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Aeschylus. --- Concordances --- Concordances. --- Aeschylus. - Prometheus bound - Concordances --- Aeschylus. - Prometheus bound
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Aeschylus. --- Tragedy --- Aeschylus --- Prometheus --- In literature --- Prometheus (Greek deity) in literature. --- Tragedy. --- Aeschylus - Prometheus bound --- Prometheus - (Greek deity) - In literature --- Prometheus - (Greek deity)
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Aeschylus. --- Prometheus (Greek deity) in literature. --- Tragedy. --- Tragedy --- Aeschylus --- Prometheus --- In literature --- Prometheus (Greek deity) in literature --- Prometheus (Greek mythology) in literature --- Drama --- Eskhil --- Eschylus --- Aischylos --- Esquilo --- Eschilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Eschyle --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος --- Aeschylus - Prometheus bound --- Prometheus - (Greek deity) - In literature --- Prometheus - (Greek deity)
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Bei Aischylos (525/4-456/5 v.Chr.) hat die attische Tragödie von bescheidenen Anfängen zu ihrer Vollendung geführt. Man war gewohnt, den Dichter einen Theologen zu nennen, von seiner Zeus-Religion zu sprechen, bis Mitte der 50er Jahre sich das Bild mit den Angriffen der anglophonen Forschung verdüsterte. Namentlich der Oxforder Gelehrte Hugh Lloyd-Jones hat Aischylos den Rang eines originellen theologischen Denkers abgesprochen, und dies mit bis heute anhaltender Wirkung. Robert Bees führt dagegen den Nachweis, daß hinter den sechs (unbestrittenen) Dramen ein persönlicher Glaube des Dichters steht, nach dem das Handeln des Zeus in allem gerecht ist: Symbolisiert im Wirken seiner Tochter Dike, die zur Erde geschickt wird, um den Willen des Vaters unter den Menschen durchzusetzen. Menschliches und göttliches Wollen, so die Überzeugung des Aischylos, müssen in eins zusammengehen, soll auf Erden Gerechtigkeit walten. Das Gute und Gerechte steht dem Bösen und Ungerechten gegenüber, und es ist Zeus, der beiden Seiten das Gebührende zuweist. Unter diesen Voraussetzungen ergeben sich neue Einsichten in alte Fragen, etwa die Opferung Iphigenies durch Agamemnon, welche nun nicht mehr als Verbrechen erscheint, sondern als einzig richtiges Handeln eines Feldherrn, der in göttlicher Mission gegen Troja zieht. Daß allein die Gerechtigkeit des Zeus entscheidend ist für das Handeln des Menschen, zeigt Bees in seiner Dramen-Interpretation, die auch Nichtfachleuten verständlich ist, da alles Griechische in Übersetzung vorgelegt wird. Beigegeben ist eine Interpretation des Prometheus Desmotes, der Aischylos fälschlich zugeschrieben wurde. Bees erhärtet die von ihm bereits 1993 begründete Unechtheit des Stückes nun von einer anderen Seite: die Ungerechtigkeit des Zeus, die in diesem Stück allenthalben zu Tage tritt, erscheint als bewußte Provokation eines unbekannten Autors gegen den Glauben des Aischylos.
Zeus (Greek deity) in literature. --- Zeus (Divinité grecque) dans la littérature --- Aeschylus --- Religion. --- Religion --- Criticism and interpretation --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Zeus (Divinité grecque) dans la littérature --- Zeus --- In literature. --- Aischylos --- Eschilo --- Eschyle --- Eschylus --- Criticism and interpretation. --- Aeschylus. --- Zeus. --- Prometheus vinctus. --- Eskhil --- Esquilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Esḳilos --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος --- Aeschylus - Religion --- Aeschylus - Criticism and interpretation --- Prometheus Desmotes --- Tragödie --- Gott --- Prometheus bound of Aeschylus.
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"When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek drama. That manuscript was based on The Martin Classical Lectures at Oberlin College, which Winkler delivered in September of 1988. The present text has been edited and updated by classicists David Halperin, Winkler's literary executor, and Kirk Ormand, Winkler's student and an expert on Greek drama. Rehearsals of Manhood, the final work of a widely recognized and celebrated classical scholar, proposes an entirely new account of Greek drama providing an explanation of the social place of Greek drama and its relation to the gendered organization of Athenian social life. Winkler interprets drama as a secular manhood ritual, a public aesthetic undertaking focused on the initiation of boys into manhood and, specifically, on the training, the display, and the representation of young male warriors. According to Winkler, the chorus of both tragedy and comedy was composed of young Athenian men of citizen status, about eighteen to twenty years of age, who were undergoing military training in order to prepare themselves for the task of warfare; they danced on a rectangular dance floor in a rectangular formation that recalled the arrangement of the infantry phalanx; they accompanied plays that often highlighted scenarios of risk faced by young men on the verge of adulthood; and they performed in a theater whose seating was arranged to display the corporate body of the male citizenry as a whole, both its democratic equality and its hierarchical ranking according to degrees of excellence. Winkler does not offer new interpretations of the texts of Greek plays but a new account of how the very practice of dramatic performance fit into the social life and gender politics of the Athenian state"--
Greek drama. --- Greek drama --- History and criticism. --- Athens (Greece) --- Intellectual life. --- Aeolus. --- Analogy. --- Ancient Greek comedy. --- Ancient Greek novel. --- Aristophanes. --- Aristotle. --- Ars grammatica. --- Athens. --- Atreus. --- Banality (sculpture series). --- Bribery. --- Brothel. --- Categorization. --- Chryses. --- Classics. --- Clothing. --- Cockfight. --- Combatant. --- Costume. --- Counterintuitive. --- Cowardice. --- Cultural studies. --- Demosthenes. --- Depiction. --- Description. --- Desertion. --- Dithyramb. --- Eion. --- Euripides. --- Excellence. --- Explanation. --- Fellow. --- Greek tragedy. --- H. J. Rose. --- Hapax legomenon. --- Hetaira. --- Hoplite. --- Human sacrifice. --- Iliad. --- Illustration. --- Imitation. --- Impersonator. --- Infantry. --- Iphigenia. --- Isocrates. --- Joan Collins. --- Joke. --- Kaunos. --- Literature. --- Loeb Classical Library. --- Masculinity. --- Meal. --- Music school. --- Musical instrument. --- Mycenae. --- Naples National Archaeological Museum. --- Narrative. --- Narrativity. --- Nature versus nurture. --- Newspaper. --- Odysseus. --- Old Comedy. --- Opsis. --- Original meaning. --- Oropos. --- Palmette. --- Phratry. --- Pity. --- Playwright. --- Poetics (Aristotle). --- Poetry. --- Political symbolism. --- Prometheus Bound. --- Psiloi. --- Reason. --- Sappho. --- Scholia. --- Seriousness. --- Sextus Empiricus. --- Single combat. --- Social distance. --- Social nature. --- Socrates. --- Sophocles. --- Subpoena. --- Technology. --- Tetralogy. --- The Bacchae. --- The Comic. --- Theatre of ancient Greece. --- Thyestes. --- Tragedy. --- Trickster. --- Usage. --- Vitruvius. --- Walter Burkert. --- War. --- Wealth. --- Writing. --- Xanthos.
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