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This book is the first collection of essays on the British prose poem. With essays by leading academics, critics and practitioners, the book traces the British prose poem's unsettled history and reception in the UK as well as its recent popularity. The essays cover the nineteenth, twentieth and twenty-first centuries exploring why this form is particularly suited to the modern age and yet can still be problematic for publishers, booksellers and scholars. Refreshing perspectives are given on the Romantics, Modernists and Post-Modernists, among them Woolf, Beckett and Eliot as well as more recent poets like Seamus Heaney, Geoffrey Hill, Claudia Rankine, Jeremy Over and Vahni Capildeo. British Prose Poetry moves from a contextual overview of the genre's early volatile and fluctuating status, through to crucial examples of prose poetry written by established Modernist, surrealist and contemporary writers. Key questions around boundaries are discussed more generally in terms of race, class and gender. The British prose poem's international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance.
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Prose poems, English --- English prose poems --- English poetry --- English prose literature
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Though the prose poem came into existence as a principally French literary genre in the nineteenth century, it occupies a place of considerable importance in twentieth-century Japanese poetry. This selection of poems is the first anthology of this genre and, in effect, the first appearance of this kind of poetry in English.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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English drama --- Prose poems, English --- History and criticism. --- History and criticism.
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Poetry --- English literature --- Prose poems, English --- English prose poems --- English poetry --- English prose literature --- History and criticism
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Prose poems --- Prose poems, Spanish --- Prose poems, French --- Prose poems, English --- Poèmes en prose --- Poèmes en prose espagnols --- Poèmes en prose français --- Poèmes en prose anglais --- History and criticism --- History and criticism --- History and criticism --- History and criticism --- Histoire et critique --- Histoire et critique --- Histoire et critique --- Histoire et critique
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This book is the first collection of essays on the British prose poem. With essays by leading academics, critics and practitioners, the book traces the British prose poem’s unsettled history and reception in the UK as well as its recent popularity. The essays cover the nineteenth, twentieth and twenty-first centuries exploring why this form is particularly suited to the modern age and yet can still be problematic for publishers, booksellers and scholars. Refreshing perspectives are given on the Romantics, Modernists and Post-Modernists, among them Woolf, Beckett and Eliot as well as more recent poets like Seamus Heaney, Geoffrey Hill, Claudia Rankine, Jeremy Over and Vahni Capildeo. British Prose Poetry moves from a contextual overview of the genre’s early volatile and fluctuating status, through to crucial examples of prose poetry written by established Modernist, surrealist and contemporary writers. Key questions around boundaries are discussed more generally in terms of race, class and gender. The British prose poem’s international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance.
Literature. --- Literature, Modern --- Poetry. --- British literature. --- Poetry and Poetics. --- British and Irish Literature. --- Contemporary Literature. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- 20th century. --- 21st century. --- Philosophy --- English poetry --- Prose poems, English --- History and criticism. --- English prose poems --- English prose literature --- Literature, Modern-20th century. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- European literature. --- European Literature. --- European literature
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An engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry's key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today's most inventive writing.
Prose poems, English --- Prose poems, American --- American prose poems --- American poetry --- American prose literature --- English prose poems --- English poetry --- English prose literature --- History and criticism. --- American poetry. --- Baudelaire. --- France. --- French. --- Macpherson. --- Ossian. --- analysis. --- box. --- contemporary prose poetry. --- digital media. --- famous prose poems. --- famous prose poets. --- flaneur. --- fragment. --- guidebook. --- handbook. --- how is prose poetry different from poetry. --- how to interpret prose poetry. --- how to read prose poetry. --- neo surreal. --- neo surrealism. --- postmodern writing. --- romantic fragment. --- surrealism. --- surrealists. --- symbolism. --- symbolists. --- what is difference between prose poetry and poetry. --- what is prose poetry. --- who writes prose poetry.
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