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Tanzpraxis gewinnt in der Forschung ebenso an Bedeutung wie sie selbst zur Forschung avanciert. Choreographie, Improvisation und Exploration erweitern herkömmliche diskursive Methoden der Wissensgenerierung und Wissensvermittlung um aisthetische Dimensionen der Bewegung, des Leiblichen, Sinnlichen und Affektiven. Dieser interdisziplinär angelegte Band eröffnet einen Einblick in die facettenreiche Vielfalt von Forschungsansätzen, die unmittelbar aus der Tanzpraxis hervorgehen oder auf tänzerische Praxen zurückgreifen. Die Beiträge stellen theoretische und methodische Grundlegungen, historische Bezüge sowie Erkenntnisgewinn exemplarisch an künstlerisch-kreativen, pädagogischen, therapeutischen und disziplinenüberschreitenden Projekten vor. Dieser Sammelband [ist] insgesamt als Bereicherung des virulenten Diskurses zum Verhältnis Tanz/Forschung zu betrachten.« Marcel Behn, [rezens.tfm], 2 (2017) Besprochen in: UP TO DANCE, 2 (2017) XTRA, 333 (2017) Tanznetz.de - Das Spielzeitheft, 4 (2017), Anja K. Arend

The arts --- Artistic Research. --- Body. --- Exploration. --- Improvisation. --- Knowledge. --- Practice-as-research. --- Tanz; Künstlerische Forschung; Praxisgeleitete Forschung; Wissen; Improvisation; Exploration; Artistic Research; Körper; Dance; Practice-as-research; Knowledge; Body

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"Lace narratives: a monograph, 2005 - 2015 documents Cecilia Heffer's innovative lace-making practice over a decade, including major exhibitions and commissions. This publication examines ways that Cecilia's research practice responds to changing ideas and technologies as a means to extend our perception of textiles. It presents an in-depth reflection on studio practice in a discursive spirit, responding to the question: What has the studio enquiry revealed that could not have been revealed through other modes of research?"--Publisher's website.

Lace makers --- Lace and lace making --- Heffer, Cecilia. --- Practice as research --- Practice-led Research --- Lacework --- Storytelling --- Lace-making --- Textiles

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"Lace narratives: a monograph, 2005 - 2015 documents Cecilia Heffer's innovative lace-making practice over a decade, including major exhibitions and commissions. This publication examines ways that Cecilia's research practice responds to changing ideas and technologies as a means to extend our perception of textiles. It presents an in-depth reflection on studio practice in a discursive spirit, responding to the question: What has the studio enquiry revealed that could not have been revealed through other modes of research?"--Publisher's website.

Lace makers --- Lace and lace making --- Practice as research --- Practice-led Research --- Lacework --- Storytelling --- Lace-making --- Textiles --- Heffer, Cecilia.

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This book makes a compelling case for ‘performance fieldwork’ as a vital new approach to interdisciplinary collaboration. Refocussing the histories and practices of field research, it shows how creative methods and artistic processes can contribute to an embodied and situated knowledge of complex landscapes and environments. The book brings together case studies of innovative research in the fields of ecology, clubbing, heritage, mobility and deep time, which took place in the United Kingdom between 2009 and 2021. These accessible and engaging field notes connect to international and intercultural contexts, with attention to alternative experiences and perspectives throughout. Together, they provide a critically informed ‘toolbox’ of playful and exploratory strategies for working with a diverse range of urban and rural sites – including a river, a museum, a nightclub, a motorway and a cave. This is a timely methodology that reaches across disciplines to demonstrate how performance continually plays out ‘in the field’. David Overend is an award-winning theatre director and Lecturer in Interdisciplinary Studies at the University of Edinburgh, UK. His research focuses on contemporary theatre and performance, often at the intersection with cultural geography. Previous publications include Making Routes: Journeys in Performance 2010-2020 with Laura Bissell (2021), and an edited collection, Rob Drummond Plays with Participation (2021). David has also written numerous articles for journals including Contemporary Theatre Review, New Theatre Quarterly and GeoHumanities. As well as over a decade of site-based performance practice, he has directed for many theatres, including the National Theatre of Great Britain.

Environmental planning --- Theatrical science --- Social geography --- History --- performances (kunst) --- ruimtelijke ordening --- theater --- geschiedenis --- Site-specific theater. --- Performing arts. --- Theater. --- Theater—History. --- Human geography. --- Site-Specific Performance. --- Practice-as-Research. --- Contemporary Theatre and Performance. --- Human Geography.

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This book explores how doing dramaturgy is informed by today’s highly diverse field of theatre, dance and performance. It does so in dialogue with fourteen performances and their makers, tracing the thinking-through-practice that underlies these creations. The first part of the book looks at how dramaturgs participate in practices of thinking-making and introduces a dramaturgical mode of looking at performances and the processes in which they are created. The second part of the book discusses the performances and creative processes of Manuela Infante, Julian Hetzel, Ivo van Hove, Anouk van Dijk, Falk Richter, Milo Rau, Kris Verdonck, Death Centre, Hotel Modern, Jr.cE.sA.r , Emio Greco and Pieter C. Scholten, Dries Verhoeven, the LGB Society of Mind, Sanja Mitrović, and Amanda Piña. Showing how ways of making and ways of doing dramaturgy mutually inform each other, this book is an essential resource for students and others aspiring to develop their own dramaturgical practice. Maaike Bleeker is Professor of Theatre, Dance and Performance Studies at Utrecht University, Netherlands. As a dramaturg, she worked with theatre directors and choreographers on a wide variety of projects. Moving back and forth between theory and practice, she investigates thinking as material and embodied practice, and making theatre as an expression of such thinking. .

Drama --- Dramaturges. --- Technique. --- Dramaturgs --- Literary managers (Theater) --- Theatrical producers and directors --- Dramaturgy --- Authorship --- Playwriting --- Performing arts. --- Theater. --- Cultural industries. --- Theater—History. --- Theatre and Performance Arts. --- Theatre Industry. --- Contemporary Theatre and Performance. --- Applied Theatre. --- Practice-as-Research. --- Creative industries --- Culture industries --- Industries --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Show business --- Arts --- Performance art