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Community arts projects --- Public art spaces

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Iteration:Again documents and reflects upon a series of thirteen temporary public art commissions by twenty-one Australian and international artists that took place across Tasmania from September 18 to October 15, 2011. Produced by Contemporary Art Spaces Tasmania and David Cross, in conjunction with seven partner curators, Iteration:Again presents a compelling array of temporary artworks in largely unexpected places throughout Tasmania. Working to transform our experience of place for a moment in time, each commission seeks to address how temporary interventions or responses by artists to public sites, environments and buildings can serve to open up new ways of understanding Tasmania as a place with very complex cultural, social and spatial resonances.How it might be possible to introduce transformative elements that challenge the notion of a fixed or definitive artwork grounded in one location? By asking the artists to make four different chapters or 'iterations' over the course of a four-week period, David Cross challenged each practitioner to think through how change or processes of transition may function to make the art experience an unstable and contingent one. This idea of incorporating change into the work highlights a growing interest by artists in emphasizing art as a potentially theatrical or even fictive medium with the audience experiencing different moments or stages of encounter over a number of weeks. The idea provided for the possibility of narrative sequences, formal investigations, or temporal shifts that saw key additions or subtractions over time. Each commission sought to recast our understanding of public artwork from a discrete event or viewing experience, to a suite of experiences.The book includes sections on each project by the artists, including Ruben Santiago, Paul O'Neill, Maddie Leach and Toby Huddlestone, with a curatorial statement introducing the work and a commissioned response by thirteen Australian and international writers. It also features two major essays on key issues in temporary public art, including a curatorial essay by Cross and an essay on post-studio practice by noted public art scholar and curator Marco Marcon.

Artists --- Art --- Public art spaces --- Public art --- public art --- contemporary art --- Australia --- Tasmania --- repetition

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Iteration:Again documents and reflects upon a series of thirteen temporary public art commissions by twenty-one Australian and international artists that took place across Tasmania from September 18 to October 15, 2011. Produced by Contemporary Art Spaces Tasmania and David Cross, in conjunction with seven partner curators, Iteration:Again presents a compelling array of temporary artworks in largely unexpected places throughout Tasmania. Working to transform our experience of place for a moment in time, each commission seeks to address how temporary interventions or responses by artists to public sites, environments and buildings can serve to open up new ways of understanding Tasmania as a place with very complex cultural, social and spatial resonances.How it might be possible to introduce transformative elements that challenge the notion of a fixed or definitive artwork grounded in one location? By asking the artists to make four different chapters or 'iterations' over the course of a four-week period, David Cross challenged each practitioner to think through how change or processes of transition may function to make the art experience an unstable and contingent one. This idea of incorporating change into the work highlights a growing interest by artists in emphasizing art as a potentially theatrical or even fictive medium with the audience experiencing different moments or stages of encounter over a number of weeks. The idea provided for the possibility of narrative sequences, formal investigations, or temporal shifts that saw key additions or subtractions over time. Each commission sought to recast our understanding of public artwork from a discrete event or viewing experience, to a suite of experiences.The book includes sections on each project by the artists, including Ruben Santiago, Paul O'Neill, Maddie Leach and Toby Huddlestone, with a curatorial statement introducing the work and a commissioned response by thirteen Australian and international writers. It also features two major essays on key issues in temporary public art, including a curatorial essay by Cross and an essay on post-studio practice by noted public art scholar and curator Marco Marcon.

Artists --- Art --- Public art spaces --- Public art --- public art --- contemporary art --- Australia --- Tasmania --- repetition

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L'ouvrage est un essai polyphonique qui fait suite à l'expérience Being Urban, laboratoire pour l'art dans la ville. Laquelle à réuni à Bruxelles en mai et juin 2015, des artistes et des acteurs de la ville, ainsi que des habitants autour d'une inquiétude commune : la place de l'humain dans notre devenir urbain. L'ouvrage retrace l'évolution de l'urbanisme et de l'art public à Bruxelles depuis 2000, valorise des projets récents, soucieux du devenir urbain collectif, et donne des outils pour le renouveau de l'art dans la ville. L'objectif de cet ouvrage est de refléter la place des interventions artistiques dans l'espace public.

Art --- public art --- Brussels --- Street art --- Art, Municipal --- Public art --- Art dans la rue --- Art urbain --- Art public --- History --- Histoire --- public spaces --- City planning --- Public art spaces --- Art interactif --- Urbanisme --- Histoire de l'urbanisme --- Rapport art-architecture --- Rapport culture-nature --- Espace public --- Sociologie de l'art --- Sociologie de l'urbanisme --- Développement urbain --- Bruxelles --- City planning - Belgium --- Public art - Belgium - Brussels - 21st century --- Public art spaces - Belgium - Brussels - 21st century --- City planning - Belgium - Brussels - 21st century

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Open urban spaces are an ideal stage for public events. An important prerequisite for their design in an increasingly heterogeneous multicultural cityscape is the relationship between design, use, and social function.The book documents both temporary as well as permanent installations of various kinds ? from the open-air courtyard of a museum to the design of a river bank promenade, through to a city park.

Public art spaces. --- Public spaces. --- Public places --- Social areas --- Urban public spaces --- Urban spaces --- Cities and towns --- Art spaces, Public --- Public art sites --- Public spaces --- 711.61 --- Stedelijke publieke ruimtes ; parken ; flexibele ; tijdelijke invulling --- Publieke ruimte --- Openbare ruimte --- Stedenbouw. Ruimtelijke ordening ; pleinen, open ruimten --- Espaces publics. --- Constructions provisoires. --- Stedenbouw --- Ruimtelijke ordening --- Stadssamenleving --- Stedenbouw en kunst --- Pleinen --- Espaces publics --- Constructions provisoires