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Rx Hollywood investigates how therapy surfaced in the themes, representations, and narrative strategies of a changing film industry. In the 1960s and early 1970s, American cinema was struggling to address adult audiences who were increasingly demanding films that confronted contemporary issues. Focusing upon five fields of therapeutic inquiry—therapist/patient dynamics, female "frigidity" and male impotence, marital discord, hallucinogenic drug use, and the dynamics of confession—Michael DeAngelis argues that the films of this period reveal an emergent, common tendency of therapy to work toward the formation of a stronger sense of interpersonal, community/social, and political engagement, counteracting alienation and social division in the spirit of connection and community.Prior to the 1960s, therapy had been considered an introspective process, one that emphasized contemplation and insight and prompted the patient to investigate memories and past traumas. In the 1960s, however, therapy would move toward more humanistic, client-centered, community, group, and encounter models that deemphasized the "there and then" of past feelings and experiences and embraced the "here and now" of the present. These kinds of therapy promised to heal the self through a process of reaching out, helping individuals to connect with communities, support networks, and other like-minded individuals who shared a needed sense of belonging.Drawing on a wide range of films, including Marnie, The Boston Strangler, The Chapman Report, Carnal Knowledge, Divorce American Style, Diary of a Mad Housewife, Guess Who's Coming to Dinner, and Five Easy Pieces, DeAngelis shows how American culture framed therapeutic issues as problems of human communication, developing treatment strategies that addressed individual psychological problems as social problems.
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L'asile psychiatrique est incontestablement un lieu d'enfermement. Mais il fût aussi un lieu de rencontre : celle du cinéma et de la psychiatrie. Tout au long de sa courte histoire, la machine cinématographique s'est attelée à mettre en images l'intérieur (et l'intériorité) de cette institution, dont le caractère mystérieux a eu tôt fait d'offrir un terrain de jeu fécond pour l'imaginaire des réalisateurs, ainsi que pour leurs velléités critiques. Cet ouvrage se propose d'explorer la complexité de cette rencontre à partir de différents films. De Caligari à Shutter Island, de Titicut Follies à 12 jours, l'image de l'institution se transforme en même temps que l'histoire de la psychiatrie va de crises en bifurcations. Tantôt dépeint sous les traits d'une institution totalitaire où les malades ne sont peut-être pas ceux que l'on croit, tantôt conçu comme lieu où la vérité du récit est elle-même inquiétée par le trouble qui s'y déploie, le cinéma n'aura cessé de porter, voire de fabriquer la mémoire de l'asile, de la faire déborder par son propre contenu, travaillant par-là la profondeur de nos imaginaires, dialoguant de près avec notre étrangeté, et critiquant du même coup les traitements réservés à celles et ceux que notre Histoire a exclus de l'espace de la raison. Qu'on les juge authentiques ou fantasmées, il se pourrait bien qu'à la surface des images de l'asile scintillent les bribes de notre expérience de la folie qui, une fois installée entre les murs de l'institution, a pris des allures de cauchemar ; un mauvais rêve dont les figures spectrales se dérobent à notre regard, mais continuent de hanter notre contemporanéité par le biais du grand écran et de son pouvoir.
Hôpitaux psychiatriques --- Cinéma -- Thèmes, motifs --- Au cinéma --- Thèmes, motifs --- Cinéma --- Au cinéma. --- Thèmes, motifs. --- Psychiatry in motion pictures.
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Femmes dans le cinéma --- Femmes et psychanalyse --- Psychiatrie dans le cinéma --- Psychiatrie in de film --- Psychiatry in motion pictures --- Vrouwen en psychoanalyse --- Vrouwen in de film --- Women and psychoanalysis --- Women in motion pictures --- Motion pictures --- Psychiatry in motion pictures. --- Women and psychoanalysis. --- Women in motion pictures. --- History. --- History --- United States
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Psychiatry in motion pictures. --- Motion pictures --- Psychiatrie dans le cinéma --- Cinéma --- Psychological aspects. --- Aspect psychologique --- Psychiatry in motion pictures --- #SBIB:309H1326 --- #SBIB:309H526 --- Psychological aspects --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Psychologie van de audiovisuele boodschap
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"Madness, Art, and Society engages with artistic practices from theatre and live art to graphic fiction, charting a multiplicity of ways of thinking critically with, rather than about, non-normative psychological experience. It is organised into two parts, 'Psychiatrists, Institutions, Treatments', which illuminates the environments, figures and models of psychiatric care, and 'Realities, Bodies, Moods', which rejects diagnostic categories in favour of a radical openness to the diversity of madness. Reading the works discussed as a form of protest literature, Madness, Art, and Society seeks a more nuanced understanding of the plurality of madness in contemporary art and society."--Provided by publisher.
Literature. --- Medicine in the Arts. --- Mental Disorders. --- Mental illness in literature. --- Mental illness in motion pictures. --- Mental illness --- Mentally Ill Persons. --- Psychiatry in Literature. --- Psychiatry in literature. --- Psychiatry in motion pictures. --- Psychiatry --- Social aspects.
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791.43.04 --- 616.89 --- Motion pictures --- -Psychiatry in motion pictures --- #SBIB:309H1326 --- #SBIB:309H526 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Iconologie, iconografie van de film. Filmthema's --- Psychopathologie --- Psychological aspects --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Psychologie van de audiovisuele boodschap --- History and criticism --- 791.43.04 Iconologie, iconografie van de film. Filmthema's --- Psychiatry in motion pictures
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Quest’opera, frutto del lavoro di diversi autori, tutti psichiatri appassionati di cinema, è un testo originale che testimonia la sterminata cinematografia in cui si ritrae la sofferenza psichiatrica e offre un metodo per apprendere la psicopatologia. Il libro contiene più di 130 schede di opere cinematografiche, suddivise in capitoli dedicati ad aree psicopatologiche specifiche, in cui gli autori analizzano l’intera sceneggiatura del film ponendo grande attenzione ai sintomi, alle interpretazioni dei meccanismi psichici profondi, valorizzando al tempo stesso la clinica in tutti i suoi aspetti. Questo approccio consente al lettore di vedere i film con uno sguardo nuovo e arricchito di conoscenze. Il volume è rivolto a psicologi, psichiatri e studenti e costituisce uno strumento utile sia per la fruizione personale, sia per la formazione professionale e culturale.
Mental health personnel in motion pictures. --- Motion picture audiences - Psychology. --- Motion pictures - Psychological aspects. --- Psychiatry in motion pictures. --- Psychoanalysis and motion pictures. --- Music, Dance, Drama & Film --- Film --- Motion pictures --- Psychological aspects. --- Medicine. --- Psychiatry. --- Psychology. --- Medicine & Public Health. --- Psychology, general. --- Philosophy (General). --- Medicine and psychology --- Mental health --- Psychology, Pathological --- Behavioral sciences --- Mental philosophy --- Mind --- Science, Mental --- Human biology --- Philosophy --- Soul
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