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The history of American ceramics 1607 to the present.
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ISBN: 0810911728 Year: 1988 Publisher: New York (N.Y.) : Abrams,

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Kristin McKirdy : [exposition : Sèvres, Cité de la céramique, 12 septembre 2012-14 janvier 2013 ; Bordeaux, Musée des arts décoratifs, 28 février-28 mai 2013 ; Roubaix, La Piscine, Musée d'art et d'industrie André-Diligent, mi-octobre 2013-mi-janvier 2014]
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ISBN: 9782915542479 2915542473 Year: 2012 Publisher: Paris Norma

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Ceramic sculpture
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ISBN: 1574985302 9781574985306 9781574983005 1574983008 Year: 2009 Publisher: Westerville, Ohio American Ceramic Society

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More than 20 American ceramic artists present a broad variety of inspiring clay sculpture pieces and some unique techniques they used.


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Ceramics in the Pacific Northwest: a history
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ISBN: 9780295956237 0295956232 Year: 1979 Publisher: Seattle (Wash.): University of Washington press,

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A chosen path
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ISBN: 9798890886033 0807868132 9780807834275 0807834270 9780807868133 9780807834275 0807834270 Year: 2010 Publisher: Chapel Hill University of North Carolina Press

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Renowned ceramic artist Karen Karnes has created some of the most iconic pottery of the late twentieth and early twenty-first centuries. The body of work she has produced in her more than sixty years in the studio is remarkable for its depth, personal voice, and consistent innovation. Many of her pieces defy category, invoking body and landscape, pottery and sculpture, male and female, hand and eye. Equally compelling are Karnes's experiences in some of the most significant cultural settings of her generation: from the worker-owned cooperative housing of her childhood, to Brooklyn Coll

Arts and crafts : pottery and ceramics.
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ISBN: 0811807630 Year: 1994 Publisher: San Francisco Chronicle books

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A century of ceramics in the United States, 1878-1978 : a study of its development.
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ISBN: 0525475745 Year: 1979 Publisher: New York E. P. Dutton

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The Alfred B. Maclay collection of early American glass and ceramics : public sale March 23, 24, and 25 at 2:15 p.m.
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Year: 1939 Publisher: New York : Parke-Bernet Galleries,

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The art of Toshiko Takaezu
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ISBN: 080787809X 9780807878095 9780807834824 0807834823 Year: 2011 Publisher: Chapel Hill, NC University of North Carolina Press

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Tracing the artistic development of renowned potter Toshiko Takaezu, this masterful study celebrates and analyzes an artist who holds a significant place in the post-World War II craft movement in America. Born in Hawaii of Japanese descent in 1922, Takaezu has worked actively in clay, fiber, and bronze for over sixty years. Influenced by midcentury modernism, her work has transformed from functional vessels to abstract sculptural forms and installations. Over the years, she has continued to draw on a combination of Eastern and Western techniques and aesthetics, as well as her love of the natural world. In particular, Takaezu's vertical closed forms have become a symbol of her work, created through a combination of wheel-throwing and hand-building techniques that allowed her to grow her vessels vertically and eased the circular restrictions of the wheel. In addition to her art, Takaezu is renowned for her teaching, including twenty years at Princeton University. This beautifully illustrated book offers the first scholarly analysis of Takaezu's life work and includes essays by Paul Smith, director emeritus of the American Craft Museum, and Janet Koplos, former senior editor of Art in America. Jack Lenor Larsen, a textile designer, author, collector, and advocate of traditional and contemporary craftsmanship, provides a foreword.


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Daniel Johnston : A Portrait of the Artist as a Potter in North Carolina
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ISBN: 0253048893 0253048907 Year: 2020 Publisher: Bloomington, Indiana : Indiana University Press,

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"Daniel Johnston, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina"--

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