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Motion pictures --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction. --- Production and direction --- Direction
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Semiotics --- Film --- Motion pictures --- Cinematography --- CDL --- 791.42 --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- Lighting --- Direction
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""Behind-the-scenes"" stories of ranting directors, stingy producers, temperamental actors, and the like have fascinated us since the beginnings of film and television. Today, magazines, websites, television programs, and DVDs are devoted to telling tales of trade lore-from on-set antics to labor disputes. The production of media has become as storied and mythologized as the content of the films and TV shows themselves. Production Studies is the first volume to bring together a star-studded cast of interdisciplinary media scholars to examine the unique cult
Mass communications --- Mass media and culture. --- Motion pictures --- Television --- Production and direction. --- Culture and mass media --- Culture --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Television direction --- Television production --- Television program direction --- Television program production --- Television programs --- Production and direction --- Direction
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Film --- Art cinématographique --- Filmkunst --- Motion pictures --- Production and direction --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Production and direction. --- -Production and direction --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Direction --- CDL --- 791.41
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Motion pictures --- Cinéma --- Production and direction. --- Production et réalisation --- 798.65 --- 798.75 --- film --- regie --- scenario --- script --- film, spel en regie --- film, filmtechniek --- Cinéma --- Production et réalisation --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- Direction
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Motion pictures --- Storyboards --- 791.42 --- film --- filmtechniek --- scenario's --- scriptwriting --- storyboards --- tekenkunst --- Story boards --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- Direction --- Storyboard (filmtechniek)
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"Becoming an effective filmmaker involves being deliberately mindful of the structures and conventions that allow film to communicate meaning to a global audience. The Language of Film explores complex topics such as semiotics, narrative, intertextuality, ideology and the aesthetics of film in a clear and straightforward style, enabling you to apply these ideas and techniques to your own analysis or film-making. With full-colour film stills, in-depth case studies and a wide range of practical exercises, The Language of Film will help you to make the transition from consumer to practitioner - from someone who just responds to the language of film, to someone who actively uses it. In the second edition, a new chapter examines how sound contributes to narrative and space to tell stories, create imaginary worlds and shape the realist (and often non-realist) effect of cinema. Along with two case studies from the first edition, Seven (dir: David Fincher) and Citizen Kane (dir: Orson Welles), the second edition also includes five new case studies: The Secret Life of Walter Mitty (dir: Ben Stiller), Dead Man's Shoes (dir: Shane Meadows), Hero (dir: Yimou Zhang), Berberian Sound Studio (d: Peter Strickland) and Psycho (d: Alfred Hitchcock)"--
Motion pictures --- Cinematography. --- #SBIB:309H524 --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Semiotics --- Photography --- Chronophotography --- Semiotics. --- Production and direction. --- Audiovisuele communicatie: semiotiek --- Production and direction --- Direction --- Animated pictures --- Art --- Performing arts --- Film & Video. --- Film & Video --- Direction & Production. --- Reference. --- Cinematography
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799.935 --- Hart, John --- animatiefilm --- layout --- storyboard --- technieken --- animatiefilm, productie, technieken, storytelling --- Motion pictures --- Storyboards. --- Production and direction. --- Storyboards --- Story boards --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- Direction
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Cinematography. --- Motion pictures --- Production and direction. --- 798.75 --- film --- filmproductie --- filmtechnieken --- productie --- regie --- film, filmtechniek --- Cinematography --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Photography --- Chronophotography --- Production and direction --- Direction --- Animated pictures
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"Calling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies like House of Games, State and Main, and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing-from script to cutting room-to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time. Based on a series of classes Mamet taught at Columbia University's film school, On Directing Film will be indispensible not only to students but to anyone interested in an overview of the craft of filmmaking."
regie --- filmmaking processes and techniques --- Film --- filmtechniek --- Motion pictures --- 798.65 --- film --- cinema --- regisseurs --- filmproductie --- scenario --- scenarioschrijven --- scenaristen --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- film, spel en regie --- Direction --- filmtheorie --- filmregisseurs --- 791.41
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