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"This work studies three twenty-first century novels by Richard Powers, Dave Eggers and Don DeLillo as representative of a new trend of US fiction concerned with the topic of the technological augmentation of the human condition. The different chapters provide, from the double perspective of the optimistic transhumanist philosophy and the more balanced approach of critical posthumanism, an overview of the narrative strategies used by the writers to explore the possibilities that biotechnology, digital technologies and cryonics open up to transcend our human limitations, while also warning their readers of their most nefarious consequences. Ultimately, the book puts forward the claim that even if the writers approach the subject from a variety of perspectives and using different narrative styles and techniques, they all share a critical posthumanist fear that an unrestrained and unquestioned use of technology for enhancement purposes may bring about disembodiment and dehumanization"--
American fiction --- Human body and technology in literature. --- Literature and technology --- Posthumanism in literature. --- History and criticism --- DeLillo, Don. --- Eggers, Dave. --- Powers, Richard,
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Metafoor --- Metaphor --- Métaphore --- Parabole --- American fiction --- History and criticism --- Metaphor. --- History and criticism. --- 20th century --- DeLillo, Don --- Auster, Paul --- Gass, William H. --- Powers, Richard --- Updike, John --- Criticism and interpretation --- West, Paul --- American fiction - 20th century - History and criticism
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"The title coinage of this book, stimulacra, refers to the fundamental capacity of literary narrative to stimulate our minds and senses by simulating things through words. Musical stimulacra are passages of fiction that readers are empowered to transpose into mental simulations of music. The book theorizes how fiction can generate musical experience, explains what constitutes that experience, and explores the musical dimensions of three American novels: William T. Vollmann's Europe Central (2005), William H. Gass's Middle C (2013), and Richard Powers's Orfeo (2014)"--
American fiction --- Music and literature --- Music in literature. --- American fiction. --- Music and literature. --- History and criticism --- History --- Vollmann, William T. --- Gass, William H., --- Powers, Richard, --- 2000-2099. --- United States.
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Coover, Robert Lowell, 1932- . The Universel Baseball Association, Inc. J. Henry Waugh, PROP. --- McElroy, Joseph --- Silko, Leslie Marmon --- Robinson, Marilynne --- Doctorow, Edgar Laurence --- O'Brien, Tim --- DeLillo, Don --- Elkin, Stanley --- Auster, Paul --- Powers, Richard --- Johnson, Charles Richard
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What does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamics of the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, by highlighting postmodern experimentation as a mode of profound historical consciousness. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War.
Barth, John --- Pynchon, Thomas --- Powers, Richard --- Cold War in literature --- Guerre froide dans la littérature --- Koude oorlog in de literatuur --- American fiction --- Cold War --- Postmodernism (Literature) --- American literature --- History and criticism&delete& --- Theory, etc --- Influence --- Barth, John, --- Powers, Richard, --- Bart, Dz︠h︡on, --- Pinchon, Tomas --- Criticism and interpretation. --- History and criticism --- Theory, etc. --- United States --- Criticism and interpretation --- Paouers, Ritsarnt, --- Παουερς, Ριτσαρντ, --- Cold War in literature. --- Influence.
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