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Grafikdesigner, die mit Druckveredelungen wie Blindprägung oder Nachleuchtfarbe arbeiten möchten, stehen immer wieder vor dem gleichen Problem: Es gibt keine aussagekräftigen Beispiele für die zur Verfügung stehenden Techniken. Entweder sind die Veredelungen in existierenden Büchern nur fotografisch dargestellt und nicht haptisch erfahrbar, oder es finden sich Beispiele in Werbebroschüren einzelner Druckereien, die so technikbezogen sind, dass der visuelle und haptische Reiz verloren gegangen ist. Hier schafft extra Abhilfe: Anhand sinnlich erfahrbarer Beispiele werden die wichtigsten Veredelungstechniken in Varianten und experimentellen Kombinationen praktisch und theoretisch vorgestellt. 30 international renommierte Designer haben eigens für dieses Buch Seiten entworfen, anhand derer die gestalterischen und technischen Besonderheiten jeder Veredelungstechnik gezeigt und anschaulich erklärt sowie auf deren Einsatzmöglichkeiten eingegangen wird. Ergänzende Textbeiträge behandeln generelle Fragen zum Thema, wie etwa Planung und Kalkulation einer Veredelung oder deren Wirkungsweise. Der hohe Informationsgehalt, die übersichtliche Navigation und das Glossar machen das Buch zu einem unverzichtbaren Nachschlagewerk zum Thema Druckveredelung. Gleichzeitig ist es durch seinen experimentellen und gestalterisch hochwertigen Charakter eine Inspirationsquelle für alle, die sich mit dem Thema Veredelung auseinandersetzen.Gestalter der Schauseiten (in alphabetischer Reihenfolge): 123buero Antoine+Manuel Catalogtree Drushba Pankow Fons Hickmann m23 Hans Gremmen Hort Sarah Illenberger Jung+Wenig Karlssonwilker inc. Hoon Kim Yang Liu Mario Lombardo LUST Thomas Mayfried Fanette Mellier mischen Maureen Mooren NODE Berlin Oslo OK-RM onlab Pixelgarten Project Projects Rimini Berlin Viola Schmieskors Ariane Spanier Annik Troxler Üppig Weiss-heiten Design Welcometo.as Graphic designers who wish to work with print finishes like blind embossing and phosphorescent ink constantly face the same problem: there are no compelling examples of the available techniques. They must either turn to existing books, which only present them in photographs and make it impossible to experience their tactile qualities, or to samples in advertising brochures put out by individual printing presses, which are so focused on the technology that their visual and haptic appeal is lost.This is where extra comes in: it uses sensuously experienced examples to present the most important finishing techniques practically and theoretically, in variants and experimental combinations. Thirty internationally renowned designers created pages especially for this book as a basis for explaining the special design and technical features of each technique, with an in-depth exploration of its possible uses.Additional articles deal with general issues such as planning and costing a finish or its mode of operation. With its large amount of information, its easy-to-navigate structure, and a glossary, this book is an indispensable reference work on print finishing. At the same time, its experimental character and high-quality design make it a source of inspiration for everyone with an interest in the subject.Designers of the "show pages" in alphabetical order: 123buero Antoine+Manuel Catalogtree Drushba Pankow Fanette Mellier Fons Hickmann m23 Hans Gremmen Hort Sarah Illenberger Jung+Wenig Karlssonwilker inc. Hoon Kim Hort Yang Liu Mario Lombardo LUST Thomas Mayfried mischen Maureen Mooren NODE Berlin Oslo OK-RM onlab Pixelgarten Project Projects Rimini Berlin Viola Schmieskors Ariane Spanier Annik Troxler Üppig Weiss-heiten Design Welcometo.as

Print finishing processes. --- Finishing processes, Print --- Printing

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John Andrews Annett was the pseudonym of John Hannett, a printer and a pioneer in the study of modern and historical bookbinding methods. Bibliopegia, or the Art of Bookbinding, first published in 1835 and enlarged the following year, was frequently republished and revised, and remains an important work on the subject. The author claims that it is the first practical manual on bookbinding to be published in England, derived from his own professional expertise and from recent French works on the topic. He explains every aspect of the process, from the folding of the sheets of paper and sewing, to the final finishing. He also discusses the various tools and machines in use, and provides a glossary of technical terms. This book is still a very valuable one for bookbinders and conservators, providing information on dyes and chemicals used in the 1830s as well as sewing and binding techniques.

Bookbinding. --- Bibliopegy --- Binding of books --- Print finishing processes

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095 <45> --- Bookbinding --- -Binding of books --- Print finishing processes --- 095 <45> Merkwaardige boekbanden--Italië --- Merkwaardige boekbanden--Italië --- History --- Binding of books --- Bibliopegy

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Book history --- Bookbinding --- History. --- 095 <09> --- -Bookbinding --- -Binding of books --- Print finishing processes --- Merkwaardige boekbanden: geschiedenis --- History --- -Merkwaardige boekbanden: geschiedenis --- 095 <09> Merkwaardige boekbanden: geschiedenis --- -095 <09> Merkwaardige boekbanden: geschiedenis --- Binding of books --- Europe --- Bibliopegy --- Bookbinding - History. --- Bookbinding - Europe - History.

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Graphics industry --- Bookbinding --- Exhibitions --- 095 <064> --- -Binding of books --- Print finishing processes --- Merkwaardige boekbanden--Tentoonstellingscatalogi. Museumcatalogi --- -Merkwaardige boekbanden--Tentoonstellingscatalogi. Museumcatalogi --- 095 <064> Merkwaardige boekbanden--Tentoonstellingscatalogi. Museumcatalogi --- Binding of books --- Bibliopegy --- Bookbinding - France - Exhibitions --- Reliure francaise --- 20e siecle