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The publication focuses on the – for Europe - radical and influential new installation of the Imperial Picture Gallery in Vienna at the turn of the 19th century, a seminal time of change both for art-history and European civilization. Function, internal structure and presentation of the Imperial Picture Gallery evolved in a way that was to prove exemplary: the princely gallery was transformed into a public art museum, with a new installation at Belvedere Palace that reflected art-historical principles. Der im späten 18. Jahrhundert vollzogene Übergang von einer höfischen Sammlung zum öffentlichen Kunstmuseum lässt sich am Beispiel der kaiserlichen Gemäldegalerie in Wien exemplarisch studieren. Die Publikation unternimmt es, das vom Basler Kunsthändler Christian von Mechel auf Einladung von Kaiser Joseph II. realisierte, für Europa richtungsweisende Museumskonzept im Detail zu rekonstruieren und es auf seine institutions- und mediengeschichtlichen Implikationen hin zu befragen. Da dieses Konzept Bestandteil eines komplexen historischen Prozesses war, werden auch andere wichtige Schauplätze des museumsgeschichtlichen Umbruchs – darunter Düsseldorf, Paris, Florenz und Berlin – im Blick gehalten. Auf dieser Grundlage werden neue Perspektiven auf die Geschichte, Theorie und Ästhetik der Institution Kunstmuseum eröffnet und für die aktuelle Debatte um seine Funktionen und Aufgaben bereitgestellt. Band 1 widmet sich der Dokumentation und Rekonstruktion der 1783 im Belvedere aufgestellten Gemäldesammlung. Auf Archivalien und Aufsätze, die diese Neuordnungen kunsttheoretisch und ideengeschichtlich verorten, folgt eine Visualisierung der Galerieräume anhand des von Christian von Mechel veröffentlichten Katalogs. Der Band bietet sowohl theoretische als auch anschauliche Zugänge zu diesem historisch wirkmächtigen Museumskonzept. Band 2 versammelt Beiträge, die den in Wien vollzogenen museumsgeschichtlichen Umbruch in größere historische Zusammenhänge stellen. Der Blickwinkel reicht von Sammlungskulturen der Vormoderne bis hin zu Veränderungen des 20. Jahrhunderts und der Gegenwart. Im Mittelpunkt des Interesses steht eine museologische Debatte, die gleichzeitig mit jenem Umbruch aufkam und nachfolgende Sammlungspräsentationen und Museumsgründungen maßgeblich beeinflusst hat.
Art museums --- History. --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums
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Museology --- Art museums --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums
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museology --- Museology --- Art --- art museums [buildings] --- Art museums --- Education --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Administration --- Economic aspects --- Educational aspects --- Galleries and museums
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Deze kunstreis-gids biedt een rijke schakering van musea die helaas onder de radar zijn gebleven, maar die op grond van hun bijzondere collecties en markante onderkomens zeker de publieke aandacht verdienen. Zo is in een 16e-eeuws kartuizerklooster in Douai een rijke collectie Italiaanse, Vlaamse, Hollandse en Franse schilderkunst ondergebracht. En is de Herbert Foundation, die zich richt op de internationale avant-garde in de periode 1968-1989, gehuisvest in een voormalig stoommachinefabriek in Gent. Verrassenderwijs biedt het 17e-eeuwse Palais Fénelon in het Franse plaatsje Le Cateau-Cambrésis een compleet overzicht van het werk van Henri Matisse! En heeft de zonderling Robert Garcet in Eben-Emael een twintig meter hoge Toren van de Apocalyps gebouwd, die volledig is opgetrokken uit ruwe brokken vuursteen. Ga mee op deze boeiende museumtocht en laat u verrassen door de burgerlijke atelierwoning van René Magritte in Brussel of door de Alexander de Grote-tapijten in het laatgotische stadhuis van Oudenaarde. Ontdek met deze gids de musea van Jabbeke tot Kemzeke.
Museology --- Belgium --- France: North --- museology --- Art museums --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums
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The current economic climate, coupled with an all embracing desire for museums to be respondent to 'the market' make a proper grounding in management essential. The 'bottom line' is one of the most powerful measures of management performance. Museums and galleries invariably have a neutral bottom line, they are not set up to make a profit and many of them are constrained by governmental accounting rules and charity legislation. Managing these organisations is difficult and this book tackles the issues that make it easier. Managing the Museum examines the highly sophisticated princ
Business management --- Museology --- Museums --- Art museums --- Management --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Galleries and museums --- Arts facilities --- Public institutions --- Cabinets of curiosities
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Post Critical Museology examines the current status of learning and knowledge practices in the art museum and investigates how to understand the challenges presented by the visual cultures of global migration and new media. The book locates the discussion of the future of the art museum in the realm of public participation and engagement with art and the museum. It provides a new analytical synthesis of the art museum through accounting for the agency of different communities of users and using theoretical approaches associated with science and technology studies. In the book's terms the art museum is continually made and remade through related networks and instead of an approach that starts with traditional hierarchies of cultural knowledge and value, it develops an analysis of the art museum in terms of an extended set of objects and performances and examines the points of relationship between them. In this way the book shows how the art museum in the first decade of the twenty-first century is no longer governed by the civic and civilizing mission of the nineteenth century, nor ruled by the logic of Modernist rationalism, but instead, can be seen as an institution seeking a new social role and identity and currently still struggling to understand and negotiate wider cultural signifying systems, government policy and market forces. Locating its critique in a constructive relationship to international progressive museological thinking and practice, the book calls for a new alignment in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might mobilize in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers. "--
Art museums. --- Museology --- Art museums --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums
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Art museums --- -Art --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- History --- -Galleries and museums --- -History --- -Art museums --- Galleries and museums
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Museology --- anno 1900-1999 --- anno 1800-1899 --- anno 1700-1799 --- Art museums --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- History --- Galleries and museums
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Art museums --- Art museums. --- Art collections --- Art galleries --- Art --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Galleries and museums --- Museums --- Yale University. --- Yale University Art Gallery --- Yale Art Gallery --- Arts facilities
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Art museums --- Congresses --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums --- Conferences - Meetings
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