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Il volume è dedicato a un versante poco esplorato della ricerca sociologica sui fenomeni collettivi emergenti tra fine Ottocento e inizio Novecento. Oggetto di indagine sono gli studi di critica sociale e letteraria elaborati da Scipio Sighele (1868-1913) sfruttando la lezione socio-psicologica di alcuni dei più significativi scrittori europei del momento. Sighele riserva particolare attenzione ai romanzi e ai drammi di Gabriele d'Annunzio, nei cui personaggi coglie i tratti di una modernità psico-patologica di assoluto rilievo, espressione dei cambiamenti culturali affioranti all'alba delle grandi urbanizzazioni. Si disegna così un quadro di ricerca che denota il costante interesse di Sighele per d'Annunzio, ammirato per la sua capacità di cogliere gli aspetti più moderni della società del tempo, facendo leva su un lavoro di scandaglio psicologico ispirato alla dialettica tra società, letteratura e comunicazione.
Foules --- Psychologie sociale et littérature --- Sighele, Scipio --- D'Annunzio, Gabriele
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Le XIXe siècle est notamment marqué par une littérature fascinée par les passions collectives. Le peuple devient un personnage à part entière. Il est présenté comme souffrant ou héroïque - pensons aux Misérables de Victor Hugo, aux Mystères de Paris d'Eugène Sue ou encore au Germinal d'Emile Zola. Il peut même être porteur d'une vérité historique, si l'on en croit Marx. Cet objet de fascination devient source de peur lorsqu'il est fait référence aux foules ou aux crimes de celles-ci. La littérature va s'emparer de ce thème des foules - foules criminelles, hordes révolutionnaires, massacres collectifs, passions incontrôlées du peuple, violence collective - et créer un imaginaire angoissé à partir de la réalité sociale. Une véritable psychose de la foule va se mettre en place. Cette psychose atteindra son paroxysme dans l'œuvre d'Hippolyte Taine dont les travaux, mêlant histoire et psychologie, ont fortement influencé par la suite les défenseurs d'une psychologie des foules (Scipio Sighele, Gustave Le Bon, Gabriel Tarde, Henri Fournial... ). Quinze textes, de 1877 à 1912, sur les foules et la psychologie des foules - dont certains inédits ou difficilement accessibles - sont présentés ici. Une introduction historique permet de resituer ces documents dans leur contexte et de présenter les controverses scientifiques de l'époque.
Social psychology and literature --- Crowds --- Collective behavior --- Psychologie sociale et littérature --- Foules --- Comportement collectif --- Psychological aspects --- Aspect psychologique --- Psychologie sociale et littérature --- History of Social Psychology --- Crowd --- 19th-20th Century
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Prolongeant la réflexion de quelques théoriciens, - Sartre, Barthes, Adorno, Bourdieu, - Jacques Dubois propose de reconnaître et d'analyser la littérature comme une institution, institution dont il décrit la structure et les fonctions. Il rompt de la sorte avec la conception la plus répandue des pratiques littéraires, selon laquelle celles-ci n'auraient dans la sphère sociale aucun lieu spécifique d'exercice et échapperaient à tout mode d'organisation. Son étude montre comment, dans la France du XIXe siècle et du pouvoir politique bourgeois, la littérature cultivée s'est constituée en domaine relativement autonome, doté d'un appareil d'institution, comment aussi elle a de plus en plus participé d'un système l'opposant aux productions littéraires réservées au grand public. Médiatisant les rapports que l'écrivain entretient avec la formation sociale et ses idéologies, ce statut d'autonomie engage une nouvelle sociologie du texte, dont le présent travail esquisse les voies.
French literature --- Literature and society --- Littérature française --- Littérature et société --- History and criticism --- Histoire et critique --- 82:316 --- Literatuursociologie --- 82:316 Literatuursociologie --- Littérature française --- Littérature et société --- French literature - 19th century - History and criticism --- Psychologie sociale et littérature --- Sociologie de la littérature --- Littérature et société.
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Sociology of literature --- French literature --- Literature and society --- Littérature et société --- Littérature française --- History and criticism --- Histoire et critique --- History and criticism. --- Psychologie sociale et littérature --- Sociologie de la littérature --- 82:316 --- -Literature and society --- #SBIB:309H515 --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Literatuursociologie --- Literatuurwetenschap, literatuursociologie --- Social aspects --- Literature and society. --- 82:316 Literatuursociologie --- Littérature et société --- Littérature française --- Sociologie de la littérature. --- French literature - 19th century - History and criticism.
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Les études proposées (Montaigne, Rousseau, Nerval, Baudelaire, Flaubert, Proust, Giono, Durrell, Littell, Houellebecq) constituent un exercice de méthode à portée anthropologique. Elles empruntent leurs outils à Marcel Mauss et à Paul Diel pour analyser la déchirure qui coupe les oeuvres du monde.
