Great Depression, the text features exclusive, firsthand recollections by pulp veterans, who offer comical and poignant anecdotes and give this history a lively, behind-the-scenes perspective. With over 100 rare illustrations, including dozens of magazine covers, interior illustrations, and archival photos of pulp notables, Danger Is My Business is an essential item for both collectors and pop-culture enthusiasts.
American periodicals --- Fantasy fiction, American --- Detective and mystery stories, American --- Pulp literature --- History --- History and criticism --- United States --- Drawing --- Designers --- United States of America --- triviaalliteratuur --- beeldverhalen
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