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Periodical
Year: 2009 Publisher: Seoul, Korea : Korean Film Council
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Motion pictures --- Motion picture industry --- Películas cinematrográficas --- Cine --- Government policy --- producción y dirección --- Korea. --- Korea (South) --- Zuid-Korea.
Periodical
Year: 2009 Publisher: Seoul, Korea : Korean Film Council
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Motion pictures --- Motion picture industry --- Películas cinematrográficas --- Cine --- 24.32 history of film art. --- Motion picture industry. --- Motion pictures. --- Films. --- Government policy --- producción y dirección --- Government policy. --- Korea. --- Korea (South) --- Zuid-Korea.
Book
ISBN: 9781107075641 1107075645 9781107428348 1107428343 9781139871846 1139986597 113999123X 1316011798 1316014037 1316002799 1139871846 1316007294 1316005038 131600953X 9781316005033 9781316009536 1322176671 9781139986595 9781316011799 9781316014035 9781316002797 9781316007297 Year: 2014 Publisher: Cambridge Cambridge University Press
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Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.
Sound recordings --- Musical perception. --- Grabaciones sonoras --- Percepción musical. --- Musikinspelningar. --- Musikinspelning. --- Production and direction --- Philosophy and aesthetics. --- Psychological aspects. --- Producción y dirección --- Aspectos psicológicos. --- Musical perception --- Auditory perception --- Music --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Psychological aspects
Periodical
ISSN: 20925158 Year: 2009 Publisher: Busan Korean Film Council
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Motion pictures --- Motion picture industry --- Películas cinematrográficas --- Cine --- 24.32 history of film art. --- Motion picture industry. --- Motion pictures. --- Films. --- Government policy --- producción y dirección --- Government policy. --- Korea. --- Korea (South) --- Zuid-Korea. --- Films --- K9790 --- Cinema --- Feature films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Korea: Performing and media arts -- cinema --- History and criticism --- Da Han Minguo --- Dae Han Min Kuk --- Daehan Min-kuk --- Daehan-Minʼguk --- Daehanminguk --- Daikan Minkoku --- Han guo --- Nam Chosŏn Kwado Chŏngbu --- Namjosŏn --- Namjosŏn Kwado Chŏngbu --- Republic of Korea --- ROK --- S.K.I.G. --- SKIG --- South Korea --- South Korean Interim Government --- Tae Han Min Guk --- Taehan Minʼguk --- Tai Han Min Kook --- United States Army Military Government in Korea --- USAMGIK --- Chōsen --- Chōsen Sōtokufu --- Chosŏn --- Chosŏn Chʻongdokpu --- Chosun --- Corea --- Corée --- Daikan Teikoku --- Government-General of Chosen --- E-journals --- Periodicals --- ChoÌsen --- ChoÌsen SoÌtokufu --- ChosoÌn --- ChosoÌn ChÊ»ongdokpu --- CoreÌe
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