French literature --- Literature and anthropology. --- Social psychology and literature. --- Littérature française --- Littérature et anthropologie --- Psychologie sociale et littérature --- Themes, motives. --- Psychological aspects. --- Thèmes, motifs --- Aspect psychologique --- Littérature française --- Littérature et anthropologie --- Psychologie sociale et littérature --- Thèmes, motifs --- Literature and anthropology --- Social psychology and literature --- Psychologie --- Sociologie --- History and criticism --- Psychological aspects --- French literature - History and criticism --- French literature - Psychological aspects
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Lien social dans la littérature --- Liens sociaux dans la littérature --- Social bonds in literature --- Sociale banden in de literatuur --- Sociale bindingen in de literatuur --- Sociale samenhang in de literatuur --- Sociale verbanden in de literatuur --- Sociale verbindingen in de literatuur --- Socialisatie in de literatuur --- Socialisation dans la littérature --- Socialization in literature --- Roman d'éducation français --- Psychologie sociale et littérature --- French fiction --- Literature and society --- Histoire et critique --- History and criticism --- -French fiction --- -Literature and society --- -Socialization in literature --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- French literature --- Social aspects --- Socialization in literature. --- History and criticism. --- 19th century --- 20th century --- Europe --- Roman d'éducation français - Histoire et critique --- French fiction - 19th century - History and criticism --- French fiction - 20th century - History and criticism --- Literature and society - France
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Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers. In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.
Litterature et societe --- Art et litterature --- Roman anglais --- Litterature anglaise --- Esthetique --- Esthetica. --- Letterkunde. --- Engels. --- Literature and society. --- Fiction --- English fiction. --- Art and literature. --- Aesthetics, British. --- Literature and society --- Aesthetics, British --- Art and literature --- English fiction --- Histoire et critique. --- Technique. --- History --- History and criticism. --- 1700-1799 --- Great Britain. --- Visual arts --- Aesthetics --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Literature --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Aesthetics, English --- British aesthetics --- English aesthetics --- English literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Art, Théorie de l' --- Art --- Arts --- Contribution à l'esthétique --- Et l'esthétique --- Philosophie des arts --- Théorie artistique --- Théorie de l'art --- Théories artistiques --- Critique et interprétation --- Culture visuelle --- Esthétique --- Esthétique et droit --- Esthétique et morale --- Académisme --- Allusion --- Apollinien et dionysiaque --- Architecture --- Art pour l'art --- Auteur (esthétique) --- Authenticité (art) --- Avant-garde (esthétique) --- Beau (esthétique) --- Beauté féminine (esthétique) --- Camp (style) --- Catharsis --- Cinéma --- Comique --- Contemporanéité (esthétique) --- Création (esthétique) --- Déformation (esthétique) --- Dernières oeuvres --- Détails (philosophie) --- Dilettantisme (esthétique) --- Dimension (esthétique) --- Double (esthétique) --- Douceur --- Échelle (ordre de grandeur) --- Éclectisme (esthétique) --- Élégance --- Ellipse (esthétique) --- Empathie (esthétique) --- Entre-deux (esthétique) --- Épique (esthétique) --- Esthétique anarchiste --- Esthétique communiste --- Esthétique comparée --- Esthétique environnementale --- Esthétique fasciste --- Esthétique marxiste --- Esthétique national-socialiste --- Fantastique --- Fin de siècle (esthétique) --- Flou (esthétique) --- Force (esthétique) --- Forme (esthétique) --- Goût (esthétique) --- Grâce (esthétique) --- Grandiose (esthétique) --- Grotesque --- Harmonie (esthétique) --- Humour --- Imaginaire (philosophie) --- Imagination (philosophie) --- Immobilité (esthétique) --- Improvisation (esthétique) --- Informe (esthétique) --- Insignifiance (esthétique) --- Inspiration --- Ironie --- Jeu (philosophie) --- Jugement esthétique --- Kitsch --- Laideur --- Légèreté --- Littérature --- Médiévisme (esthétique) --- Modernisme (esthétique) --- Montage (esthétique) --- Mouvement (esthétique) --- Musique --- Nature (esthétique) --- Nouveauté --- Objet (esthétique) --- Orientalisme --- Originalité (esthétique) --- Peinture --- Pittoresque --- Poïétique --- Post-postmodernisme --- Postmodernisme --- Premières oeuvres --- Provocation (esthétique) --- Répétition (esthétique) --- Représentation (esthétique) --- Reste (esthétique) --- Ruines (esthétique) --- Rythme --- Silence (philosophie) --- Simultanéité (esthétique) --- Spectaculaire --- Stimmung --- Style --- Sublime --- Théâtre --- Tradition (philosophie) --- Transgression --- Valeurs (philosophie) --- Vulgarité --- Wabi-sabi --- Philosophie --- Littérature et art --- Littérature et arts plastiques --- Littérature et beaux-arts --- Littérature et peinture --- Littérature et sculpture --- Peinture et littérature --- Poésie et art --- Poésie et peinture --- Poésie et sculpture --- Sculpture et littérature --- Critique d'art --- Architecture et littérature --- Cubisme et littérature --- Ekphrasis --- Littérature et photographie --- Ut pictura poesis (esthétique) --- Arts et littérature --- Société et littérature --- Femmes et littérature --- Littérature et géographie --- Littérature postcoloniale --- Sociologie de la littérature --- Vie littéraire --- Féminisme et littérature --- Institution littéraire --- Psychologie sociale et littérature --- Histoire --- Aspect religieux --- Philosophie et esthétique --- Aspect social --- Esthétique et religion
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Why do people in socialist China read and write literary works? Earlier studies in Western Sinology have approached Chinese texts from the socialist era as portraits of society, as keys to the tug-of-war of dissent, or, more recently, as pursuit of "pure art." The Uses of Literature looks broadly and empirically at these and many other "uses" of literature from the points of view of authors, editors, political authorities, and several kinds of readers. Perry Link, author of Evening Chats in Beijing, considers texts ranging from elite "misty" poetry to underground hand-copied volumes (shouchauben) and shows in concrete detail how people who were involved with literature sought to teach, learn, enjoy, explore, debate, lead, control, and resist. Using the late 1970s and early 1980s as an entree to the workings of China's "socialist literary system," the author shows how that system held sway from 1950 until around 1990, when an encroaching market economy gradually but fundamentally changed it. In addition to providing a definitive overview of how the socialist Chinese literary system worked, Link offers comparisons to the similar system in the Soviet Union. In the final chapter, the book seeks to explain how the word "good" was used and understood when applied to literary works in such systems. Combining aspects of cultural and literary studies, The Uses of Literature will reward anyone interested in the literature of modern China or how creativity is affected by a "socialist literary system."
