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Dovzhenko, Alexander --- Pudovkin, Vsevolod I.

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Leon Moussinac, surveying the Soviet cinema scene in 1928, proclaimed Pudovkin, Eisenstein, and Vertov as its leading triumvirate. Yet there has been too little published on Pudovkin's significant work in Soviet cinema. Amy Sargeant's welcome book on Pudovkin assesses his career and his films, including the well-known features "The Mother" and "The End of St. Petersburg," exploring their style and the circumstances surrounding their production. She also looks at the production and reception of his writings on film technique and performance, both inside the Soviet Union and.

Pudovkin, Vsevolod Illarionovich, --- Criticism and interpretation.

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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Pudovkin, Vsevolod Illarionovich,

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"Storm over Asia" ('The Heir to Genghis Khan') was the third of Vsevolod Pudovkin's great silent films. Released in 1928 it confirmed the director's reputation and Soviet cinema's growing stature internationally. It was subsequently re-edited, sonorised and re-released in 1949. The Buriat-Mongolian actor, Valeri Inkizhinov stars as the trapper hero, Bair, a character partly inspired by the actual Revolutionary figure, Sukhebator. Many of the extras in the film had participated in the events depicted. The film acknowledges a debt to D.W. Griffith and documents the everyday life and rituals of the people living around Lake Baikal, a culture that was almost entirely suppressed in the 1930s.This KINOfile describes the circumstances under which "Storm over Asia" was produced and distributed and discusses the warm reception of the film in Russia, Germany and France. In Britain the film was widely understood as an attack on British involvement in the Russian Civil War and on colonial policy in China and India - and was banned. Amy Sargeant also examines the potency of the Genghis Khan myth for a Soviet audience, and the continuing resonance of this fine film.

Buriats --- Bouriates --- History. --- Histoire --- Pudovkin, Vsevolod Illarionovich, --- Criticism and interpretation. --- Potomok Chingis-Khana (Motion picture) --- Soviet Union --- URSS --- History --- Histoire

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Motion pictures. --- Cinéma --- 791.43 --- Motion pictures --- #SBIB:309H1320 --- Lewis Jacobs --- film --- filmgeschiedenis --- stille film --- Méliès Georges --- Porter Edwin S. --- Griffith David Wark --- Duitsland --- Frankrijk --- Dreyer Carl Theodor --- Eisenstein Sergei --- Pudovkin Vsevolod --- geluidsfilm --- Flaherty Robert --- Clair René --- Ford John --- Disney walt --- neorealisme --- Italië --- Welles orson --- Bergman Ingmar --- Truffaut François --- Godard Jean-Luc --- Resnais Alain --- Fellini Federico --- Antonioni Michelangelo --- Lester Richard --- Bass Saul --- cinéma-vérité --- Mekas Jonas --- Makavejev Dusan --- Ozu Yasujiro --- Jancso Miklos --- Bresson Robert --- Bunuel Luis --- Tsjechoslowakije --- Fassbinder Rainer Werner --- filmtheorie --- 791.41 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmkunst. Films. Cinema --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History and criticism --- 791.43 Filmkunst. Films. Cinema --- Cinéma --- Porter Edwin S