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Visual communication --- Propaganda in art

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History of civilization --- Art --- Charles IV [Holy Roman emperor] --- Propaganda in art.

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Dossier centré sur les interventions d'artistes dans la production, la récupération ou le détournement de propagande. Sont entre autres étudiés le théâtre de propagande socialiste en France avant 1914, la propagande nazie à travers les dessins animés, l'image du héros dans la sculpture soviétique et son évolution dans la période post-soviétique.

Propaganda in art --- Disinformation --- Propagande dans l'art --- Désinformation --- Disinformation. --- Désinformation --- Art --- Advertising. Public relations --- World history

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Amid the chaos and violence of the 1905 Revolution in Russia, the Tsar's opponents printed and distributed vast quantities of picture postcards. Easy to share, hide and smuggle, postcards were a way to beat the censor and spread a message of defiance. Produced by a diverse set of revolutionaries, liberals, and opportunists, the content of these cards is equally wide-ranging: from satirical caricatures directed against the government to rare photographs of revolutionary demonstrations. Many of the cards are darkly humorous, combining laughter with a sense of raw indignation at the injustices of Imperial Russia.

Imperialism in art. --- Imperialism in art. --- Imperialism in art. --- Political postcards --- Political postcards. --- Political postcards. --- Propaganda in art. --- Propaganda in art. --- Propaganda in art. --- Propaganda, Russian. --- Propaganda, Russian. --- Propaganda, Russian. --- Propaganda. --- Propaganda. --- Propaganda. --- Revolution (Russia : 1905-1907). --- 1905-1907. --- Russia --- Russia. --- History --- Propaganda

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The Commissar Vanishes offers a chilling look at how one man - Joseph Stalin - manipulated the science of photography to advance his own political career and to erase the memory of his victims. On Stalin's orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. In one famous image, several Party members disappeared from an official photograph, to be replaced by a sylvan glade. For the past three decades, author and photohistorian David King has assembled the world's largest archive of photographs, posters, and paintings from the Soviet era. His collection has grown to more than a quarter of a million images, the best of which have been selected for The Commissar Vanishes. The efforts of the Kremlin airbrushers were often unintentionally hilarious. A 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, for example, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. The Commissar Vanishes is nothing less than the history of the Soviet Union, as retold through falsified images, many of them published here for the first time outside Russia. In each case, the juxtaposition of the original and the doctored images yields a terrifying - and often tragically funny - insight into one of the darkest chapters of modern history.

Photography --- Forgery of photographies --- History --- Propaganda, Soviet --- Photographie --- Photographies --- Histoire --- Propagande soviétique --- Faux --- Stalin, Joseph, --- Propagande soviétique --- Photographs --- Propaganda in art --- Censorship --- Political aspects --- Forgeries --- Retouching