S16/0170 --- S16/0195 --- S06/0436 --- China: Literature and theatrical art--General works on modern literature --- China: Literature and theatrical art--Thematic studies --- China: Politics and government--Policy towards literature and art --- Chinese literature --- 20th century --- History and criticism --- Socialism and literature --- China --- Literature and society --- LITERARY CRITICISM / Asian / Chinese --- Litterature et societe --- Socialisme et litterature --- Litterature chinoise --- Chinesisch --- Politik --- Gesellschaft --- Literatur --- Sozialismus --- Socialism and literature. --- Literature and society. --- Chinese literature. --- Histoire et critique. --- History and criticism. --- China. --- Chinesisch. --- Akhmatova, Anna. --- Alyoshin, Samuil. --- Anhui province. --- Bai Hua. --- Bai Xianyong. --- Bell Tower Society. --- Bureau of Drama Reform. --- Cao Guanlong. --- Cao Xueqin. --- Chen Guokai. --- Chinese Academy of Sciences. --- Chinese Progress (journal). --- Christianity. --- Confucius. --- Dai minority people. --- Democracy Wall. --- Ehrenburg, Ilya. --- Fadeyev, Alexander. --- Feng Menglong. --- Gao Xiaosheng. --- Guo Moruo. --- Han Shaogong. --- Heavy Wings (Zhang Jie). --- Hiroshima. --- Hu Yaobang. --- Jiang Zilong. --- Jin Jingmai. --- Khrushchev Remembers. --- Khrushchev, Nikita. --- Kong Jiesheng. --- Li Yingru. --- Mao Zedong. --- Marxism-Leninism. --- May Fourth movement. --- Napoleon. --- Paustovsky, Konstantin. --- alienation. --- bookstores. --- bureaucratism. --- calligraphy. --- cartoonists. --- conservatives. --- corruption. --- decadence. --- democracy. --- engineering, literary. --- existentialism. --- feudalism. --- filmscripts. --- liberalism. --- neorealism. --- pluralism. --- Literature and socialism --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Sozialistisches Gesellschaftssystem --- Gesellschaftsordnung --- Kommunismus --- Sozialistische Bewegung --- Sozialist --- Belletristik --- Dichtung --- Schöne Literatur --- Sprachkunst --- Wortkunst --- Buch --- Schriftsteller --- Sein --- Staatspolitik --- Politische Lage --- Politische Entwicklung --- Politische Situation --- Guoyu --- Kuo-yü --- Putonghua --- P'u-t'ung-hua --- Mandarin --- Guanhua --- Kuanhua --- Nationalsprache --- Sinotibetische Sprachen --- Littérature et socialisme --- Communisme et littérature --- Marxisme et littérature --- Politique et littérature --- Socialisme et culture --- Littérature --- Société et littérature --- Femmes et littérature --- Littérature et géographie --- Littérature postcoloniale --- Sociologie de la littérature --- Vie littéraire --- Féminisme et littérature --- Institution littéraire --- Psychologie sociale et littérature --- Aspect social --- 1949 --- -BNKhAU --- Chung-hua min kuo --- Jhonggu --- Khi͡atad --- Kin --- Kita --- Kitaĭskai͡a Narodnai͡a Respublika --- National Government --- Republic --- Republic of China --- Zhonghuaminguo --- Rotchina --- Zhongguo-Diguo --- Kaiserreich Zhongguo --- Zhonghua-minguo --- Chung-hua-min-kuo --- Zhonghua-Renmin-Gongheguo --- Kaiserreich China --- Shinkoku --- Chung-hua-jen-min-kung-ho-kuo --- Zhonghua --- Volksrepublik China --- Zhonghua renmin gongheguo --- République populaire de Chine --- Kytajsʹkaja Narodnaja Respublika --- Chinese People’s Republic --- Chinesen --- Taiwan
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