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Book
San Giacomo : to proto elliniko theatro
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Year: 1992 Publisher: Kerkyra: Ellinoekdotiki,

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Periodical
Contemporary theatre review.
ISSN: 14772264 Year: 1992 Publisher: [Chur] Switzerland : Basingstoke, Hants UK : Harwood Academic Publishers, Routledge, Taylor & Francis

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Periodical
Theatre symposium : a journal of the Southeastern Theatre Conference.
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ISSN: 21669937 Year: 1993 Publisher: Tuscaloosa, AL : Southeastern Theatre Conference and the University of Alabama Press

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Periodical
Theatre history studies.
Authors: ---
ISSN: 21669953 Year: 1981 Publisher: Grand Forks, ND : University of North Dakota Press,

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Periodical
Theatre notebook.
Authors: --- ---
ISSN: 20518358 Year: 1945 Publisher: London : Society for Theatre Research,

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Periodical
The Theatre annual.
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ISSN: 04954157 Year: 1942 Publisher: [Williamsburg, VA, etc.] [College of William and Mary, etc.]

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Periodical
Forum modernes Theater.
ISSN: 21963517 Year: 1986 Publisher: Tübingen : Tübingen : G. Narr, Narr Francke Attempto Verlag

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Theatre censorship : from Walpole to Wilson
Authors: --- --- ---
ISBN: 9780199260287 0199260281 0191717398 1435631196 1281164178 9786611164171 0191531960 Year: 2007 Publisher: Oxford [etc.] Oxford University Press

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Book
Zur Humanisierung des Lebens : Theater und Kunst : ausgewählte Vorträge
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ISBN: 3700128770 9783700128779 Year: 2000 Volume: 673 Publisher: Wien Österreichische Akademie der Wissenschaften

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Book
Writing the history of the British stage : 1660-1900
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ISBN: 9781107166929 1107166926 9781316711460 9781316617762 1316617769 1316744825 1316731316 1316748685 1316711463 1316746755 1316754472 1316733246 Year: 2016 Publisher: Cambridge : Cambridge University Press,

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This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history.

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